Hey there, VoyageForum!!!
I’ve combed through this site up, down, and sideways to plan our two-month road trip across the American Southwest during the summer of 2022, so it only feels right to give back and revive the USA travel journal section—helping others prep, travel, or relive their own memories! 😏
A quick intro to the stars of this trip is coming soon... in an upcoming post!
Table of Contents:
Road trip introduction
Day 1 & 2: the days we double-checked all our papers...
Day 3 & 3 bis: The day we discovered Denver...
Day 4: The day of the race, the carriage, and the little one’s cough...
Day 5: the day the road trip truly began...
Day 6 & 6 bis: the day of Nature’s first wonders...
Day 7: the day the sky fell on our heads...
Day 8 & 8 bis: the day we saw ghosts...
Day 9: the day we climbed the mountain...
Day 10: the day the theme song from "The Last Picture Show" played on loop in my head...
Day 11: the day we lived like Native Americans...
Day 12: the day we left civilization behind...
Day 13 & 13 bis: the day we explored another planet...
Day 14 & 14 bis: the day Caro reunited with HER rocks...
Day 15 & 15 bis: the day of the fantastic ride...
Day 16: the day we cooled off in Lake Powell...
Day 17: the day the Colorado River’s meanders were all ours...
Day 18: the day we dipped our feet in the Colorado...
Day 19: the day the guys discovered true vastness...
Day 20 & 20 bis: the day we covered a few acres of Route 66 before sunset...
Day 21: the day the credit card said stop... right before the STRIP...
Day 22: the day we finally discovered Cirque du Soleil...
Day 23: the day we returned to calm... well, almost...
Day 24: the day we reached our home base for 6 nights: Saint George
Day 25: the day we should’ve explored Yant Flat...
Day 26: the day it was 13°C at Cedar Breaks...
Day 27: the day we explored The Narrows in Zion NP...
Day 28: the day we discovered Snow Canyon...
Day 29: the day we hiked to the "SUBWAY"...
Day 30: the day we encountered the abyss—from the north this time...
Day 31: the day we arrived in a place where dreams begin... Kanab...
Day 32: the day we discovered the first treasures along House Rock Valley...
2nd part: the second part of the journey...
Day 33: the day we discovered a magical place... Edmaier's Secret...
Day 34: the day Cottonwood Road didn’t open up to us...
Day 35: the day of the classic Queen’s Garden + Navajo Loop—and another event that became a classic...
Day 36: the second day in Bryce... pure bliss!!!
Day 37: the day we swam at the foot of Calf Creek Falls...
Day 38: the day we took the Burr Trail, even with storms lurking...
Day 39: The day of the goblins...
Day 40: the day we enjoyed the peaceful Capitol Reef NP...
Day 41: the day of the Rim Overlook and another letdown...
Day 42: the day we arrived in... Moab...
Day 43: the first day in Arches National Park...
Day 44: the day of the Fisher Towers...
Day 45: the day of Bow Tie & Corona Arches...
Day 46: The day of Shafer Trail + Potash Road...
Day 47: The second day in Arches NP...
Day 48: the day we discovered Colorado NM in a flash...
Day 49: the day of Black Canyon...
Day 50: the day we passed through Durango before falling for Silverton...
Day 51: the day we went through Ouray and ended up in Gunnison...
Day 52: the day of Kebler Pass and arriving at the hot springs...
Day 53: the day of hot springs II, then the road back to Denver...
Day 54: the last day...
Day 55: back home and the RECAP...
66 similar discussions in English
Hello,
We’re planning a three-week trip to Kenya in January 2020 and wanted to share our itinerary. Maybe some of you have feedback or suggestions.
Our goals: we’re not big safari fans (though we do want to do 3 days of it), and that’s not why we’re going to Kenya. We’re huge nature lovers, into sports, hiking, meeting locals, agriculture, and food. We’d also like a few days of pure relaxation on the beach before heading back to Europe.
Here’s our rough itinerary:
Nairobi – arrive in the evening, overnight stay Travel to Mt. Kenya, start trekking Mt. Kenya Mt. Kenya Mt. Kenya Transfer to Meru? How? Rent a car? Guide (for the next three days?)? Meru safari Meru safari Samburu-Buffalo safari Transfer to Nakuru Nakuru – agriculture and people, members of the international Slow Food association Nakuru, Slow Food Nakuru, Slow Food Kichama, coffee plantations Hells Gate – walking or biking safari (Nairobi) Train to Mombasa, beach time and swimming Mombasa and surrounding area Mombasa and surrounding area Mombasa and surrounding area Mombasa and surrounding area Mombasa and surrounding area Train back to Nairobi
Thanks in advance for your thoughts!
We’re planning a three-week trip to Kenya in January 2020 and wanted to share our itinerary. Maybe some of you have feedback or suggestions.
Our goals: we’re not big safari fans (though we do want to do 3 days of it), and that’s not why we’re going to Kenya. We’re huge nature lovers, into sports, hiking, meeting locals, agriculture, and food. We’d also like a few days of pure relaxation on the beach before heading back to Europe.
Here’s our rough itinerary:
Nairobi – arrive in the evening, overnight stay Travel to Mt. Kenya, start trekking Mt. Kenya Mt. Kenya Mt. Kenya Transfer to Meru? How? Rent a car? Guide (for the next three days?)? Meru safari Meru safari Samburu-Buffalo safari Transfer to Nakuru Nakuru – agriculture and people, members of the international Slow Food association Nakuru, Slow Food Nakuru, Slow Food Kichama, coffee plantations Hells Gate – walking or biking safari (Nairobi) Train to Mombasa, beach time and swimming Mombasa and surrounding area Mombasa and surrounding area Mombasa and surrounding area Mombasa and surrounding area Mombasa and surrounding area Train back to Nairobi
Thanks in advance for your thoughts!
It all started last December, after another price alert from Gilou for United/Lufthansa flights at 250 € from Paris to San Francisco. Meanwhile, I was planning to spend a week alone with our three kids (Maxime, 14, Rachel, 12, and Timéo, 8) somewhere in France for the February break.
But this time, Gilou really outdid himself—way too tempting! 😮 His great tip worked for both the February and Easter breaks. I know April is the ideal month, especially if you love hiking! But for family reasons, only February would work for us.
Isn’t February a month to avoid for the Southwest? To keep our summer trip budget intact, I was thinking of camping as much as possible. After checking weather sites for temperature histories in key spots (Furnace Creek, Saint George, Page, Sedona), nighttime temps over the past two years ranged from +5 to -2°C. So, it seemed doable...
I started discussing (aka negotiating, even begging) with my better half. The kids caught on fast that there was a chance we’d go, and they were thrilled! She finally gave her consent to make the kids happy 😎. I quickly checked that our ESTAs were still valid, and 48 hours later, I had the tickets in hand 😎😎. But five days later, Laetitia changed her mind—her "Yes" turned back into a "No." No way were we going without her to her favorite country!!
Damn it 🤪! I had to tell her I’d already bought the four tickets (without bringing it up again, of course—a "Yes" is a "Yes," right?). And since the tickets were non-refundable, there was no going back... Apparently, with women, some "Yeses" mean *really* yes, but others mean, "I said yes in principle, but I wasn’t actually on board—and I never thought you’d have the nerve to buy the tickets without telling me!!" I had no idea 🤪!
Us guys? We’re way more straightforward—binary, even monetary... Yes means yes! And no can mean yes too 😏!! Anyway, in a lovely family atmosphere, I opened a thread to start planning and thanked Trois14 and Bluemesa for their help. On Trois14’s advice, I booked 5 nights in motels around St. George-Page at super tempting rates—around $35-40 a night...
On that note, Christmas cost me an arm and a leg... Gotta try to make up for it 😛!
Here’s the theoretical itinerary:
Death Valley (2 days) Valley of Fire The White Dome (hike up and down via Squirrel Canyon) 4 nights in the Kanab-Page area Sedona (2 days) Route 66 Alabama Hills / Trona Pinnacles Drive back to SFO via Highway 1
That’s the plan, at least...
In reality, it turned into a whole different story. I learned that in February, you’ve got to be flexible—*very* flexible sometimes—to dodge the weather. Halfway through, a cold snap made our second week (planned 100% camping) impossible, completely upending the itinerary.
So, a huge thanks to PapJ59, Noyellebis, and especially Caribou44 and Simonic. 🙂 A thousand thanks for your quick responses, availability, and sound advice, which let us have an original and unforgettable second week—Organ Pipe Cactus NM, Yuma, Salvation Mountain, Anza Borrego SP, a palm grove in Joshua Tree, then back to SFO!! Without you, we’d have been miserable on the spot, but instead... 😇
A big shout-out to Thibaut and his famous blog (rightfully praised on VF—it’s one of the few that details Organ Pipe), to travel journal writers for inspiration in general, and to those who helped me prep or during the trip (journals by Pong, Hiacinthe, Zitounet, and Laetitia).
Now, for the story...
But this time, Gilou really outdid himself—way too tempting! 😮 His great tip worked for both the February and Easter breaks. I know April is the ideal month, especially if you love hiking! But for family reasons, only February would work for us.
Isn’t February a month to avoid for the Southwest? To keep our summer trip budget intact, I was thinking of camping as much as possible. After checking weather sites for temperature histories in key spots (Furnace Creek, Saint George, Page, Sedona), nighttime temps over the past two years ranged from +5 to -2°C. So, it seemed doable...
I started discussing (aka negotiating, even begging) with my better half. The kids caught on fast that there was a chance we’d go, and they were thrilled! She finally gave her consent to make the kids happy 😎. I quickly checked that our ESTAs were still valid, and 48 hours later, I had the tickets in hand 😎😎. But five days later, Laetitia changed her mind—her "Yes" turned back into a "No." No way were we going without her to her favorite country!!
Damn it 🤪! I had to tell her I’d already bought the four tickets (without bringing it up again, of course—a "Yes" is a "Yes," right?). And since the tickets were non-refundable, there was no going back... Apparently, with women, some "Yeses" mean *really* yes, but others mean, "I said yes in principle, but I wasn’t actually on board—and I never thought you’d have the nerve to buy the tickets without telling me!!" I had no idea 🤪!
Us guys? We’re way more straightforward—binary, even monetary... Yes means yes! And no can mean yes too 😏!! Anyway, in a lovely family atmosphere, I opened a thread to start planning and thanked Trois14 and Bluemesa for their help. On Trois14’s advice, I booked 5 nights in motels around St. George-Page at super tempting rates—around $35-40 a night...
On that note, Christmas cost me an arm and a leg... Gotta try to make up for it 😛!
Here’s the theoretical itinerary:
Death Valley (2 days) Valley of Fire The White Dome (hike up and down via Squirrel Canyon) 4 nights in the Kanab-Page area Sedona (2 days) Route 66 Alabama Hills / Trona Pinnacles Drive back to SFO via Highway 1
That’s the plan, at least...
In reality, it turned into a whole different story. I learned that in February, you’ve got to be flexible—*very* flexible sometimes—to dodge the weather. Halfway through, a cold snap made our second week (planned 100% camping) impossible, completely upending the itinerary.
So, a huge thanks to PapJ59, Noyellebis, and especially Caribou44 and Simonic. 🙂 A thousand thanks for your quick responses, availability, and sound advice, which let us have an original and unforgettable second week—Organ Pipe Cactus NM, Yuma, Salvation Mountain, Anza Borrego SP, a palm grove in Joshua Tree, then back to SFO!! Without you, we’d have been miserable on the spot, but instead... 😇
A big shout-out to Thibaut and his famous blog (rightfully praised on VF—it’s one of the few that details Organ Pipe), to travel journal writers for inspiration in general, and to those who helped me prep or during the trip (journals by Pong, Hiacinthe, Zitounet, and Laetitia).
Now, for the story...
Hello everyone,
Here’s the belated review of our 15-day Caribbean cruise on the COSTA MAGICA from March 1st to 15th.
It’ll be illustrated with photos for each port of call. You’ll need to click on them to enlarge.
We bought this cruise from AZUR CROISIÈRES, in an outside cabin, with the TOTAL COMFORT CLASSIC package, which includes: - The "Pranzo & cena - Lunch & Dinner" drinks package with unlimited drinks during meals: water, wine, sodas, and draft beer. - A discount on excursions: the more you book, the bigger the discount.
The "Pranzo & cena - Lunch & Dinner" package was offered onboard for 19.90 € per day per person for those who didn’t already have it.
The itinerary was as follows: Fort-de-France (Martinique) / Pointe-à-Pitre (Guadeloupe) / At sea / Scarborough (Tobago) / St. George’s (Grenada) / Bridgetown (Barbados) / Castries (St. Lucia) / Fort-de-France (Martinique) / Pointe-à-Pitre (Guadeloupe) / At sea / Willemstad (Curaçao) / Oranjestad (Aruba) / Kralendijk (Bonaire) / St. George’s (Grenada) / Fort-de-France (Martinique)
After many cruises with MSC, this was our first COSTA cruise. We couldn’t help but compare the two companies and made the following observations: - The elevators are faster on COSTA than MSC. You wait less often. - Fewer storage spaces in the cabin closets on COSTA than MSC. - Impossible to check your onboard account balance on the TV with COSTA. - The cost of excursions booked in advance online is deducted at the end of the cruise with COSTA, but immediately upon booking with MSC. - The decor is more contemporary and elegant on MSC than COSTA. - COSTA’s restaurant meals are just as good as MSC’s but more generous. - COSTA: On the first evening when you arrive at the restaurant for dinner, no staff member shows you to your table, unlike MSC! - The buffet desserts are better on COSTA. - COSTA: No "napkin folding" during the Italian evening, no pizzas at the buffet, no complimentary drinks in the lounges during the gala evening, and no Baked Alaska either! - The shows are slightly less impressive on COSTA but a bit longer. - COSTA offers the option to skip the evening turndown service (preparing the beds for the night with the sheets folded back).
Of course, this list may also depend on the ship you’re traveling on. Some of these observations might be specific to the COSTA MAGICA.
Before the cruise, we spent 2 days in Fort-de-France at the "La Batelière" hotel.
www.la-bateliere.com/
Some rooms need renovating, but the sea view is stunning. We had to carry our two large suitcases up two flights of stairs ourselves because there was no elevator in the part of the building where our room was. The restaurant is good, but service can be slow if it’s busy. Breakfast is excellent. The beds are comfortable. The area around the hotel isn’t interesting—it’s best not to venture out. At the foot of the hotel, there’s a tiny beach (not private) and a nice restaurant/bar with a good reputation: "Lili’s Beach." I recommend booking a superior category room rather than a standard one, or you might be disappointed.
Here’s the belated review of our 15-day Caribbean cruise on the COSTA MAGICA from March 1st to 15th.
It’ll be illustrated with photos for each port of call. You’ll need to click on them to enlarge.
We bought this cruise from AZUR CROISIÈRES, in an outside cabin, with the TOTAL COMFORT CLASSIC package, which includes: - The "Pranzo & cena - Lunch & Dinner" drinks package with unlimited drinks during meals: water, wine, sodas, and draft beer. - A discount on excursions: the more you book, the bigger the discount.
The "Pranzo & cena - Lunch & Dinner" package was offered onboard for 19.90 € per day per person for those who didn’t already have it.
The itinerary was as follows: Fort-de-France (Martinique) / Pointe-à-Pitre (Guadeloupe) / At sea / Scarborough (Tobago) / St. George’s (Grenada) / Bridgetown (Barbados) / Castries (St. Lucia) / Fort-de-France (Martinique) / Pointe-à-Pitre (Guadeloupe) / At sea / Willemstad (Curaçao) / Oranjestad (Aruba) / Kralendijk (Bonaire) / St. George’s (Grenada) / Fort-de-France (Martinique)
After many cruises with MSC, this was our first COSTA cruise. We couldn’t help but compare the two companies and made the following observations: - The elevators are faster on COSTA than MSC. You wait less often. - Fewer storage spaces in the cabin closets on COSTA than MSC. - Impossible to check your onboard account balance on the TV with COSTA. - The cost of excursions booked in advance online is deducted at the end of the cruise with COSTA, but immediately upon booking with MSC. - The decor is more contemporary and elegant on MSC than COSTA. - COSTA’s restaurant meals are just as good as MSC’s but more generous. - COSTA: On the first evening when you arrive at the restaurant for dinner, no staff member shows you to your table, unlike MSC! - The buffet desserts are better on COSTA. - COSTA: No "napkin folding" during the Italian evening, no pizzas at the buffet, no complimentary drinks in the lounges during the gala evening, and no Baked Alaska either! - The shows are slightly less impressive on COSTA but a bit longer. - COSTA offers the option to skip the evening turndown service (preparing the beds for the night with the sheets folded back).
Of course, this list may also depend on the ship you’re traveling on. Some of these observations might be specific to the COSTA MAGICA.
Before the cruise, we spent 2 days in Fort-de-France at the "La Batelière" hotel.
www.la-bateliere.com/
Some rooms need renovating, but the sea view is stunning. We had to carry our two large suitcases up two flights of stairs ourselves because there was no elevator in the part of the building where our room was. The restaurant is good, but service can be slow if it’s busy. Breakfast is excellent. The beds are comfortable. The area around the hotel isn’t interesting—it’s best not to venture out. At the foot of the hotel, there’s a tiny beach (not private) and a nice restaurant/bar with a good reputation: "Lili’s Beach." I recommend booking a superior category room rather than a standard one, or you might be disappointed.
Wednesday, April 1st
Hazaribagh I’ve got a meet-up with Adam Iman, a guide and painter. He picks me up from the hotel at 10 AM. Another traveler from Bangalore is supposed to join us, but while we wait for him to arrive, Adam takes me to see the paintings his mother and sister created at Hazaribagh station. The town became famous thanks to these murals, which can also be found in several surrounding villages. This art form has earned recognition and is now protected, a sign of its cultural importance. Once the visit is over, we go to pick up the other traveler and then head to our first village: Belwara, where Sohrai art is practiced. At the entrance, a sign proudly announces that we’re entering an artists’ village, where this art is created by women organized into micro-enterprises. Some even offer workshops for those who’d like to learn this tradition.

Sohrai art is tied to the harvest season, from October to mid-November. The motifs, in natural colors, celebrate fertility and abundance. The artists use pigments from the earth: red oxides, ochre, white kaolin, and black manganese. On the walls, you’ll see animals, fish, birds—all symbols of life and prosperity. As I look closer at the murals, I start to realize that each motif tells a story. Large animals like cows or bulls often take center stage. Their bodies are filled with intricate, almost hypnotic patterns. They symbolize wealth and prosperity for the household, as well as the deep respect for cattle, which are essential to daily life. On some facades, elephants stand out—massive and decorated with the same precision. They evoke quiet strength and protection. But it’s when I stop in front of one of the houses that I really take the time to look. The wall, a soft ochre, is entirely covered in murals. Two large animals stretch out on either side of the door, their elongated bodies fitting the length of the wall. Their silhouettes are filled with geometric patterns and incredibly fine curved lines, as if every space was patiently filled. Around them, stylized plants, flowers, and small decorative elements fill every gap. The door, dark and worn, becomes almost the silent center of the composition, framed by these living, protective forms. To the right, a more colorful motif catches the eye—a flower or a stylized lamp—like a touch of light on the earth. The whole thing gives an impression of perfect balance, between the rigor of the patterns and the freedom of the gesture.

Elsewhere, birds and freer forms bring movement. Peacocks, recognizable by their stylized silhouettes, embody beauty and vitality, while fish symbolize water, fertility, and the continuity of life.
On some paintings, the scenes become almost narrative: you can make out figures, everyday gestures, like a memory of the village inscribed in the walls. The decorative frames around the doors aren’t left to chance either—they symbolically protect the house, like a boundary between the inside and the outside world.



During the Sohrai festival, cattle are led into the jungle in the morning. Meanwhile, the women finish the *aripans*—these floor paintings—and continue the wall murals. Around noon, the animals return to the village, and the bulls’ horns are anointed with oil and vermilion in a gesture of gratitude, amid the vibrant colors adorning the houses. We visit several artists, including Parvat Devi, a well-known woman who has received many awards. Her arms are adorned with intriguing tattoos, which I’ll talk about in more detail later.

On another wall, the style changes completely. Here, no massive animals—just birds occupying the space, light and graceful, as if caught in mid-movement. Two silhouettes face each other, their long necks arched almost like mirrors, while their outstretched wings seem to vibrate with the patterns that compose them.

The design is more graphic, almost airy. The lines are smoother, more fluid, as if drawn in one confident stroke. The birds’ bodies aren’t solid—they’re filled with repetitive motifs like scales, stylized feathers, and spirals, giving a sense of continuous movement. Around them, everything comes to life: flowers burst open, arabesques swirl, and even the simplest shapes seem alive. What strikes me here is the sense of lightness. Where the large animals evoked stability and grounding, these birds bring something freer, almost joyful. They seem to embody movement, the circulation of life, like a breath flowing through the village.

The colors remain the same—deep reds, intense blacks, and chalky white—but the rhythm is different. Faster, more spontaneous. As if each wall had its own personality, while still speaking the same language.
That’s probably why I’m so moved. I’d heard about these paintings from my friend Raja, and last year, I saw an exhibition in a village near my home. That first encounter made me want to come here. But seeing them in person is a whole different experience. These paintings are unique. This ancient art is passed down from mother to daughter, or mother-in-law to daughter-in-law, in a quiet, deeply living continuity. At first glance, it might seem almost childlike in its simplicity and pared-down forms. And yet, everything is thought out, balanced, mastered. Nothing is left to chance.

That apparent simplicity, combined with such rich symbolism, touches me deeply. There’s something sincere and essential in these walls—and that’s what moves me.
Hazaribagh I’ve got a meet-up with Adam Iman, a guide and painter. He picks me up from the hotel at 10 AM. Another traveler from Bangalore is supposed to join us, but while we wait for him to arrive, Adam takes me to see the paintings his mother and sister created at Hazaribagh station. The town became famous thanks to these murals, which can also be found in several surrounding villages. This art form has earned recognition and is now protected, a sign of its cultural importance. Once the visit is over, we go to pick up the other traveler and then head to our first village: Belwara, where Sohrai art is practiced. At the entrance, a sign proudly announces that we’re entering an artists’ village, where this art is created by women organized into micro-enterprises. Some even offer workshops for those who’d like to learn this tradition.

Sohrai art is tied to the harvest season, from October to mid-November. The motifs, in natural colors, celebrate fertility and abundance. The artists use pigments from the earth: red oxides, ochre, white kaolin, and black manganese. On the walls, you’ll see animals, fish, birds—all symbols of life and prosperity. As I look closer at the murals, I start to realize that each motif tells a story. Large animals like cows or bulls often take center stage. Their bodies are filled with intricate, almost hypnotic patterns. They symbolize wealth and prosperity for the household, as well as the deep respect for cattle, which are essential to daily life. On some facades, elephants stand out—massive and decorated with the same precision. They evoke quiet strength and protection. But it’s when I stop in front of one of the houses that I really take the time to look. The wall, a soft ochre, is entirely covered in murals. Two large animals stretch out on either side of the door, their elongated bodies fitting the length of the wall. Their silhouettes are filled with geometric patterns and incredibly fine curved lines, as if every space was patiently filled. Around them, stylized plants, flowers, and small decorative elements fill every gap. The door, dark and worn, becomes almost the silent center of the composition, framed by these living, protective forms. To the right, a more colorful motif catches the eye—a flower or a stylized lamp—like a touch of light on the earth. The whole thing gives an impression of perfect balance, between the rigor of the patterns and the freedom of the gesture.

Elsewhere, birds and freer forms bring movement. Peacocks, recognizable by their stylized silhouettes, embody beauty and vitality, while fish symbolize water, fertility, and the continuity of life.
On some paintings, the scenes become almost narrative: you can make out figures, everyday gestures, like a memory of the village inscribed in the walls. The decorative frames around the doors aren’t left to chance either—they symbolically protect the house, like a boundary between the inside and the outside world.


During the Sohrai festival, cattle are led into the jungle in the morning. Meanwhile, the women finish the *aripans*—these floor paintings—and continue the wall murals. Around noon, the animals return to the village, and the bulls’ horns are anointed with oil and vermilion in a gesture of gratitude, amid the vibrant colors adorning the houses. We visit several artists, including Parvat Devi, a well-known woman who has received many awards. Her arms are adorned with intriguing tattoos, which I’ll talk about in more detail later.

On another wall, the style changes completely. Here, no massive animals—just birds occupying the space, light and graceful, as if caught in mid-movement. Two silhouettes face each other, their long necks arched almost like mirrors, while their outstretched wings seem to vibrate with the patterns that compose them.

The design is more graphic, almost airy. The lines are smoother, more fluid, as if drawn in one confident stroke. The birds’ bodies aren’t solid—they’re filled with repetitive motifs like scales, stylized feathers, and spirals, giving a sense of continuous movement. Around them, everything comes to life: flowers burst open, arabesques swirl, and even the simplest shapes seem alive. What strikes me here is the sense of lightness. Where the large animals evoked stability and grounding, these birds bring something freer, almost joyful. They seem to embody movement, the circulation of life, like a breath flowing through the village.

The colors remain the same—deep reds, intense blacks, and chalky white—but the rhythm is different. Faster, more spontaneous. As if each wall had its own personality, while still speaking the same language.
That’s probably why I’m so moved. I’d heard about these paintings from my friend Raja, and last year, I saw an exhibition in a village near my home. That first encounter made me want to come here. But seeing them in person is a whole different experience. These paintings are unique. This ancient art is passed down from mother to daughter, or mother-in-law to daughter-in-law, in a quiet, deeply living continuity. At first glance, it might seem almost childlike in its simplicity and pared-down forms. And yet, everything is thought out, balanced, mastered. Nothing is left to chance.

That apparent simplicity, combined with such rich symbolism, touches me deeply. There’s something sincere and essential in these walls—and that’s what moves me.
April 11 – Day 1
It was winter, a winter with beautiful weather, A season that only exists in the southwest of America, I remember very well what I told you that morning A month ago... A century ago, an eternity ago... We’ll go... wherever you want, whenever you want...
Well, yeah, back from our adventure in our enchanting American West just a month ago, we’re already taking a bite out of one of its lesser-known competitors. "Flo, if you had to pick just one reason to justify your love for the U.S., what would it be?" The greasy, dripping burgers? No, I don’t think I’m going out on a limb by saying it’d be the wide-open spaces... And that’s exactly what our new quest is taking us to—a land on the other side of the globe where the horizon also seems endless, where silence tastes like salty wind and sand, where freedom is measured in kilometers of desert tracks, where the GPS is mostly there to confirm you’re lost in the middle of nowhere... Add to that magic formula the fact that you’ll see more zebras, giraffes, wildebeest, and elephants than people per square kilometer, and you can imagine us setting foot in Southern Africa for the first time, more precisely at the small airport in Windhoek, capital of... of...? Brush up on your geography, damn it! We’re landing in Namibia!!!

To be honest, Namibian landscapes have been flirting with me for ages. So how did I resist this island of temptation for so long? First, the budget. Let’s just say that for the same amount of effort (and kidneys), the bank lets you choose two other adventures almost anywhere else on the planet. Then there were my girls. Yeah, back then, they were too little to dose up on Malarone, the only malaria remedy at the time... Long story short, ten years later, all the planets have aligned. First, I won the Euromillions! Well, almost... Let’s just say my girls are now old enough... not to take Malarone, but to stop following me on all my adventures! Jackpot! "Flo, how about a little two-person caprice, just the two of us, tackling the Namibian tracks?"

As we landed on the runway, first wow effect: The horizon is immense. It’s flat as can be, incredibly flat... So much flat space! Did I mention it was flat?... Looking into the distance, it feels like your gaze could circle the Earth without hitting a single obstacle—until you end up staring at your own backside. "Oh, what a nice view!" Well, it’s the first time I’ve seen my butt from this angle! Touching moment... Sorry, I’m rambling—must be the exhaustion from the three-flight marathon we just powered through via Ethiopia and South Africa... And yet, no time to philosophize about my anatomy. As usual, we want to rack up our first kilometers to be front and center at dawn tomorrow. After wrapping up the tedious Namibian immigration formalities and meeting the 4x4 that’ll be our companion day and night for the next fifteen days, we’re off! We’re not exactly fresh, but we’re ready to tackle the next five hundred kilometers in night mode, cruise control set due south! Just outside Windhoek, the local wildlife—a jackal—welcomes us with a smile: "Welcome to Namibia!" That’s what it said! Honest... Okay, first endless straight road, first flaming sunset, first corrugated dirt track, first Milky Way with zero light pollution... You get it—it’s definitely the day of firsts... First night camping, too, in the big trunk of our Toyota Fortuner parked by the side of the track... The real adventure, the kind that smells under the arms, can finally begin...

It was winter, a winter with beautiful weather, A season that only exists in the southwest of America, I remember very well what I told you that morning A month ago... A century ago, an eternity ago... We’ll go... wherever you want, whenever you want...
Well, yeah, back from our adventure in our enchanting American West just a month ago, we’re already taking a bite out of one of its lesser-known competitors. "Flo, if you had to pick just one reason to justify your love for the U.S., what would it be?" The greasy, dripping burgers? No, I don’t think I’m going out on a limb by saying it’d be the wide-open spaces... And that’s exactly what our new quest is taking us to—a land on the other side of the globe where the horizon also seems endless, where silence tastes like salty wind and sand, where freedom is measured in kilometers of desert tracks, where the GPS is mostly there to confirm you’re lost in the middle of nowhere... Add to that magic formula the fact that you’ll see more zebras, giraffes, wildebeest, and elephants than people per square kilometer, and you can imagine us setting foot in Southern Africa for the first time, more precisely at the small airport in Windhoek, capital of... of...? Brush up on your geography, damn it! We’re landing in Namibia!!!

To be honest, Namibian landscapes have been flirting with me for ages. So how did I resist this island of temptation for so long? First, the budget. Let’s just say that for the same amount of effort (and kidneys), the bank lets you choose two other adventures almost anywhere else on the planet. Then there were my girls. Yeah, back then, they were too little to dose up on Malarone, the only malaria remedy at the time... Long story short, ten years later, all the planets have aligned. First, I won the Euromillions! Well, almost... Let’s just say my girls are now old enough... not to take Malarone, but to stop following me on all my adventures! Jackpot! "Flo, how about a little two-person caprice, just the two of us, tackling the Namibian tracks?"

As we landed on the runway, first wow effect: The horizon is immense. It’s flat as can be, incredibly flat... So much flat space! Did I mention it was flat?... Looking into the distance, it feels like your gaze could circle the Earth without hitting a single obstacle—until you end up staring at your own backside. "Oh, what a nice view!" Well, it’s the first time I’ve seen my butt from this angle! Touching moment... Sorry, I’m rambling—must be the exhaustion from the three-flight marathon we just powered through via Ethiopia and South Africa... And yet, no time to philosophize about my anatomy. As usual, we want to rack up our first kilometers to be front and center at dawn tomorrow. After wrapping up the tedious Namibian immigration formalities and meeting the 4x4 that’ll be our companion day and night for the next fifteen days, we’re off! We’re not exactly fresh, but we’re ready to tackle the next five hundred kilometers in night mode, cruise control set due south! Just outside Windhoek, the local wildlife—a jackal—welcomes us with a smile: "Welcome to Namibia!" That’s what it said! Honest... Okay, first endless straight road, first flaming sunset, first corrugated dirt track, first Milky Way with zero light pollution... You get it—it’s definitely the day of firsts... First night camping, too, in the big trunk of our Toyota Fortuner parked by the side of the track... The real adventure, the kind that smells under the arms, can finally begin...












