A little effort and here we are at the Peace Memorial Park. Lots of people here on this day of commemorations. It’s clearly a classic visit for Japanese families.

The morning ceremony installations are still in place. Many Japanese are paying their respects in front of the cenotaph for the bomb victims. Didn’t have the energy to queue in the blazing sun for the photo in line with the axis. Nor the desire to play the obnoxious tourist in this atmosphere of reflection. Oh well, no photo then!
We head to the Peace Museum, partly closed but still interesting and, of course, deeply moving.
Right from the start, a model helps you grasp the scale of the blast. There are also period photos, burnt clothes, objects found in the ruins, twisted doors, melted statues, traces of the black rain that followed the explosion... All these elements show the extent, the intensity of the damage, and the horror of it all. But, despite what I’d read, there aren’t—or at least very few and easily avoidable—images that would justify not bringing young children. In fact, Japanese families come here as part of a kind of duty of remembrance. That’s actually what’s striking in this museum: the duty of memory. The facts are presented—at least in the English version—with an emphasis on objectivity, without hatred or condemnation. Volunteer survivors of the disaster are also there to share their testimonies. When I’d talked with one of the hotel staff in Uno about Hiroshima and the atomic bomb, this calmness without resentment, simply marked by deep sadness, had already struck me.




The long-term effects of the bomb are also presented, and the visit ends with the story of Sadako, who developed leukemia and believed that if she managed to fold 1,000 paper cranes, she would be saved. Since then, these paper cranes have become a symbol of hope, and people continue to send them from all over the world.
As moving as it is, this museum is, in my opinion, a must-see during a visit to Hiroshima. It also teaches you a lot about Japanese society.
