Why not try your luck to win your next vacation?
We’ve got a little game for you (okay, it’s not a walk in the park—you’ll have to do some digging!) with DirecTravel: the prize is 5 nights for one person at the Nilaya Experience guesthouse, right in the heart of Kerala, India.
The stay is worth 700 €. It’s set in a magical spot among the rice fields, offering a relaxing and 100% authentic getaway, far from the noise, hosted by Raghu and Véronique.
How to enter is simple:
1- Head over to directravel.org.
2- Browse the site to find the answers to the 10 contest questions. Click here for the questions.
Each question includes a clue to guide you to the right page.
3- Answer all 10 questions correctly to validate your entry.
Contest Rules
The game is free and with no purchase necessary.
A random draw will be held on September 19, 2025, among all correct entries.
The winner will be contacted directly by DIRECTRAVEL.
The prize is non-transferable, non-exchangeable, and valid based on the accommodation’s availability.
17 similar discussions in English
Hello everyone!
We're off! After exploring the north, the four friends have now discovered the south. We’re excited to share this new travel journal, dedicated to our little group and our strong friendship, written by Richard and illustrated with Kate’s photos. I’ll chime in from time to time with practical tips.
First of all, a big thank you to everyone on VoyageForum who helped us plan this trip. It would’ve been quite different if we’d just relied on guidebooks.
The itinerary lasted just over 3 weeks: Mahabalipuram, Pondicherry, Thanjavur, the Chettinad region, Madurai, Munnar, Munroe Island, Cochin, and Chennai. We traveled by train, taxi, and private car with a driver, took a domestic flight, and stayed in guesthouses, Airbnb apartments, and hotels. For each of us, including flights, the total budget barely reached 2000 €, and we didn’t hold back—knowing we avoid resorts and love street food and small Indian restaurants.
We're off! After exploring the north, the four friends have now discovered the south. We’re excited to share this new travel journal, dedicated to our little group and our strong friendship, written by Richard and illustrated with Kate’s photos. I’ll chime in from time to time with practical tips.
First of all, a big thank you to everyone on VoyageForum who helped us plan this trip. It would’ve been quite different if we’d just relied on guidebooks.
The itinerary lasted just over 3 weeks: Mahabalipuram, Pondicherry, Thanjavur, the Chettinad region, Madurai, Munnar, Munroe Island, Cochin, and Chennai. We traveled by train, taxi, and private car with a driver, took a domestic flight, and stayed in guesthouses, Airbnb apartments, and hotels. For each of us, including flights, the total budget barely reached 2000 €, and we didn’t hold back—knowing we avoid resorts and love street food and small Indian restaurants.
Hey there, forum friends 😉
Some of you have mentioned missing the activity on this Indian "page," so let’s try to liven things up a bit—with joy and good vibes (mandatory with me 😜). Plus, it’ll make Jojoone happy 😊.
As big lovers of India—we’ve been six times—my co-traveler husband and I decided to explore Rajasthan this time around. The reason we waited so long to come here? We were dreading the tourist crowds in this state. But thanks to the timing (late March to early April 2024, which is starting to get pretty hot) and Aleph’s great tips, we were *very* far from mass tourism.
We spent three weeks getting around on our own for transport: mostly taxis and trains.
And I’ll admit, we had a rather "Arabian Nights" experience, far from the "real" India (Marien, if you’re reading this 😉). So this travel journal makes no claims other than to share what we saw, experienced, and felt—with all our ignorance about this country (which I’m fully aware of).
But fair warning: I go overboard with emojis, and this journal is super casual because it’s the one I share, almost in "live" mode, with our loved ones.
So, if you’re here, consider yourself almost part of the family 😄.
See you soon and....
Some of you have mentioned missing the activity on this Indian "page," so let’s try to liven things up a bit—with joy and good vibes (mandatory with me 😜). Plus, it’ll make Jojoone happy 😊.
As big lovers of India—we’ve been six times—my co-traveler husband and I decided to explore Rajasthan this time around. The reason we waited so long to come here? We were dreading the tourist crowds in this state. But thanks to the timing (late March to early April 2024, which is starting to get pretty hot) and Aleph’s great tips, we were *very* far from mass tourism.
We spent three weeks getting around on our own for transport: mostly taxis and trains.
And I’ll admit, we had a rather "Arabian Nights" experience, far from the "real" India (Marien, if you’re reading this 😉). So this travel journal makes no claims other than to share what we saw, experienced, and felt—with all our ignorance about this country (which I’m fully aware of).
But fair warning: I go overboard with emojis, and this journal is super casual because it’s the one I share, almost in "live" mode, with our loved ones.
So, if you’re here, consider yourself almost part of the family 😄.
See you soon and....
Hello fellow travelers!
I’m adding my small contribution to the reopening celebration by posting this travel journal from India, made in January 2024. We’re 4 friends (2 couples), and we did a 3-week loop in Rajasthan, stopping by Delhi and Agra (which, as everyone knows, aren’t in Rajasthan 😛). Delhi - Agra - Jaipur - Bundi - Udaipur - Jodhpur - Jaisalmer - Delhi
We rented a car with a driver from Agra to Jaisalmer, 550 € for 14 days. https://chauffeurpriveeninde.com/fr/
We took the train from Delhi to Agra and the plane (Spicejet) from Jaisalmer to Delhi.
Most of the accommodations were booked on Booking before we left.
I’m sharing this story written by Richard and illustrated by me. We dedicate it to Nathalie and Bruno, our amazing travel companions.
I’m adding my small contribution to the reopening celebration by posting this travel journal from India, made in January 2024. We’re 4 friends (2 couples), and we did a 3-week loop in Rajasthan, stopping by Delhi and Agra (which, as everyone knows, aren’t in Rajasthan 😛). Delhi - Agra - Jaipur - Bundi - Udaipur - Jodhpur - Jaisalmer - Delhi
We rented a car with a driver from Agra to Jaisalmer, 550 € for 14 days. https://chauffeurpriveeninde.com/fr/
We took the train from Delhi to Agra and the plane (Spicejet) from Jaisalmer to Delhi.
Most of the accommodations were booked on Booking before we left.
I’m sharing this story written by Richard and illustrated by me. We dedicate it to Nathalie and Bruno, our amazing travel companions.
Wednesday, April 1st
Hazaribagh I’ve got a meet-up with Adam Iman, a guide and painter. He picks me up from the hotel at 10 AM. Another traveler from Bangalore is supposed to join us, but while we wait for him to arrive, Adam takes me to see the paintings his mother and sister created at Hazaribagh station. The town became famous thanks to these murals, which can also be found in several surrounding villages. This art form has earned recognition and is now protected, a sign of its cultural importance. Once the visit is over, we go to pick up the other traveler and then head to our first village: Belwara, where Sohrai art is practiced. At the entrance, a sign proudly announces that we’re entering an artists’ village, where this art is created by women organized into micro-enterprises. Some even offer workshops for those who’d like to learn this tradition.
Sohrai art is tied to the harvest season, from October to mid-November. The motifs, in natural colors, celebrate fertility and abundance. The artists use pigments from the earth: red oxides, ochre, white kaolin, and black manganese. On the walls, you’ll see animals, fish, birds—all symbols of life and prosperity. As I look closer at the murals, I start to realize that each motif tells a story. Large animals like cows or bulls often take center stage. Their bodies are filled with intricate, almost hypnotic patterns. They symbolize wealth and prosperity for the household, as well as the deep respect for cattle, which are essential to daily life. On some facades, elephants stand out—massive and decorated with the same precision. They evoke quiet strength and protection. But it’s when I stop in front of one of the houses that I really take the time to look. The wall, a soft ochre, is entirely covered in murals. Two large animals stretch out on either side of the door, their elongated bodies fitting the length of the wall. Their silhouettes are filled with geometric patterns and incredibly fine curved lines, as if every space was patiently filled. Around them, stylized plants, flowers, and small decorative elements fill every gap. The door, dark and worn, becomes almost the silent center of the composition, framed by these living, protective forms. To the right, a more colorful motif catches the eye—a flower or a stylized lamp—like a touch of light on the earth. The whole thing gives an impression of perfect balance, between the rigor of the patterns and the freedom of the gesture.
Elsewhere, birds and freer forms bring movement. Peacocks, recognizable by their stylized silhouettes, embody beauty and vitality, while fish symbolize water, fertility, and the continuity of life.
On some paintings, the scenes become almost narrative: you can make out figures, everyday gestures, like a memory of the village inscribed in the walls. The decorative frames around the doors aren’t left to chance either—they symbolically protect the house, like a boundary between the inside and the outside world.
During the Sohrai festival, cattle are led into the jungle in the morning. Meanwhile, the women finish the *aripans*—these floor paintings—and continue the wall murals. Around noon, the animals return to the village, and the bulls’ horns are anointed with oil and vermilion in a gesture of gratitude, amid the vibrant colors adorning the houses. We visit several artists, including Parvat Devi, a well-known woman who has received many awards. Her arms are adorned with intriguing tattoos, which I’ll talk about in more detail later.
On another wall, the style changes completely. Here, no massive animals—just birds occupying the space, light and graceful, as if caught in mid-movement. Two silhouettes face each other, their long necks arched almost like mirrors, while their outstretched wings seem to vibrate with the patterns that compose them.
The design is more graphic, almost airy. The lines are smoother, more fluid, as if drawn in one confident stroke. The birds’ bodies aren’t solid—they’re filled with repetitive motifs like scales, stylized feathers, and spirals, giving a sense of continuous movement. Around them, everything comes to life: flowers burst open, arabesques swirl, and even the simplest shapes seem alive. What strikes me here is the sense of lightness. Where the large animals evoked stability and grounding, these birds bring something freer, almost joyful. They seem to embody movement, the circulation of life, like a breath flowing through the village.
The colors remain the same—deep reds, intense blacks, and chalky white—but the rhythm is different. Faster, more spontaneous. As if each wall had its own personality, while still speaking the same language.
That’s probably why I’m so moved. I’d heard about these paintings from my friend Raja, and last year, I saw an exhibition in a village near my home. That first encounter made me want to come here. But seeing them in person is a whole different experience. These paintings are unique. This ancient art is passed down from mother to daughter, or mother-in-law to daughter-in-law, in a quiet, deeply living continuity. At first glance, it might seem almost childlike in its simplicity and pared-down forms. And yet, everything is thought out, balanced, mastered. Nothing is left to chance.
That apparent simplicity, combined with such rich symbolism, touches me deeply. There’s something sincere and essential in these walls—and that’s what moves me.
Hazaribagh I’ve got a meet-up with Adam Iman, a guide and painter. He picks me up from the hotel at 10 AM. Another traveler from Bangalore is supposed to join us, but while we wait for him to arrive, Adam takes me to see the paintings his mother and sister created at Hazaribagh station. The town became famous thanks to these murals, which can also be found in several surrounding villages. This art form has earned recognition and is now protected, a sign of its cultural importance. Once the visit is over, we go to pick up the other traveler and then head to our first village: Belwara, where Sohrai art is practiced. At the entrance, a sign proudly announces that we’re entering an artists’ village, where this art is created by women organized into micro-enterprises. Some even offer workshops for those who’d like to learn this tradition.
Sohrai art is tied to the harvest season, from October to mid-November. The motifs, in natural colors, celebrate fertility and abundance. The artists use pigments from the earth: red oxides, ochre, white kaolin, and black manganese. On the walls, you’ll see animals, fish, birds—all symbols of life and prosperity. As I look closer at the murals, I start to realize that each motif tells a story. Large animals like cows or bulls often take center stage. Their bodies are filled with intricate, almost hypnotic patterns. They symbolize wealth and prosperity for the household, as well as the deep respect for cattle, which are essential to daily life. On some facades, elephants stand out—massive and decorated with the same precision. They evoke quiet strength and protection. But it’s when I stop in front of one of the houses that I really take the time to look. The wall, a soft ochre, is entirely covered in murals. Two large animals stretch out on either side of the door, their elongated bodies fitting the length of the wall. Their silhouettes are filled with geometric patterns and incredibly fine curved lines, as if every space was patiently filled. Around them, stylized plants, flowers, and small decorative elements fill every gap. The door, dark and worn, becomes almost the silent center of the composition, framed by these living, protective forms. To the right, a more colorful motif catches the eye—a flower or a stylized lamp—like a touch of light on the earth. The whole thing gives an impression of perfect balance, between the rigor of the patterns and the freedom of the gesture.
Elsewhere, birds and freer forms bring movement. Peacocks, recognizable by their stylized silhouettes, embody beauty and vitality, while fish symbolize water, fertility, and the continuity of life.
On some paintings, the scenes become almost narrative: you can make out figures, everyday gestures, like a memory of the village inscribed in the walls. The decorative frames around the doors aren’t left to chance either—they symbolically protect the house, like a boundary between the inside and the outside world.During the Sohrai festival, cattle are led into the jungle in the morning. Meanwhile, the women finish the *aripans*—these floor paintings—and continue the wall murals. Around noon, the animals return to the village, and the bulls’ horns are anointed with oil and vermilion in a gesture of gratitude, amid the vibrant colors adorning the houses. We visit several artists, including Parvat Devi, a well-known woman who has received many awards. Her arms are adorned with intriguing tattoos, which I’ll talk about in more detail later.
On another wall, the style changes completely. Here, no massive animals—just birds occupying the space, light and graceful, as if caught in mid-movement. Two silhouettes face each other, their long necks arched almost like mirrors, while their outstretched wings seem to vibrate with the patterns that compose them.
The design is more graphic, almost airy. The lines are smoother, more fluid, as if drawn in one confident stroke. The birds’ bodies aren’t solid—they’re filled with repetitive motifs like scales, stylized feathers, and spirals, giving a sense of continuous movement. Around them, everything comes to life: flowers burst open, arabesques swirl, and even the simplest shapes seem alive. What strikes me here is the sense of lightness. Where the large animals evoked stability and grounding, these birds bring something freer, almost joyful. They seem to embody movement, the circulation of life, like a breath flowing through the village.
The colors remain the same—deep reds, intense blacks, and chalky white—but the rhythm is different. Faster, more spontaneous. As if each wall had its own personality, while still speaking the same language.
That’s probably why I’m so moved. I’d heard about these paintings from my friend Raja, and last year, I saw an exhibition in a village near my home. That first encounter made me want to come here. But seeing them in person is a whole different experience. These paintings are unique. This ancient art is passed down from mother to daughter, or mother-in-law to daughter-in-law, in a quiet, deeply living continuity. At first glance, it might seem almost childlike in its simplicity and pared-down forms. And yet, everything is thought out, balanced, mastered. Nothing is left to chance.
That apparent simplicity, combined with such rich symbolism, touches me deeply. There’s something sincere and essential in these walls—and that’s what moves me.
Hi friends,
I’m putting together a multilingual card game and need help translating and transcribing 16 words into Hindi. Could anyone lend a hand?
Thanks, and happy gaming,
Dan
Here are the words:
TREE BOAT CHAIR HAT HEART STAR FlOWEr BOOK HAND HOUSE WATCH CLOUD EYE FISH WHEEL CAR
I’m putting together a multilingual card game and need help translating and transcribing 16 words into Hindi. Could anyone lend a hand?
Thanks, and happy gaming,
Dan
Here are the words:
TREE BOAT CHAIR HAT HEART STAR FlOWEr BOOK HAND HOUSE WATCH CLOUD EYE FISH WHEEL CAR
Hi there,
I’m heading to India in April 2007 for a month (Delhi, Varanasi, Rajasthan). I’d love to know how Indian women dress. I’ve been searching but keep landing on sites without photos. I’ve read a lot, but I’d really like to see. I’m planning to travel light and buy clothes there, but I have no idea what to expect. My partner showed me some photos he took, but I’d like to know more.
Has anyone here done the same or brought their own clothes? I want to blend in as much as possible (disappear into the crowd), which is why I want to dress like them. Does anyone have a site to recommend?
Thanks a million!
I’m heading to India in April 2007 for a month (Delhi, Varanasi, Rajasthan). I’d love to know how Indian women dress. I’ve been searching but keep landing on sites without photos. I’ve read a lot, but I’d really like to see. I’m planning to travel light and buy clothes there, but I have no idea what to expect. My partner showed me some photos he took, but I’d like to know more.
Has anyone here done the same or brought their own clothes? I want to blend in as much as possible (disappear into the crowd), which is why I want to dress like them. Does anyone have a site to recommend?
Thanks a million!
Hello,
We’re a group of 4 looking for a driver and car for our stay in Kerala from November 22 to December 12, 2025. We’ve already planned an itinerary starting from Cochin.
We’ve traveled with a driver before during our trip to Rajasthan.
Thanks for your replies!
Yves
Hi,
Does anyone have recent info on the camera fee amount at Tadoba-Moharli? We spent 8 days there in the second half of February, and the local tour operator (The Wild Cat Eyes) collected 2000 rupees per camera per safari without any receipt—totaling 240,000 rupees (~265 €) for 12 safaris (9 in core zones and 3 in buffer zones). The signs at the park entrance listed 250 rupees, and the tour operator ignored our requests for an official park receipt.
Thanks in advance! Pk
Does anyone have recent info on the camera fee amount at Tadoba-Moharli? We spent 8 days there in the second half of February, and the local tour operator (The Wild Cat Eyes) collected 2000 rupees per camera per safari without any receipt—totaling 240,000 rupees (~265 €) for 12 safaris (9 in core zones and 3 in buffer zones). The signs at the park entrance listed 250 rupees, and the tour operator ignored our requests for an official park receipt.
Thanks in advance! Pk
Prologue
This journal recounts a trip to Rajasthan that’s already over a year old and that I’ve only now found the chance to write about. The summer of 2024 marked my return to India—my tenth trip—after six long years away since my last solo wanderings in Tamil Nadu in 2018 (the journal of which is published on this site). That absence was partly (but not only) due to the long COVID and post-COVID period, which saw a complete halt and then a major slowdown in global tourism. To top it off, Voyage Forum announced its closure in an end-of-the-world atmosphere. A sad time for our favorite social activity…
A few weeks after returning from Rajasthan, I tried to motivate myself to start writing a journal to publish on a forum claiming to be VF’s successor, which I’d eventually signed up for out of desperation. But I kept hesitating and putting the project off because, for one, I no longer have the time I used to. For another, the vibe wasn’t really taking off on that forum—it was overrun with ads and not very active, contrary to what its host’s name suggested. Despite its good intentions and commendable role as a stopgap, it also turned out to be very impractical to use, especially when you don’t have much time like me. I’ll admit I’d occasionally check back on VF to see if anything was happening. But all the discussions remained frozen in time, stuck in that fateful year, 2020. Then, rumors swirled online about shady reasons behind its closure, leaving little room for hope.
And then, one fine morning, I got a message at work from Marien informing me that VF had reopened. What a huge surprise! Even though the forum’s “end” had played out in a somewhat apocalyptic atmosphere, the memories of passionate and heated discussions, the frank debates, and the useful exchanges that made this site a traveler’s goldmine and a unique hub of conviviality all came rushing back to me like a breath of fresh air. I finally saw a sign and tried to motivate myself to find the time to publish the journal of this tenth trip to India and fifth to Rajasthan. But in the end, I got bogged down in professional and family obligations and never managed to find the time to get started. That’s now fixed, though, because I had two reasons for wanting to do it: I find that looking back on a trip to tell others about it is a highly beneficial introspective exercise. Also, I thought this journal could be useful to other travelers on a few points.
Because, “do we really need yet another journal about Rajasthan?” you might rightly ask! Especially in a time when so many journals about the “Land of Kings” have been published since VF’s return, not to mention the countless stories you can already find online about this region, one of India’s most touristy. And I’d add, why go back to Rajasthan for a fifth time, where I’ve already dragged my feet more than enough—through its forts, deserts, temples, cities, villages, bumpy roads, train stations, tasty street food stalls, cheap guesthouses, and more? Where some might see just another overhyped tourist destination full of the same old *Arabian Nights* clichés, worn to a thread, that I mentioned earlier, when there’s so much else to see in India? Well, first because it’s a magnificent country I never tire of, where I started an academic study and made so many connections. It’s also packed with places where you won’t find a single tourist (right, Marie-Jo?), even in the heart of well-trodden paths and classic itineraries. And most importantly, as I said earlier, things have changed in recent years. First, after six years without traveling far, the urge to go back to India was getting stronger. But this time, no more solo trips (often) or duo adventures (sometimes)—now it’s a team of four that has to come along! And even if you can argue with that, what better place than Rajasthan to introduce India to people who’ve never seen it? To kids you want to amaze? Plus, traveling with your new little family to your favorite country isn’t the same as going solo in often spartan conditions that only affect you. It’s a different challenge, but ultimately probably much harder. So, is it really reasonable to take two kids to India, including a two-year-old baby? That’s one of the main goals of this journal (but not the only one)—to try to answer that question.
As you can tell, it’s not so much the destination but the slightly unusual setup of this trip that, in my opinion, will make this journal interesting. Despite my experience and expertise (yes, I dare say it) in India, there were plenty of questions before we finalized the plan and said, “Alright, let’s go!” The questions were flying for us parents. Is it wise to travel to India with a two-year-old? What would we do (it happened) if the kids got very sick? Would they be able to handle a road trip on Rajasthan’s bumpy, dusty roads using public transport? Could they handle the shock of such a different world—the dirt, poverty, pollution, noise (…and the smell, as they say), the spicy food, monkeys, mosquitoes, snakes, tigers, leopards, and so on? In short, all the clichés that I usually joke about suddenly became potential realities. Another concern: as a mixed Franco-African family (not me, but my partner and her oldest), wouldn’t we risk not always being well received, given what you sometimes hear about that in India? How would Indians react to seeing a mixed-race family, the ultimate taboo in a country of purity and social segregation, which would undoubtedly raise many questions for them? Of course, not everything went as expected… Because, as you know, with India—and what makes it charming for some—there are always complications: sometimes where you don’t expect them… and sometimes where you do. I’ll go into detail about that in the journal to come (not right away) and in the final review (even later). These experiences could be useful to travelers who find themselves in similar situations and have the same questions we did before embarking on such a journey. And maybe it’ll spark the curiosity of those who aren’t concerned and will read yet another Rajasthan journal, but with its own unique twists.
Despite my unchanged constraints, which mean I have little time to write this, I don’t want to rush the story, so I’ll take my time. There will probably be lulls. I hope that won’t stop people from coming to react, debate, share their impressions, or ask for information.
This journal recounts a trip to Rajasthan that’s already over a year old and that I’ve only now found the chance to write about. The summer of 2024 marked my return to India—my tenth trip—after six long years away since my last solo wanderings in Tamil Nadu in 2018 (the journal of which is published on this site). That absence was partly (but not only) due to the long COVID and post-COVID period, which saw a complete halt and then a major slowdown in global tourism. To top it off, Voyage Forum announced its closure in an end-of-the-world atmosphere. A sad time for our favorite social activity…
A few weeks after returning from Rajasthan, I tried to motivate myself to start writing a journal to publish on a forum claiming to be VF’s successor, which I’d eventually signed up for out of desperation. But I kept hesitating and putting the project off because, for one, I no longer have the time I used to. For another, the vibe wasn’t really taking off on that forum—it was overrun with ads and not very active, contrary to what its host’s name suggested. Despite its good intentions and commendable role as a stopgap, it also turned out to be very impractical to use, especially when you don’t have much time like me. I’ll admit I’d occasionally check back on VF to see if anything was happening. But all the discussions remained frozen in time, stuck in that fateful year, 2020. Then, rumors swirled online about shady reasons behind its closure, leaving little room for hope.
And then, one fine morning, I got a message at work from Marien informing me that VF had reopened. What a huge surprise! Even though the forum’s “end” had played out in a somewhat apocalyptic atmosphere, the memories of passionate and heated discussions, the frank debates, and the useful exchanges that made this site a traveler’s goldmine and a unique hub of conviviality all came rushing back to me like a breath of fresh air. I finally saw a sign and tried to motivate myself to find the time to publish the journal of this tenth trip to India and fifth to Rajasthan. But in the end, I got bogged down in professional and family obligations and never managed to find the time to get started. That’s now fixed, though, because I had two reasons for wanting to do it: I find that looking back on a trip to tell others about it is a highly beneficial introspective exercise. Also, I thought this journal could be useful to other travelers on a few points.
Because, “do we really need yet another journal about Rajasthan?” you might rightly ask! Especially in a time when so many journals about the “Land of Kings” have been published since VF’s return, not to mention the countless stories you can already find online about this region, one of India’s most touristy. And I’d add, why go back to Rajasthan for a fifth time, where I’ve already dragged my feet more than enough—through its forts, deserts, temples, cities, villages, bumpy roads, train stations, tasty street food stalls, cheap guesthouses, and more? Where some might see just another overhyped tourist destination full of the same old *Arabian Nights* clichés, worn to a thread, that I mentioned earlier, when there’s so much else to see in India? Well, first because it’s a magnificent country I never tire of, where I started an academic study and made so many connections. It’s also packed with places where you won’t find a single tourist (right, Marie-Jo?), even in the heart of well-trodden paths and classic itineraries. And most importantly, as I said earlier, things have changed in recent years. First, after six years without traveling far, the urge to go back to India was getting stronger. But this time, no more solo trips (often) or duo adventures (sometimes)—now it’s a team of four that has to come along! And even if you can argue with that, what better place than Rajasthan to introduce India to people who’ve never seen it? To kids you want to amaze? Plus, traveling with your new little family to your favorite country isn’t the same as going solo in often spartan conditions that only affect you. It’s a different challenge, but ultimately probably much harder. So, is it really reasonable to take two kids to India, including a two-year-old baby? That’s one of the main goals of this journal (but not the only one)—to try to answer that question.
As you can tell, it’s not so much the destination but the slightly unusual setup of this trip that, in my opinion, will make this journal interesting. Despite my experience and expertise (yes, I dare say it) in India, there were plenty of questions before we finalized the plan and said, “Alright, let’s go!” The questions were flying for us parents. Is it wise to travel to India with a two-year-old? What would we do (it happened) if the kids got very sick? Would they be able to handle a road trip on Rajasthan’s bumpy, dusty roads using public transport? Could they handle the shock of such a different world—the dirt, poverty, pollution, noise (…and the smell, as they say), the spicy food, monkeys, mosquitoes, snakes, tigers, leopards, and so on? In short, all the clichés that I usually joke about suddenly became potential realities. Another concern: as a mixed Franco-African family (not me, but my partner and her oldest), wouldn’t we risk not always being well received, given what you sometimes hear about that in India? How would Indians react to seeing a mixed-race family, the ultimate taboo in a country of purity and social segregation, which would undoubtedly raise many questions for them? Of course, not everything went as expected… Because, as you know, with India—and what makes it charming for some—there are always complications: sometimes where you don’t expect them… and sometimes where you do. I’ll go into detail about that in the journal to come (not right away) and in the final review (even later). These experiences could be useful to travelers who find themselves in similar situations and have the same questions we did before embarking on such a journey. And maybe it’ll spark the curiosity of those who aren’t concerned and will read yet another Rajasthan journal, but with its own unique twists.
Despite my unchanged constraints, which mean I have little time to write this, I don’t want to rush the story, so I’ll take my time. There will probably be lulls. I hope that won’t stop people from coming to react, debate, share their impressions, or ask for information.
Hi everyone,
For traveling in Rajasthan by train and bus, could you give me some info: where to buy tickets, cost, purchase locations, websites, etc.?
Any tips you have would be super helpful.
Thanks
Before I begin, I’d like to thank Michèle Buisson and her "Misha’s travel journals," which really helped me plan this trip. It’s tough to find information about this part of India, which is quite different from the "more traditional India." I’m so grateful to her for introducing me to a family who hosted me for 4 nights and 3 days. I can’t wait to return the favor and welcome you all to my place in early July!
Thursday, March 20th. The alarm goes off super early, but I’m already awake—I was too worried I’d sleep through it. I leave the house at 4:00 AM. The rain has stopped, and at this hour, there aren’t many trucks on the road. I arrive at Barcelona Airport easily by 6:20 AM, let the valet know I’m there, and he quickly picks up my car. This time, I’m flying with Etihad Airways again. I booked the ticket during my trip to Cambodia: Barcelona/Kolkata, Delhi/Barcelona for 567 €. At that price, I didn’t hesitate for long—I knew I had to take it. And I’m glad I did because, by the time I returned, the price had gone up to 700 €. I can already hear the reactions: "Wow, how’d you get a ticket for that price? What site did you use? You’re amazing, MarieJo!" One thing’s for sure—I’m really happy with this deal. The flights from Barcelona to Abu Dhabi and Abu Dhabi to Kolkata go smoothly, and we arrive on time at 2:55 AM. There aren’t many people at immigration, so I get through quickly. My luggage isn’t on the carousel yet. After collecting my bag, I check in for my next flight with IndiGo, a 5:40 AM flight to Guwahati, arriving at 7:00 AM. I’m starting to feel pretty tired, so I take a taxi from the airport to Gruham Sojourn Homestay. The house is upstairs, and the neighborhood seems quiet, with restaurants lining the street. The room won’t be ready until 10:00 AM, so I rest on the bench in the meantime. Once in the room, I take a shower—it really helps me feel refreshed. I need to exchange some euros, so I look up a nearby exchange bureau on Google and head out to find it. I locate it easily, and the staff are super friendly. I get a great rate (1 € = 90 INR). I wander around the neighborhood. The train station isn’t far, and small markets line the streets. I head back to my area, walking along the main avenue. About 500 meters from my street, I discover a museum. The visit is fascinating—I see the famous Majuli masks, among other things.
I’m not far from the Brahmaputra River, and the temptation to visit is too strong to resist. I’d hoped to find a promenade along the river, but that doesn’t exist here. I walk back calmly and notice several restaurants in my street. On the doorstep of my accommodation, I spot a pastry shop with cakes that look more like the ones we have in France than the typical ones here in India. A visit is a must, and I’m not disappointed!
Tonight, I’m dining at a restaurant in the street. The menu is a bit disappointing—burgers, pizzas, pasta—nothing very Indian. So, I’ll go with tomato pasta.
Thursday, March 20th. The alarm goes off super early, but I’m already awake—I was too worried I’d sleep through it. I leave the house at 4:00 AM. The rain has stopped, and at this hour, there aren’t many trucks on the road. I arrive at Barcelona Airport easily by 6:20 AM, let the valet know I’m there, and he quickly picks up my car. This time, I’m flying with Etihad Airways again. I booked the ticket during my trip to Cambodia: Barcelona/Kolkata, Delhi/Barcelona for 567 €. At that price, I didn’t hesitate for long—I knew I had to take it. And I’m glad I did because, by the time I returned, the price had gone up to 700 €. I can already hear the reactions: "Wow, how’d you get a ticket for that price? What site did you use? You’re amazing, MarieJo!" One thing’s for sure—I’m really happy with this deal. The flights from Barcelona to Abu Dhabi and Abu Dhabi to Kolkata go smoothly, and we arrive on time at 2:55 AM. There aren’t many people at immigration, so I get through quickly. My luggage isn’t on the carousel yet. After collecting my bag, I check in for my next flight with IndiGo, a 5:40 AM flight to Guwahati, arriving at 7:00 AM. I’m starting to feel pretty tired, so I take a taxi from the airport to Gruham Sojourn Homestay. The house is upstairs, and the neighborhood seems quiet, with restaurants lining the street. The room won’t be ready until 10:00 AM, so I rest on the bench in the meantime. Once in the room, I take a shower—it really helps me feel refreshed. I need to exchange some euros, so I look up a nearby exchange bureau on Google and head out to find it. I locate it easily, and the staff are super friendly. I get a great rate (1 € = 90 INR). I wander around the neighborhood. The train station isn’t far, and small markets line the streets. I head back to my area, walking along the main avenue. About 500 meters from my street, I discover a museum. The visit is fascinating—I see the famous Majuli masks, among other things.
I’m not far from the Brahmaputra River, and the temptation to visit is too strong to resist. I’d hoped to find a promenade along the river, but that doesn’t exist here. I walk back calmly and notice several restaurants in my street. On the doorstep of my accommodation, I spot a pastry shop with cakes that look more like the ones we have in France than the typical ones here in India. A visit is a must, and I’m not disappointed!
Tonight, I’m dining at a restaurant in the street. The menu is a bit disappointing—burgers, pizzas, pasta—nothing very Indian. So, I’ll go with tomato pasta.
Valérie (Alexval2) convinced me to publish this travel journal about our trip to Rajasthan, so here I go, sharing what will be my first travel journal! 🙂
But first, why India? This question has already been discussed on the forum. For me, I had these idealized images in mind: maharajahs, palaces, elephants, and friends who gave me glowing reviews. We’ve already been to Asia and wanted to do something different. We weren’t disappointed.
So, after spending what felt like hundreds of hours 😛 researching forums, blogs, and various guides, the Rajasthan region stood out as the perfect choice for a first discovery.
We managed to plan this itinerary, which is quite classic but structured around a must-see: the Pushkar Camel Fair. I’d read reviews and watched videos about it, all very enticing. We’ll see later how it turned out.
As usual, I had everything booked in advance because I don’t like wasting time looking for solutions once we’re there.
Our Air France flight arrived on time at 11:15 PM. We’d read the recommendations, and after collecting our luggage, we headed to the prepaid taxi booth. We got the receipt, and two charming guys took our suitcases to the taxi. When we arrived at the taxi, they asked for 500 INR for the porter service. Of course, I resisted, and with the driver’s help, we settled on 200 INR. Welcome to India.
We agreed with the friendly driver that he’d pick us up from the hotel (Ibis, great breakfast) for our flight to Jaisalmer. It was 2 AM, we collapsed into bed, but the night was short since we had to wake up at 5 AM.
But first, why India? This question has already been discussed on the forum. For me, I had these idealized images in mind: maharajahs, palaces, elephants, and friends who gave me glowing reviews. We’ve already been to Asia and wanted to do something different. We weren’t disappointed.
So, after spending what felt like hundreds of hours 😛 researching forums, blogs, and various guides, the Rajasthan region stood out as the perfect choice for a first discovery.
We managed to plan this itinerary, which is quite classic but structured around a must-see: the Pushkar Camel Fair. I’d read reviews and watched videos about it, all very enticing. We’ll see later how it turned out.
As usual, I had everything booked in advance because I don’t like wasting time looking for solutions once we’re there.
Our Air France flight arrived on time at 11:15 PM. We’d read the recommendations, and after collecting our luggage, we headed to the prepaid taxi booth. We got the receipt, and two charming guys took our suitcases to the taxi. When we arrived at the taxi, they asked for 500 INR for the porter service. Of course, I resisted, and with the driver’s help, we settled on 200 INR. Welcome to India.
We agreed with the friendly driver that he’d pick us up from the hotel (Ibis, great breakfast) for our flight to Jaisalmer. It was 2 AM, we collapsed into bed, but the night was short since we had to wake up at 5 AM.
Hey there, fellow travelers 😎
We’re back from 15 days in northern India.
For our 6th visit to this country, we traveled between Uttar Pradesh and Madhya Pradesh, and let’s just say it was an emotional rollercoaster!!
So if you’re up for it, we’re taking you to Varanasi, Chitrakoot, Khajuraho, Orchha, and Agra.
Ready for takeoff??
WELCOME TO VARANASI
When you leave your sanitized, rigid Western world behind, there’s nothing like diving back into the Indian chaos. And we nailed it—because when it comes to monumental madness, we couldn’t have picked a better place to start than Varanasi 😉!!
Here’s a little recap of our first day in this insane city.
It all starts with landing at the city’s airport.
As soon as we step out, hundreds of Indians stare at us like they’ve never seen white people before (I’d forgotten how intense that is!). There are lots of women covered in black fabric, only their eyes visible—pretty striking, I must say. Turns out they’re Indians working in the Middle East, heading back to "work" after a month’s vacation.
We hop in a taxi, but after a few kilometers, we’re stopped… by the passage of the "state minister." The roads are freshly paved and spotless for his convoy (you can *totally* tell the difference with the roads he didn’t use 😛). We didn’t manage to spot him in the middle of the 25 cars surrounding him, though!!
Then we arrive in front of the mythical Ganges—a peaceful spot, except for a boat full of Indian pilgrims who, once again, stare at us and take our pictures (the mutual curiosity is hilarious!!).
We board a boat, and almost immediately, we pass a cremation ghat!! Oh crap, I wasn’t expecting that so soon—it hits me hard (like, *really* hard 🤪)!! Huge piles of wood, eight massive fires with families gathered around. It lasts as long as the boat ride, and you think you must’ve imagined it… but no!!
You dock and wander through the tiny alleys.
It’s 36°C (97°F) with 90% humidity—you’re dripping.
Cows block the way sometimes. The air smells like incense, then urine, then a woman’s perfume, then rotten fruit, then amazing street food—all within two meters, and *everywhere*!!
Then you step into the main street where pilgrims arrive (60,000 a day—Varanasi is the country’s holiest city!!). The chaos ramps up as you head toward the main road: nonstop honking, a bike whizzing past on your right, a scooter on your left, people brushing against you from all sides, air thick with dust and smoke (diesel *or* cremation!!), beggars of all kinds (kids, elderly, disabled) lined up to appeal to the pilgrims, the suffocating heat, and noise—*so much* noise…
In some areas, people constantly approach you: "Come see my shop," "Need a taxi?" "Want to exchange money?" And then there’s the woman with her baby in her arms, following you for meters, repeating, "No money, milk; no money, milk…" And you’re *dying* inside, but you can’t stop. If you give in, ten more will come running!! You grit your teeth, keep walking, even talk to yourself out loud!!
After half an hour, it feels like you’ve run a marathon, and you don’t even know where you live anymore!
In the evening, you head to the PUJA (public prayers for all the pilgrims) on a boat in the middle of hundreds of others. Two ghats are competing—who can make the most noise. One side is singing, the other chanting, then they switch. They wave flames, the ghats are packed.
After dinner, you head back to your room around 9 PM and see hundreds of people sleeping on the scorching stones—with cows, dogs, and goats!!!!
A huge thank-you to our parents for giving us the mental balance to handle this, because *India drives you crazy*—and we’re right in the thick of it!!!
It’s an ex.tra.or.di.nary place in the truest sense of the word, with incredible beauty—especially in its human diversity—if you can look past what shocks you.
We stayed for 3 days—3 days of unmatched intensity, where the spectacle is *constant*.
So I *highly* recommend it to all travel lovers, those who embrace difference, and the strange (for us, at least). But definitely *not* for anyone looking for a relaxing vacation!!
More to come soon if you’re interested!!
We’re back from 15 days in northern India.
For our 6th visit to this country, we traveled between Uttar Pradesh and Madhya Pradesh, and let’s just say it was an emotional rollercoaster!!
So if you’re up for it, we’re taking you to Varanasi, Chitrakoot, Khajuraho, Orchha, and Agra.
Ready for takeoff??
WELCOME TO VARANASI
When you leave your sanitized, rigid Western world behind, there’s nothing like diving back into the Indian chaos. And we nailed it—because when it comes to monumental madness, we couldn’t have picked a better place to start than Varanasi 😉!!
Here’s a little recap of our first day in this insane city.
It all starts with landing at the city’s airport.
As soon as we step out, hundreds of Indians stare at us like they’ve never seen white people before (I’d forgotten how intense that is!). There are lots of women covered in black fabric, only their eyes visible—pretty striking, I must say. Turns out they’re Indians working in the Middle East, heading back to "work" after a month’s vacation.
We hop in a taxi, but after a few kilometers, we’re stopped… by the passage of the "state minister." The roads are freshly paved and spotless for his convoy (you can *totally* tell the difference with the roads he didn’t use 😛). We didn’t manage to spot him in the middle of the 25 cars surrounding him, though!!
Then we arrive in front of the mythical Ganges—a peaceful spot, except for a boat full of Indian pilgrims who, once again, stare at us and take our pictures (the mutual curiosity is hilarious!!).
We board a boat, and almost immediately, we pass a cremation ghat!! Oh crap, I wasn’t expecting that so soon—it hits me hard (like, *really* hard 🤪)!! Huge piles of wood, eight massive fires with families gathered around. It lasts as long as the boat ride, and you think you must’ve imagined it… but no!!
You dock and wander through the tiny alleys.
It’s 36°C (97°F) with 90% humidity—you’re dripping.
Cows block the way sometimes. The air smells like incense, then urine, then a woman’s perfume, then rotten fruit, then amazing street food—all within two meters, and *everywhere*!!
Then you step into the main street where pilgrims arrive (60,000 a day—Varanasi is the country’s holiest city!!). The chaos ramps up as you head toward the main road: nonstop honking, a bike whizzing past on your right, a scooter on your left, people brushing against you from all sides, air thick with dust and smoke (diesel *or* cremation!!), beggars of all kinds (kids, elderly, disabled) lined up to appeal to the pilgrims, the suffocating heat, and noise—*so much* noise…
In some areas, people constantly approach you: "Come see my shop," "Need a taxi?" "Want to exchange money?" And then there’s the woman with her baby in her arms, following you for meters, repeating, "No money, milk; no money, milk…" And you’re *dying* inside, but you can’t stop. If you give in, ten more will come running!! You grit your teeth, keep walking, even talk to yourself out loud!!
After half an hour, it feels like you’ve run a marathon, and you don’t even know where you live anymore!
In the evening, you head to the PUJA (public prayers for all the pilgrims) on a boat in the middle of hundreds of others. Two ghats are competing—who can make the most noise. One side is singing, the other chanting, then they switch. They wave flames, the ghats are packed.
After dinner, you head back to your room around 9 PM and see hundreds of people sleeping on the scorching stones—with cows, dogs, and goats!!!!
A huge thank-you to our parents for giving us the mental balance to handle this, because *India drives you crazy*—and we’re right in the thick of it!!!
It’s an ex.tra.or.di.nary place in the truest sense of the word, with incredible beauty—especially in its human diversity—if you can look past what shocks you.
We stayed for 3 days—3 days of unmatched intensity, where the spectacle is *constant*.
So I *highly* recommend it to all travel lovers, those who embrace difference, and the strange (for us, at least). But definitely *not* for anyone looking for a relaxing vacation!!
More to come soon if you’re interested!!
During the 60s and 70s, thousands of travelers hit the road to India. Some were backpackers or hippies, but not all. In this collective anthology featuring around twenty contributors (including GeorgesOz), you’ll also find truth-seekers, a couple who went on their honeymoon to get married in Bengal... and "crazy" folks who set off on VéloSolex bikes...
Worth noting: all contributors donated their royalties to support the Céline Hegron clinic in a poor neighborhood of Varanasi.
Worth noting: all contributors donated their royalties to support the Céline Hegron clinic in a poor neighborhood of Varanasi.
March 2nd — Departure by bus from Latour at 6:50 AM. The journey isn’t direct: we pass through Elne then Corneilla. In Perpignan, I switch to a BlablaBus heading to Barcelona’s northern bus station. Before reaching Le Perthus, French police stop us to check IDs. Several people aren’t in order, but after about fifteen minutes, we’re on our way again. We’re checked again at La Jonquera: this time, the wait lasts almost forty-five minutes while police identify those in violation and wait for a vehicle to pick them up. The driver then tries to make up for lost time; we finally arrive at our destination half an hour late.
I quickly head to the Arc de Triomphe metro station, located 200 meters away: you have to cross the bridge along the bus parking lot, then walk through a large garden; the station is on the right before the garden entrance. The trip to the airport isn’t direct: I have to change at Tomasso and take the line to the airport, where I arrive at 1 PM.
At the Emirates counter, I learn my flight was just canceled due to the war in Iran; they offer me another flight for the next day. I have to wait at the airport until 7 PM before being taken to a hotel; the next morning, I’ll take a flight to Vienna (with an 8-hour layover), then an Air India flight to Delhi, and finally a flight to Kolkata. I agree: I don’t know Vienna, so it’ll be an unexpected discovery.
At 7 PM, a small group is taken to the hotel, 35 minutes from the airport, where we’re served a light dinner upon arrival.
March 3rd — A taxi picks me up at 6:30 AM; the flight to Vienna takes off at 9:30 AM and arrives at noon. I’m free until 7 PM; the metro is direct to the city center. The weather is pleasant and not too cold, luckily, since my clothes are light.
When I exit the metro, I spot the St. Stephen’s Cathedral tower in the distance and approach it: the roof, made of glazed tiles, is remarkable.
Entry is free, and the interior, a mix of Gothic and Baroque styles in the center, is stunning.
Not far from there is St. Anne’s Church
, also Baroque, adorned with beautiful frescoes
—a music concert adds an enchanting atmosphere to the visit. I continue my walk at random through the pedestrian streets lined with magnificent buildings: I’m charmed by the city.
Before heading back to the airport, I stop at a lovely tea salon. My flight will eventually leave with a delay.
Wednesday, March 4th — Delhi and a little luggage scare We arrive in Delhi shortly after noon. Immigration is quick, and good news: my bag was checked through from Barcelona to Kolkata. I head to the connecting terminal and arrive half an hour before boarding: the flight goes smoothly. Upon arrival, the luggage comes out quickly… except mine. After filing a report, I’m told my bag is in Delhi—I have to retrieve it before taking another flight. I didn’t know (or had forgotten): with the delays, I wouldn’t have had time to pick it up and make the connection.
I take a taxi to the Ichamati Hotel. The welcome is warm, and the room is clean but very small. Without my bag, I feel a bit lost—I have nothing to change into.
Tonight, I’m dining with Raja and his friends at a beautiful restaurant, an old colonial house turned into a hotel.
We’re happy to see each other and have a comforting evening together.
I quickly head to the Arc de Triomphe metro station, located 200 meters away: you have to cross the bridge along the bus parking lot, then walk through a large garden; the station is on the right before the garden entrance. The trip to the airport isn’t direct: I have to change at Tomasso and take the line to the airport, where I arrive at 1 PM.
At the Emirates counter, I learn my flight was just canceled due to the war in Iran; they offer me another flight for the next day. I have to wait at the airport until 7 PM before being taken to a hotel; the next morning, I’ll take a flight to Vienna (with an 8-hour layover), then an Air India flight to Delhi, and finally a flight to Kolkata. I agree: I don’t know Vienna, so it’ll be an unexpected discovery.
At 7 PM, a small group is taken to the hotel, 35 minutes from the airport, where we’re served a light dinner upon arrival.
March 3rd — A taxi picks me up at 6:30 AM; the flight to Vienna takes off at 9:30 AM and arrives at noon. I’m free until 7 PM; the metro is direct to the city center. The weather is pleasant and not too cold, luckily, since my clothes are light.
When I exit the metro, I spot the St. Stephen’s Cathedral tower in the distance and approach it: the roof, made of glazed tiles, is remarkable.
Entry is free, and the interior, a mix of Gothic and Baroque styles in the center, is stunning.
Not far from there is St. Anne’s Church
, also Baroque, adorned with beautiful frescoes
—a music concert adds an enchanting atmosphere to the visit. I continue my walk at random through the pedestrian streets lined with magnificent buildings: I’m charmed by the city.
Before heading back to the airport, I stop at a lovely tea salon. My flight will eventually leave with a delay.
Wednesday, March 4th — Delhi and a little luggage scare We arrive in Delhi shortly after noon. Immigration is quick, and good news: my bag was checked through from Barcelona to Kolkata. I head to the connecting terminal and arrive half an hour before boarding: the flight goes smoothly. Upon arrival, the luggage comes out quickly… except mine. After filing a report, I’m told my bag is in Delhi—I have to retrieve it before taking another flight. I didn’t know (or had forgotten): with the delays, I wouldn’t have had time to pick it up and make the connection.
I take a taxi to the Ichamati Hotel. The welcome is warm, and the room is clean but very small. Without my bag, I feel a bit lost—I have nothing to change into.
Tonight, I’m dining with Raja and his friends at a beautiful restaurant, an old colonial house turned into a hotel.
We’re happy to see each other and have a comforting evening together.
Stay tuned for trip reports from a series of 5 treks between Zanskar and Ladakh from early August to early September 2026, always solo and fully self-sufficient with around 20 kg of gear. Make sure to bring good equipment for cold nights at high altitude, even in summer, a sturdy tent to handle thunderstorms and hail, and a solid pair of sandals for crossing the many glacial streams. If you don’t fly directly into Leh but, like me, come from Kargil, you won’t find gas canisters... In that case, I used a small alcohol stove with thinner bought locally since denatured alcohol is impossible to find in India. The thinner worked perfectly as fuel, even at high altitude—it’s sold for just 120 rupees per liter in paint shops.
