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bonjour,

je pars en egypte pour une croisière de Louxor à Assouan. Je cherche des conseils sur les choses à ne pas oublier d'apporter, et les visites à ne pas louper.

par exemple, toutes les visites sont comprises sauf la visite du temple d'Abou Simbel et deux sons et lumières. ce forfait rajoute 110 euros au total. je voudrais savoir si cela vaut le coup de suivre le groupe, ou si je peux me débrouiller par moi même pour aller d'assouan à abou simbel? y a t il des taxis, des bus... etc ? à combien ça me reviendrait environ pour 2 personnes avec la visite du temple ?

Pensez vous que les sons et lumières soient eux aussi inmanquables ?

Quels sont les objets à ne pas oublier à part la crème solaire, le répulsif à moustique, et l'immodium ?

Merci pour vos réponses. Je pars dans quelques jours.

Salut, 🙂

Je recherche des infos concernant cette vallée au Maroc. Je souhaite surtout savoir si elle est accessible même quand on n'est pas motorisé et d'où il faut partir.

Quelles sont les possibilitées de logement?

Je cherche bien sur à y aller pour randonner. Est il possible d'y randonner (à la journée ou sur plusieurs jours) seul ou faut il un guide?

Bref toute info pour un routard qui ne cherche pas vraiment les hotels climatisés😉

merci par avance pour vos éventuelles réponses

Preamble

I could have titled my travel journal like Carmen: "Some trips are born twice." Indeed, we had considered this destination back in February 2020. However, an honest tour operator advised us against traveling at that time due to the climate. So, we gave up and opted for Guatemala instead (see "On the Mayan Lands" on this site).

So, why this title? When I was in primary school, over 65 years ago, the illustrations in my history books (Machu Picchu) and geography books (Lake Titicaca) made me dream, and those images stayed in my mind. It took until 2026 to finally make this dream come true!

We prepared our trip with Tout Pérou, a French-speaking "agency." Everything was handled via email and WhatsApp exchanges with our contact: Laurent, who was both competent, friendly, and full of good advice. For 200 €, Tout Pérou provided us with drivers and guides whenever we wanted, helped us buy our domestic flights (cheaper when purchased in Peru), booked shuttles between airports and hotels, and got us a discount on the train ride to Aguas Calientes, as well as on the buses between Chivay and Puno and between Puno and Cusco. In short, Laurent took care of all the logistics and the Machu Picchu tickets. It was up to us to book our hotels. Tout Pérou provided a list, but we weren’t obliged to follow it. Another advantage of the package: we didn’t have to pay in advance; we paid the service providers directly day by day.

We didn’t meet Laurent in person because he was on vacation in Europe. Before his departure, he gave us a briefing, provided a summary table with the entire program, the service providers, their phone numbers, their fees, the schedules, and gave us plenty of advice (money, exchange, safety, etc.). After returning at the end of our stay, he kept checking in on us.

Lastly, we had also gathered information from Arnaud Lagadec, who runs a hotel in Cusco and offers tours of the region. He gave us a lot of useful information. Another contact: Thomas Montaigne, very friendly, who runs an agency in Arequipa (Agence Pérou Exclusif).

Day 1 – Paris to Lima

Foreword I’ll share our trip without any pretension—I don’t have the talent of some contributors on this forum—and I’ll illustrate it with a few photos (taken with an ordinary smartphone). My comments are personal and only reflect my own views. So, please be kind! Feel free to comment on my story as you like, but let’s avoid pointless debates.

Even though we live in the south of the Paris region, true to our habits when the flight is in the morning, we chose to spend the night before our departure in a hotel near CDG and parked our car in a parking lot in Garches. This way, we avoid the stress that often comes with traveling around Paris (accidents, roadworks, traffic jams, etc.).

Check-in and border control went smoothly on that Sunday morning. Our Air France flight was uneventful. In Lima, border control took a particularly long time, and for the first time, we didn’t get an entry visa stamped in our passports.

As planned, a driver took us to the Miraflores district, where our hotel was located. We were surprised by the numerous signs about possible tsunamis, having forgotten that Peru is prone to such events and regularly experiences earthquakes. We’d see the consequences of these during our journey.

Exhausted from the early wake-up, the 13-hour flight, and the 7-hour time difference, we had dinner at the hotel before a restful night.

Note that this day was Peru’s presidential election day. As a result, we weren’t served beer—the sale of alcohol was banned that Sunday.

If I close my eyes and think of the Sultanate of Oman, I first smell a light scent of incense, feel the warmth of a sunbeam on my skin, before sand slips through my fingers. I taste the sweetness of a date, a real candy, then the flavor of coffee with a hint of cardamom and rosewater... I hear the desert wind whistling in my ears, the distant call of a muezzin, then the murmur of water. I open my eyes to see smiles, welcoming gestures, a turquoise sea, rocks ranging from ochre to purple, deep wadis where torrents burst forth, orange dunes, white sandy beaches where tiny crabs scurry at full speed. I see incredible oases emerging between arid mountains. I see abandoned villages that I’d dream were full of life, imposing fortresses overlooking valleys, and lively souks where offers are delicate and negotiation is a mutual courtesy.

All that, and so much more.

This is what I tried to capture in my illustrated travel journal, which I’ll fill in here and there with photos. I drew this journal “cold,” after my return (actually, I made it this summer, while our trip was last winter). It’s a pretty special format—I bought it in Japan without really knowing what I’d do with it. Well, it found its purpose! Below is a photo of this accordion-style journal: here, it’s only partially open, because when fully unfolded, it’s 5 meters long!



For drawing enthusiasts: The accordion format is both a constraint (each sheet is 9 cm x 27 cm) and a freedom (you can create a fresco). The paper is also a bit special: it doesn’t allow for fine lines, but it takes ink well (liner pen). However, everything has to be done almost in one go (with a very light pencil sketch) because it erases poorly. It absorbs too much water for coloring with markers or watercolors (unless you avoid soaking it), but it works well with oil pastels and their use with a brush and solvent. Since it’s yellowish, it allowed me to create contrasts even with white pastel.

On the right, the "welcome marker"—those dates offered everywhere as a sign of hospitality. On the left, a tribute to those stunning doors worn by time, admired all over the old quarters, including the abandoned ones.



Oman is one of the world’s largest producers of frankincense resin. Incense burners are everywhere, from the simplest clay ones to the most precious handcrafted silver ones...

Hospitality will often lead you to accept a small coffee, an "Omani coffee," very light, subtly flavored with cardamom, maybe a touch of saffron, and occasionally rosewater. Here, I’ve depicted a man in the common everyday attire of Omanis: the dishdasha, mostly white (during the week and daytime; colors are more common in the evening or on Fridays and Saturdays). While you’ll see some men dressed in Western clothes, they’re very few. The white dishdasha is truly the shared attire of all men. The dishdasha, which has no hood, is distinguished by a small pom-pom attached to the collar, the furakha, which is soaked in perfume. And believe me, Omanis go overboard with it! "It smells like the pom-pom" is an expression that’s now part of our shared language, my husband and I. Another must of men’s attire is the kuma, a small round head covering, usually white with brightly colored patterns. The keffiyeh is also worn (but without the cord called an agal in Arab countries), and it’s mostly worn by those with roots in the desert, from what I understood. And what about the women, you might ask? Some are veiled, some in full black (but not a burka—more like a chador + abaya), due to the influence of Saudi Arabia and the United Arab Emirates, whereas the traditional outfit used to be a layering of very colorful dresses. Most of the women we saw wore neutral clothing, a plain veil over their hair, but with their faces uncovered. We also saw many saris and colorful veils—don’t forget that 40% of the population consists of Indian, Nepalese, and Bangladeshi immigrants, who work a lot in tourism, hospitality, restaurants, services, and construction. Just to clarify, as a tourist, there’s no pressure to wear a veil, and never any disapproving looks. Of course, you’ll save the mini shorts, plunging necklines, bare shoulders, and midriffs for the hotel terrace—but I’d say that’s the same for men and women, and with the sun being strong, it’s better for your skin too. Here’s the introduction! In the next post, I’ll tell you about my itinerary, and we can dive in!

Bonsoir à tous,

Quelqu'un sait-il si les sources du Téléboas-Karasu-Euphrate qui seraient situées sur "les flancs du Dumlu Dag; à 35 km au nord d'Erzurum" sont accessibles ?

Catherine