I could have subtitled this travel journal: "Ferme eut’bouc tin nez va quer eud’dans"; it’s an expression in Picard language, literally “Close your mouth or your nose will fall in,” said to someone who’s amazed—and amazed I was!!!
Ooooooooh, giants!
Oh, how I love them! In the North, we have lots of these giants, like Reuze Papa and Reuze Maman in Cassel, or Gayant, Marie, and their children Binbin, Jacquot, and Fillon in Douai, and many more.Huh? What? You don’t know what a Géant du Nord is?
Well, it’s a benevolent hero, a legendary figure, a protector, a symbol tied to a city that parades through it, walking and dancing during carnival or the local festival. The tradition is said to have originated in Portugal in the 13th century (at least that’s where we have the first records), then we see them in the Netherlands starting in the 15th century. In the North, the oldest are Gayant and Marie of Douai (16th century), but many new ones have appeared since the 1980s with the revival of carnivals. In practice, it’s a large character (or animal figure) several meters tall; the structure is made of wicker, the body is often papier-mâché, but the head can be wood, as in Ath (lime wood), and the clothes and accessories are made of fabric, leather, and wood. The flared robe (for both male and female giants) allows one or more carriers to slip underneath to move it using only their arms, shoulders, and legs—and even make it dance! There are over 1,500 giants in Belgium and 450 in Hauts-de-France, mostly in the Nord and Pas-de-Calais departments.
In Ath, there are giants—LOTS of them! I’ve never seen so many at once. And each one is carried by only one man at a time (except for Bayard, you’ll see why later), even though the structure weighs over 100 kilos—so the carriers take turns quickly! The Ducasse of Ath and its giants have been inscribed on the UNESCO Intangible Cultural Heritage list since 2008, as part of the "Processional Giants and Dragons of Belgium and France."
What’s more, the Ducasse of Ath is remarkable for its age and local roots; a procession was first mentioned in 1399, and today the many musical groups are still local (Ath and surrounding towns). The event is extremely popular: a good part of the population is there, all generations mixed together. Everyone knows the groups, floats, and giants, and each has their favorite! Originally, religious groups paraded, illustrating episodes from the Bible or the Golden Legend. Gradually, the parade became secular and kept evolving by adding new giants, historical figures, or allegories linked to local history (Ath, Belgian Hainaut, Belgium).
Finally, the beautiful floats are all pulled by magnificent draft horses, and that’s extraordinary! The town council itself rides in fine carriages that close the parade.
To wrap up this long introduction, know that the Ducasse of Ath lasts several days, but the highlight is the highly codified procession that takes place on the 4th Sunday of August (actually, the procession passes twice, once in the morning and once in the afternoon).So, let’s go!
On this Sunday, August 26th, we’re in Ath in the early afternoon to see the procession. What a popular enthusiasm! Everyone is wearing the city’s colors (purple, yellow, and white), often with a twisted fabric necklace. Everyone is happy, smiling, from the giggling toddler to the sprightly centenarian sipping beer with her rosy-cheeked cousin and the pretty freckled blonde niece. People call out to each other, laugh, hum, and congratulate each other all around.
People start positioning themselves at strategic spots along the route—wider areas where the giants stop to perform a dance to the tunes of the brass bands accompanying them. And there are brass bands—at least one per giant and float!
The wait passes quickly in this joyful atmosphere. Suddenly, the music grows louder, and here comes the first giant at last! It’s the "two-headed eagle," with a child (a real one) sitting safely on a little chair.
Present in the procession since the late 17th century, it originally had only one head (normal, right?) and accompanied the tailors’ guild. It gained a second head during the royal visit of 1854 (go figure why!). It’s 3.30 meters tall and weighs 115 kilos (without the child). All the men you see in white are carriers taking turns. Its dance consists of spinning the bird around—you’d think that little kid up there must be getting dizzy!
Next is the "Neapolitan fishermen’s boat." It’s a magnificent float representing a ship, with handsome sailors clinging to its rigging. This float first appeared in the parade in 1856.
It’s followed by a human giant on stilts: "Saint Christopher of Flobecq," holding a flowered staff and carrying Christ on his shoulders (this time, not a real child!). It appeared in the 19th century, then disappeared from the procession before being reintroduced in 1976.
Now here come the "Blues," dressed in French uniforms. This group is the heir of the former cannon-arquebusier company, and they punctuate their parade with gun salutes!
To be continued: the giant Samson!
