Results for "Kolda+|+99+>+78"
1200 results found.
Draw Me Your Japan...
Hi there!
I’m inviting you on a stroll through my drawings—a completely subjective, far from exhaustive, and totally personal take, since it’s based on my own sketches. I put this travel journal together after returning in late 2024, mostly using felt-tip pens and pencils, with a few collages thrown in. I worked from our personal photos.
Let’s start with the shotengai...
Our first "wow" moment came as we stepped out of the subway in Asakusa, the Tokyo neighborhood where we’d booked our hotel for our first five nights. Exhausted after our long flight, we finally arrived and took an exit that led straight into a shotengai—one of those covered shopping streets that pop up in city centers and flourished between the 1950s and 1980s.
It was an instant aesthetic shock, like a close encounter of the third kind between the modern city, a typical Asian market with its street stalls, the vintage vibe of the arcade, the sheer abundance of goods, and the bustling crowd—a mix of tourists, pilgrims (thanks to nearby Senso-ji Temple), and locals (it’s a very working-class area). In the end, it set the tone for a feeling we’d experience throughout the trip. Wherever we went, shotengai turned out to be fantastic spots for finding little restaurants, shops, or even fresh produce. Some are like real mazes, like in Kyoto, where we spent ages trying to relocate a restaurant we’d loved ;-)
In Kanazawa, the Omicho Market:
And in Kyoto, Nishiki Market:
To be continued...
I’m inviting you on a stroll through my drawings—a completely subjective, far from exhaustive, and totally personal take, since it’s based on my own sketches. I put this travel journal together after returning in late 2024, mostly using felt-tip pens and pencils, with a few collages thrown in. I worked from our personal photos.Let’s start with the shotengai...
Our first "wow" moment came as we stepped out of the subway in Asakusa, the Tokyo neighborhood where we’d booked our hotel for our first five nights. Exhausted after our long flight, we finally arrived and took an exit that led straight into a shotengai—one of those covered shopping streets that pop up in city centers and flourished between the 1950s and 1980s.
It was an instant aesthetic shock, like a close encounter of the third kind between the modern city, a typical Asian market with its street stalls, the vintage vibe of the arcade, the sheer abundance of goods, and the bustling crowd—a mix of tourists, pilgrims (thanks to nearby Senso-ji Temple), and locals (it’s a very working-class area). In the end, it set the tone for a feeling we’d experience throughout the trip. Wherever we went, shotengai turned out to be fantastic spots for finding little restaurants, shops, or even fresh produce. Some are like real mazes, like in Kyoto, where we spent ages trying to relocate a restaurant we’d loved ;-)
In Kanazawa, the Omicho Market:
And in Kyoto, Nishiki Market:
To be continued...
A whimsical taste of coming back!
I left my heart’s country eight days ago and returned to my adopted one—or was it the other way around? Scotland-Morvan, Morvan-Scotland, I’m not quite sure anymore.
After a quarter without dragging my slippers around here, even though I’d loudly declared I had no interest left in this site, here I am again!
My imagination never stays fallow for long. Just enough time for my inner land to rest. It gets overgrown with fresh nettles, the kind you can pick without getting stung. Then, it’s time to till the fragrant earth and let the story grow.
I hesitated over where to set this story. Maybe the Highlands, maybe the Hebrides, maybe the Orkney Islands, maybe the Shetland Islands. All of Scotland is myth—easy to embroider. But in the end, no. I’d almost be too afraid to bare my soul.
The story will take place at home. Simple, practical.
1)
This morning, I was up well before dawn, feeling a bit grumpy, but nothing a bowl of coffee won’t fix. I love my bowl, and no one dares take it. It’s porcelain, edged with intertwined blue flowers. On the bottom, it says "Revol." The factory has existed long before the Revolution. It was my great-grandmother’s bowl. She drank roasted barley from it during the war, then her Leroux chicory.
Last year, a little guy dropped it. My bowl broke into three pieces. A black anger vibrated deep inside me. The little boy was so upset, on the verge of tears. How could I scold him!
I picked up the three pieces and took Little Boy in my arms. His hair smelled of the light, sweet sweat of toddlers. A gentle hug that healed—his budding sorrow and my anger—everything vanished, and time carried on.
Today, my bowl is even prettier. Man fixed it using the traditional kintsugi technique, except he didn’t use gold powder or lacquer but superglue, and he delicately painted the cracks with woad blue. And my bowl is even more beautiful now.
I’m lingering, I can tell—it’s just that a story wraps itself in life, and life can’t be told in the snap of a finger. Life is long. Like in architecture, you start with a rough sketch, called a "sous-cul" (the initial pencil drawing), then you make a tracing, which is the work itself, the one you later carefully roll up in a wooden tube. Life is like that: you erase, you start over, you use the nub of the pencil until it’s tiny, but you keep going—dreaming, loving.
"Living is a full-time occupation, a unique adventure. Always a surprise and a wonder, which sometimes turns into astonishment. And, from time to time, happiness."*
Alright, enough digressing—this introduction is definitely too long. Tomorrow, I’ll get to the heart of the matter. (I hate that expression; it feels like I’m cutting into someone’s skin.)
*Jean d’Ormesson
2)
After a quarter without dragging my slippers around here, even though I’d loudly declared I had no interest left in this site, here I am again!
My imagination never stays fallow for long. Just enough time for my inner land to rest. It gets overgrown with fresh nettles, the kind you can pick without getting stung. Then, it’s time to till the fragrant earth and let the story grow.
I hesitated over where to set this story. Maybe the Highlands, maybe the Hebrides, maybe the Orkney Islands, maybe the Shetland Islands. All of Scotland is myth—easy to embroider. But in the end, no. I’d almost be too afraid to bare my soul.
The story will take place at home. Simple, practical.
1)
This morning, I was up well before dawn, feeling a bit grumpy, but nothing a bowl of coffee won’t fix. I love my bowl, and no one dares take it. It’s porcelain, edged with intertwined blue flowers. On the bottom, it says "Revol." The factory has existed long before the Revolution. It was my great-grandmother’s bowl. She drank roasted barley from it during the war, then her Leroux chicory.
Last year, a little guy dropped it. My bowl broke into three pieces. A black anger vibrated deep inside me. The little boy was so upset, on the verge of tears. How could I scold him!
I picked up the three pieces and took Little Boy in my arms. His hair smelled of the light, sweet sweat of toddlers. A gentle hug that healed—his budding sorrow and my anger—everything vanished, and time carried on.
Today, my bowl is even prettier. Man fixed it using the traditional kintsugi technique, except he didn’t use gold powder or lacquer but superglue, and he delicately painted the cracks with woad blue. And my bowl is even more beautiful now.
I’m lingering, I can tell—it’s just that a story wraps itself in life, and life can’t be told in the snap of a finger. Life is long. Like in architecture, you start with a rough sketch, called a "sous-cul" (the initial pencil drawing), then you make a tracing, which is the work itself, the one you later carefully roll up in a wooden tube. Life is like that: you erase, you start over, you use the nub of the pencil until it’s tiny, but you keep going—dreaming, loving.
"Living is a full-time occupation, a unique adventure. Always a surprise and a wonder, which sometimes turns into astonishment. And, from time to time, happiness."*
Alright, enough digressing—this introduction is definitely too long. Tomorrow, I’ll get to the heart of the matter. (I hate that expression; it feels like I’m cutting into someone’s skin.)
*Jean d’Ormesson
2)
How do you feel about coming back to France?
Hi there, I’ve been traveling for 18 years now, at least 6 months a year, and as the years go by, I actually enjoy coming back to France more and more—a feeling I struggled with at first. I mean, we always think the grass is greener elsewhere.
But in the end, I find meaning in that saying about how there’s no place like home. I still love traveling just as much, but now my trips are shorter, and I enjoy spending more time in our beautiful country, even though I don’t hesitate to criticize it.
How about you? How do you handle coming back from your travels?
October Photo Contest Theme: Doors
Hi everyone!
This theme has probably been done before... but not recently, at least 😉 Doors—open, closed, of houses, castles... even if only the threshold remains. Since I’m not home, I don’t have access to my photos right now, and regarding the rules, I’ll let you refer to one of the previous contests.
Photos can be posted until Thursday the 23rd at 11:59 PM (Paris time). Voting will take place from the 24th to the 30th of October, and the results will be announced on the 31st during the day.
See you soon! 🙂
This theme has probably been done before... but not recently, at least 😉 Doors—open, closed, of houses, castles... even if only the threshold remains. Since I’m not home, I don’t have access to my photos right now, and regarding the rules, I’ll let you refer to one of the previous contests.
Photos can be posted until Thursday the 23rd at 11:59 PM (Paris time). Voting will take place from the 24th to the 30th of October, and the results will be announced on the 31st during the day.
See you soon! 🙂
Spring getaway in search of Moroccan sunshine
Hey fellow travelers!
This isn’t meant to be a full-on travel journal—just a little springtime dip into the Moroccan coast (and maybe a bit more if we click).
For our third trip to this country, we set off for 8 days in early June 2025, *sure* we’d be greeted by non-stop sunshine...
...and well, that didn’t happen! The gray stuck around for a day, then two, then three (while back home in the Landes, we had gorgeous sunshine 🤦♂️😂).
Now, unlike us, the Morocco experts here probably already know this, but apparently, it’s pretty common—especially in spring—when the warm air from inland meets the cool ocean breeze. Locals even have to warm up with hot water bottles, can you believe it? 😄!
And of course, it had to happen now, since our plan is to follow the coast from Essaouira to Mirleft!!
Oh well, we’ll see how it goes—but luckily, this first stunning sunset made up for the weather 🌅.
See you soon to anyone who’s up for it! 😊
This isn’t meant to be a full-on travel journal—just a little springtime dip into the Moroccan coast (and maybe a bit more if we click).
For our third trip to this country, we set off for 8 days in early June 2025, *sure* we’d be greeted by non-stop sunshine...
...and well, that didn’t happen! The gray stuck around for a day, then two, then three (while back home in the Landes, we had gorgeous sunshine 🤦♂️😂).
Now, unlike us, the Morocco experts here probably already know this, but apparently, it’s pretty common—especially in spring—when the warm air from inland meets the cool ocean breeze. Locals even have to warm up with hot water bottles, can you believe it? 😄!
And of course, it had to happen now, since our plan is to follow the coast from Essaouira to Mirleft!!
Oh well, we’ll see how it goes—but luckily, this first stunning sunset made up for the weather 🌅.
See you soon to anyone who’s up for it! 😊
Yet Another Travel Journal in this (Too) Familiar Rajasthan, But with Family and Kids
Prologue
This journal recounts a trip to Rajasthan that’s already over a year old and that I’ve only now found the chance to write about. The summer of 2024 marked my return to India—my tenth trip—after six long years away since my last solo wanderings in Tamil Nadu in 2018 (the journal of which is published on this site). That absence was partly (but not only) due to the long COVID and post-COVID period, which saw a complete halt and then a major slowdown in global tourism. To top it off, Voyage Forum announced its closure in an end-of-the-world atmosphere. A sad time for our favorite social activity…
A few weeks after returning from Rajasthan, I tried to motivate myself to start writing a journal to publish on a forum claiming to be VF’s successor, which I’d eventually signed up for out of desperation. But I kept hesitating and putting the project off because, for one, I no longer have the time I used to. For another, the vibe wasn’t really taking off on that forum—it was overrun with ads and not very active, contrary to what its host’s name suggested. Despite its good intentions and commendable role as a stopgap, it also turned out to be very impractical to use, especially when you don’t have much time like me. I’ll admit I’d occasionally check back on VF to see if anything was happening. But all the discussions remained frozen in time, stuck in that fateful year, 2020. Then, rumors swirled online about shady reasons behind its closure, leaving little room for hope.
And then, one fine morning, I got a message at work from Marien informing me that VF had reopened. What a huge surprise! Even though the forum’s “end” had played out in a somewhat apocalyptic atmosphere, the memories of passionate and heated discussions, the frank debates, and the useful exchanges that made this site a traveler’s goldmine and a unique hub of conviviality all came rushing back to me like a breath of fresh air. I finally saw a sign and tried to motivate myself to find the time to publish the journal of this tenth trip to India and fifth to Rajasthan. But in the end, I got bogged down in professional and family obligations and never managed to find the time to get started. That’s now fixed, though, because I had two reasons for wanting to do it: I find that looking back on a trip to tell others about it is a highly beneficial introspective exercise. Also, I thought this journal could be useful to other travelers on a few points.
Because, “do we really need yet another journal about Rajasthan?” you might rightly ask! Especially in a time when so many journals about the “Land of Kings” have been published since VF’s return, not to mention the countless stories you can already find online about this region, one of India’s most touristy. And I’d add, why go back to Rajasthan for a fifth time, where I’ve already dragged my feet more than enough—through its forts, deserts, temples, cities, villages, bumpy roads, train stations, tasty street food stalls, cheap guesthouses, and more? Where some might see just another overhyped tourist destination full of the same old *Arabian Nights* clichés, worn to a thread, that I mentioned earlier, when there’s so much else to see in India? Well, first because it’s a magnificent country I never tire of, where I started an academic study and made so many connections. It’s also packed with places where you won’t find a single tourist (right, Marie-Jo?), even in the heart of well-trodden paths and classic itineraries. And most importantly, as I said earlier, things have changed in recent years. First, after six years without traveling far, the urge to go back to India was getting stronger. But this time, no more solo trips (often) or duo adventures (sometimes)—now it’s a team of four that has to come along! And even if you can argue with that, what better place than Rajasthan to introduce India to people who’ve never seen it? To kids you want to amaze? Plus, traveling with your new little family to your favorite country isn’t the same as going solo in often spartan conditions that only affect you. It’s a different challenge, but ultimately probably much harder. So, is it really reasonable to take two kids to India, including a two-year-old baby? That’s one of the main goals of this journal (but not the only one)—to try to answer that question.
As you can tell, it’s not so much the destination but the slightly unusual setup of this trip that, in my opinion, will make this journal interesting. Despite my experience and expertise (yes, I dare say it) in India, there were plenty of questions before we finalized the plan and said, “Alright, let’s go!” The questions were flying for us parents. Is it wise to travel to India with a two-year-old? What would we do (it happened) if the kids got very sick? Would they be able to handle a road trip on Rajasthan’s bumpy, dusty roads using public transport? Could they handle the shock of such a different world—the dirt, poverty, pollution, noise (…and the smell, as they say), the spicy food, monkeys, mosquitoes, snakes, tigers, leopards, and so on? In short, all the clichés that I usually joke about suddenly became potential realities. Another concern: as a mixed Franco-African family (not me, but my partner and her oldest), wouldn’t we risk not always being well received, given what you sometimes hear about that in India? How would Indians react to seeing a mixed-race family, the ultimate taboo in a country of purity and social segregation, which would undoubtedly raise many questions for them? Of course, not everything went as expected… Because, as you know, with India—and what makes it charming for some—there are always complications: sometimes where you don’t expect them… and sometimes where you do. I’ll go into detail about that in the journal to come (not right away) and in the final review (even later). These experiences could be useful to travelers who find themselves in similar situations and have the same questions we did before embarking on such a journey. And maybe it’ll spark the curiosity of those who aren’t concerned and will read yet another Rajasthan journal, but with its own unique twists.
Despite my unchanged constraints, which mean I have little time to write this, I don’t want to rush the story, so I’ll take my time. There will probably be lulls. I hope that won’t stop people from coming to react, debate, share their impressions, or ask for information.
This journal recounts a trip to Rajasthan that’s already over a year old and that I’ve only now found the chance to write about. The summer of 2024 marked my return to India—my tenth trip—after six long years away since my last solo wanderings in Tamil Nadu in 2018 (the journal of which is published on this site). That absence was partly (but not only) due to the long COVID and post-COVID period, which saw a complete halt and then a major slowdown in global tourism. To top it off, Voyage Forum announced its closure in an end-of-the-world atmosphere. A sad time for our favorite social activity…
A few weeks after returning from Rajasthan, I tried to motivate myself to start writing a journal to publish on a forum claiming to be VF’s successor, which I’d eventually signed up for out of desperation. But I kept hesitating and putting the project off because, for one, I no longer have the time I used to. For another, the vibe wasn’t really taking off on that forum—it was overrun with ads and not very active, contrary to what its host’s name suggested. Despite its good intentions and commendable role as a stopgap, it also turned out to be very impractical to use, especially when you don’t have much time like me. I’ll admit I’d occasionally check back on VF to see if anything was happening. But all the discussions remained frozen in time, stuck in that fateful year, 2020. Then, rumors swirled online about shady reasons behind its closure, leaving little room for hope.
And then, one fine morning, I got a message at work from Marien informing me that VF had reopened. What a huge surprise! Even though the forum’s “end” had played out in a somewhat apocalyptic atmosphere, the memories of passionate and heated discussions, the frank debates, and the useful exchanges that made this site a traveler’s goldmine and a unique hub of conviviality all came rushing back to me like a breath of fresh air. I finally saw a sign and tried to motivate myself to find the time to publish the journal of this tenth trip to India and fifth to Rajasthan. But in the end, I got bogged down in professional and family obligations and never managed to find the time to get started. That’s now fixed, though, because I had two reasons for wanting to do it: I find that looking back on a trip to tell others about it is a highly beneficial introspective exercise. Also, I thought this journal could be useful to other travelers on a few points.
Because, “do we really need yet another journal about Rajasthan?” you might rightly ask! Especially in a time when so many journals about the “Land of Kings” have been published since VF’s return, not to mention the countless stories you can already find online about this region, one of India’s most touristy. And I’d add, why go back to Rajasthan for a fifth time, where I’ve already dragged my feet more than enough—through its forts, deserts, temples, cities, villages, bumpy roads, train stations, tasty street food stalls, cheap guesthouses, and more? Where some might see just another overhyped tourist destination full of the same old *Arabian Nights* clichés, worn to a thread, that I mentioned earlier, when there’s so much else to see in India? Well, first because it’s a magnificent country I never tire of, where I started an academic study and made so many connections. It’s also packed with places where you won’t find a single tourist (right, Marie-Jo?), even in the heart of well-trodden paths and classic itineraries. And most importantly, as I said earlier, things have changed in recent years. First, after six years without traveling far, the urge to go back to India was getting stronger. But this time, no more solo trips (often) or duo adventures (sometimes)—now it’s a team of four that has to come along! And even if you can argue with that, what better place than Rajasthan to introduce India to people who’ve never seen it? To kids you want to amaze? Plus, traveling with your new little family to your favorite country isn’t the same as going solo in often spartan conditions that only affect you. It’s a different challenge, but ultimately probably much harder. So, is it really reasonable to take two kids to India, including a two-year-old baby? That’s one of the main goals of this journal (but not the only one)—to try to answer that question.
As you can tell, it’s not so much the destination but the slightly unusual setup of this trip that, in my opinion, will make this journal interesting. Despite my experience and expertise (yes, I dare say it) in India, there were plenty of questions before we finalized the plan and said, “Alright, let’s go!” The questions were flying for us parents. Is it wise to travel to India with a two-year-old? What would we do (it happened) if the kids got very sick? Would they be able to handle a road trip on Rajasthan’s bumpy, dusty roads using public transport? Could they handle the shock of such a different world—the dirt, poverty, pollution, noise (…and the smell, as they say), the spicy food, monkeys, mosquitoes, snakes, tigers, leopards, and so on? In short, all the clichés that I usually joke about suddenly became potential realities. Another concern: as a mixed Franco-African family (not me, but my partner and her oldest), wouldn’t we risk not always being well received, given what you sometimes hear about that in India? How would Indians react to seeing a mixed-race family, the ultimate taboo in a country of purity and social segregation, which would undoubtedly raise many questions for them? Of course, not everything went as expected… Because, as you know, with India—and what makes it charming for some—there are always complications: sometimes where you don’t expect them… and sometimes where you do. I’ll go into detail about that in the journal to come (not right away) and in the final review (even later). These experiences could be useful to travelers who find themselves in similar situations and have the same questions we did before embarking on such a journey. And maybe it’ll spark the curiosity of those who aren’t concerned and will read yet another Rajasthan journal, but with its own unique twists.
Despite my unchanged constraints, which mean I have little time to write this, I don’t want to rush the story, so I’ll take my time. There will probably be lulls. I hope that won’t stop people from coming to react, debate, share their impressions, or ask for information.
Swedish Lapland - Padjelantaledden solo trek
A travel journal—it’s been a while!
I must say, my personal situation has "changed a bit" since my last journals (my 3 kids are grown up + a divorce finalized in early 2021). So, no more long-haul family trips; now I’m focusing on multi-day hikes for my vacations. I found a hiking buddy in 2021 to join me on the Laugavegur trek in Iceland, but this year, no one was available.
That’s how the idea of a solo trek in Lapland took root—a region I’ve been dreaming about ever since I read Marie Lefevre’s 2012 journal on the topic.
Marie, who I hiked with for the first time in 2015 during my very first multi-day trek, and whom I can never thank enough for sharing her knowledge and saving me so much time.
To build my confidence for this solo trek, I hiked around Cantal in May (okay, I’m capable of spending nights alone in the middle of nowhere without being overly terrified) and camped in the Mercantour in July, where a massive storm made me realize I still had room for improvement in managing wet conditions...
After some research, I bought 2 Nylofume bags—large, ultra-lightweight ones to protect my gear in my backpack—and a set of 4 Aloksak bags in different sizes for my passport, camera, battery, etc. (and I’m so glad I did!!)
Well, I think I’m all set...
My 16/08 - Day 1 - Ritsem – Gisuris (well, almost) Wed 17/08 – Day 2 - Partly in the tent + minimal progress toward Gisuris Thu 18/08 – Day 3 - Gisuris – Laddejakha (23 km) Fri 19/08 – Day 4 – Laddejakha – Arasluokta (13 km) Sat 20/08 - Day 5 - Arasluokta – Staloluokta (12 km) Sun 21/08 – Day 6 - Staloluokta – Duottar (18 km) Mon 22/08 Day 7 - Duottar – Dareluoppal (10 km) Sammarlappa (15.3 km) Tue 23/08 - Day 8 - Sammarlappa – Tarrekaise (12 km) + halfway to Tarrekaise-Nunjes (approx. 3 km) Wed 24/08 – Day 9 – Finish Tarrekaise-Nunjes (approx. 4 km) Kvikkjokk (12.6 km) Thu 25/08 and Fri 26/08 – Around Kvikkjokk Food and gear summary
I must say, my personal situation has "changed a bit" since my last journals (my 3 kids are grown up + a divorce finalized in early 2021). So, no more long-haul family trips; now I’m focusing on multi-day hikes for my vacations. I found a hiking buddy in 2021 to join me on the Laugavegur trek in Iceland, but this year, no one was available.
That’s how the idea of a solo trek in Lapland took root—a region I’ve been dreaming about ever since I read Marie Lefevre’s 2012 journal on the topic.
Marie, who I hiked with for the first time in 2015 during my very first multi-day trek, and whom I can never thank enough for sharing her knowledge and saving me so much time.
To build my confidence for this solo trek, I hiked around Cantal in May (okay, I’m capable of spending nights alone in the middle of nowhere without being overly terrified) and camped in the Mercantour in July, where a massive storm made me realize I still had room for improvement in managing wet conditions...
After some research, I bought 2 Nylofume bags—large, ultra-lightweight ones to protect my gear in my backpack—and a set of 4 Aloksak bags in different sizes for my passport, camera, battery, etc. (and I’m so glad I did!!)
Well, I think I’m all set...
My 16/08 - Day 1 - Ritsem – Gisuris (well, almost) Wed 17/08 – Day 2 - Partly in the tent + minimal progress toward Gisuris Thu 18/08 – Day 3 - Gisuris – Laddejakha (23 km) Fri 19/08 – Day 4 – Laddejakha – Arasluokta (13 km) Sat 20/08 - Day 5 - Arasluokta – Staloluokta (12 km) Sun 21/08 – Day 6 - Staloluokta – Duottar (18 km) Mon 22/08 Day 7 - Duottar – Dareluoppal (10 km) Sammarlappa (15.3 km) Tue 23/08 - Day 8 - Sammarlappa – Tarrekaise (12 km) + halfway to Tarrekaise-Nunjes (approx. 3 km) Wed 24/08 – Day 9 – Finish Tarrekaise-Nunjes (approx. 4 km) Kvikkjokk (12.6 km) Thu 25/08 and Fri 26/08 – Around Kvikkjokk Food and gear summary
Croatia, Montenegro – two victims of overtourism?
Mid-June, two Auvergnats on the starting blocks—off we go to the former Yugoslavia!
We’d already explored some nooks and crannies of northern Croatia back in 2019, so we’re keeping the momentum going by planning a trip to the south of the country and then Montenegro.
On the way back, we’ll drift into Bosnia-Herzegovina just to mix things up a bit!
We’re a little unsure about what to expect in terms of tourist crowds.
Dubrovnik has a reputation for being the hardest-hit city by overtourism, and Kotor and the whole Dalmatian coast aren’t exactly empty...
Luckily, most European countries haven’t started school holidays yet, and some measures seem to have been put in place to limit the flow (like restrictions on the number of cruise ships allowed to dock at the same time).
Maybe we’ll manage to escape the promised hell?
For now, we’re slamming the doors of the Scirocco and heading off to our first stop: northern Italy!
On the way back, we’ll drift into Bosnia-Herzegovina just to mix things up a bit!
We’re a little unsure about what to expect in terms of tourist crowds.
Dubrovnik has a reputation for being the hardest-hit city by overtourism, and Kotor and the whole Dalmatian coast aren’t exactly empty...
Luckily, most European countries haven’t started school holidays yet, and some measures seem to have been put in place to limit the flow (like restrictions on the number of cruise ships allowed to dock at the same time).
Maybe we’ll manage to escape the promised hell?
For now, we’re slamming the doors of the Scirocco and heading off to our first stop: northern Italy!
A Series: June 2025 Photo Contest Theme
The theme for June is: A SERIES
"A series is a set of coherent images that share several common points while still being different from one another."
In 3 photos, posted simultaneously in the same message, I’d like you to tell me a little story with a few words. You’re allowed 2 series.
They can be narrative or thematic. For example: 3 shots representing 3 professions, 3 places of worship, 3 market stalls, 3 trains... the ideas are endless—whether in the same place or in different countries... or 3 images of the same place, photographed from 3 different angles, under 3 different lights... or 3 images where the predominant color is the same... Narrative and theme can, of course, overlap.
Practical details:
Participation Each VF member can submit up to 2 series, until Saturday, June 21 at 11:59 PM Paris time. Each series of 3 photos must be presented in a single message, with its number indicated (series 1, series 2).
Voting: Each VF member can vote for the 3 series they consider the best, based on their own criteria and the theme.
Voting will take place from Saturday, June 21 at midnight until Saturday, June 28 at 11:59 PM Paris time.
The selected series will be ranked in order of preference: - 1st series: 3 points - 2nd: 2 points - 3rd: 1 point
The winner is the author of the series with the most points.
Results will be published on June 29 during the day. In case of a tie, the number of first-place votes will decide. The winner will have the honor of organizing July 2025’s contest.
Photos that have won (1st, 2nd, or 3rd place) in another VF contest are not eligible for this one.
This thread is exclusively for series submitted to the contest. All discussions, comments, and other chatter should take place in this thread.
...................................................................
Narrative: In Bali, I took a cooking class. We went to the market to shop with the teacher. We cleaned and prepped the ingredients to make, among other things, a lovely salad.
...........................................................................
Narrative and thematic: I really loved this place 30 km from Essaouira. A little souk "just as it is," as they say. The souk of Ida Ougourd.
...........................................................................
Thematic: Green in nature. The green of tea plantations in Munnar, a bamboo forest in Les Landes, and a park in Tokyo.
In 3 photos, posted simultaneously in the same message, I’d like you to tell me a little story with a few words. You’re allowed 2 series.
They can be narrative or thematic. For example: 3 shots representing 3 professions, 3 places of worship, 3 market stalls, 3 trains... the ideas are endless—whether in the same place or in different countries... or 3 images of the same place, photographed from 3 different angles, under 3 different lights... or 3 images where the predominant color is the same... Narrative and theme can, of course, overlap.
Practical details:
Participation Each VF member can submit up to 2 series, until Saturday, June 21 at 11:59 PM Paris time. Each series of 3 photos must be presented in a single message, with its number indicated (series 1, series 2).
Voting: Each VF member can vote for the 3 series they consider the best, based on their own criteria and the theme.
Voting will take place from Saturday, June 21 at midnight until Saturday, June 28 at 11:59 PM Paris time.
The selected series will be ranked in order of preference: - 1st series: 3 points - 2nd: 2 points - 3rd: 1 point
The winner is the author of the series with the most points.
Results will be published on June 29 during the day. In case of a tie, the number of first-place votes will decide. The winner will have the honor of organizing July 2025’s contest.
Photos that have won (1st, 2nd, or 3rd place) in another VF contest are not eligible for this one.
This thread is exclusively for series submitted to the contest. All discussions, comments, and other chatter should take place in this thread.
...................................................................
Narrative: In Bali, I took a cooking class. We went to the market to shop with the teacher. We cleaned and prepped the ingredients to make, among other things, a lovely salad.
...........................................................................
Narrative and thematic: I really loved this place 30 km from Essaouira. A little souk "just as it is," as they say. The souk of Ida Ougourd.
...........................................................................
Thematic: Green in nature. The green of tea plantations in Munnar, a bamboo forest in Les Landes, and a park in Tokyo.
Discussion on the April 2025 photo contest theme "Fish"
To chat about the side topics of the theme "Fish," this is the place!
Back to the contest theme: Fish: April 2025 Photo Contest Theme
Back to the contest theme: Fish: April 2025 Photo Contest Theme
Fish. April 2025 Photo Contest Theme
Hi everyone,
Starting tomorrow (the first day of the month), the April contest kicks off with the theme "Fish."
Important note: There was a contest in January 2020 on the theme "Fishing," where we hardly saw any fish. So this time, it should not be about fishing but mainly about fish. Live fish (1), dead fish (2), fish used in various artistic (3), commercial (4), or other illustrations (5).
Practical details:
Participation: Each VF member can submit up to 3 photos, until Saturday, April 26 at 11:59 PM Brussels time. Each photo should be posted in a separate message, with its number (1, 2, or 3). Don’t forget to add a little explanation (comment, location, etc.).
Voting: Each VF member can vote for the 3 photos they think are the best, based on their own criteria and the theme.
Voting will take place from Sunday, April 27 to Wednesday, April 30 at 11:59 PM Brussels time.
The selected photos will be ranked in order of preference: - 1st photo: 3 points - 2nd: 2 points - 3rd: 1 point
The winner is the photographer whose photo receives the most points.
Results will be published on May 1. In case of a tie, the number of first-place votes will decide. The winner will have the honor of organizing the May 2025 contest.
Photos that have already been nominated (1st, 2nd, or 3rd place) in another contest are not eligible for this one.
This thread is exclusively for photos submitted to the contest. All discussions, comments, and chit-chat should be posted in the thread: Discussion on the April 2025 contest theme "Fish"
(1) Japanese fish (not yet turned into sushi 😛)
(2) Fish considered small fry and left on an Indonesian beach
(3) Street art in Bristol (England)
(4) Sign in Bristol (England)
(5) Hikiyama Exhibition Hall in Karatsu (Kyushu, Japan)
Good luck! 😛
PS: Whales, sperm whales, porpoises, and dolphins are welcome—let’s be inclusive! 😎
Starting tomorrow (the first day of the month), the April contest kicks off with the theme "Fish."
Important note: There was a contest in January 2020 on the theme "Fishing," where we hardly saw any fish. So this time, it should not be about fishing but mainly about fish. Live fish (1), dead fish (2), fish used in various artistic (3), commercial (4), or other illustrations (5).
Practical details:
Participation: Each VF member can submit up to 3 photos, until Saturday, April 26 at 11:59 PM Brussels time. Each photo should be posted in a separate message, with its number (1, 2, or 3). Don’t forget to add a little explanation (comment, location, etc.).
Voting: Each VF member can vote for the 3 photos they think are the best, based on their own criteria and the theme.
Voting will take place from Sunday, April 27 to Wednesday, April 30 at 11:59 PM Brussels time.
The selected photos will be ranked in order of preference: - 1st photo: 3 points - 2nd: 2 points - 3rd: 1 point
The winner is the photographer whose photo receives the most points.
Results will be published on May 1. In case of a tie, the number of first-place votes will decide. The winner will have the honor of organizing the May 2025 contest.
Photos that have already been nominated (1st, 2nd, or 3rd place) in another contest are not eligible for this one.
This thread is exclusively for photos submitted to the contest. All discussions, comments, and chit-chat should be posted in the thread: Discussion on the April 2025 contest theme "Fish"
(1) Japanese fish (not yet turned into sushi 😛)
(2) Fish considered small fry and left on an Indonesian beach
(3) Street art in Bristol (England)
(4) Sign in Bristol (England)
(5) Hikiyama Exhibition Hall in Karatsu (Kyushu, Japan)
Good luck! 😛
PS: Whales, sperm whales, porpoises, and dolphins are welcome—let’s be inclusive! 😎
Skyscrapers, Markets, Ice Cubes, Tourism, and Waterfalls... Thailand's Excesses
A somewhat lengthy title... I could have simply written: from Bangkok to Chiang Rai, via Chiang Mai, since that was my route. But when poets embellish our travel journals with their verbal flourishes, you’ve got to try not to be too ordinary.
Skyscrapers of excess? You’ll have gathered that from the photo illustrating this journal—though it might change as the trip goes on.
The excess of markets—not so much in their size, though... Chatuchak... But in their sheer number. Day markets, night markets, floating markets, fresh produce markets, fish markets, meat markets, spice markets, fabric markets... and even... amulet markets... For luck, good fortune, protection. Not to mention, sadly, the market for girls—and boys, incidentally. I’ve even heard they’re displayed in windows. I’ve heard about that one, like you have, but I didn’t set foot in it, so I can’t say anything about it. Some even claim there’s a black-market trade in children. Disgusting! It reminded me of the book *The Parcel* by Anosh Irani, which I recommended in another journal. The story is set in India, but I’ve been told it exists in Thailand too. So, the "famous Thai markets" we’re bombarded with in paper and online guides—sure, they amazed me in the first few days, and I don’t regret visiting them. But no matter how big they were, I quickly got my fill since you saw the same things at every stall...
I had a market overdose.
Excess of tourism? I should say *tourists*, since I saw them literally swarming in the streets and those famous markets. I’d forgotten about them. I’d lost the habit, living in an Indian city for so long...
Waterfalls are a bit like markets. At this time of year, they’re not particularly spectacular, but they’re everywhere. There are the ones everyone goes to see. For example, Erawan, which I decided to skip even though it was in my original itinerary—I guessed it’d be a nightmare with the selfie circus. On the other hand, you come across them all over the place, hidden in the mountains and forests, not listed in any guide. Not to mention the ones you can find in temples or even private homes... Yes, really! Thais love waterfalls, so they install them in their gardens—and I even saw one in the middle of the city, right on the street! Sometimes they’re tiny, but very photogenic.
But what do ice cubes have to do with this? Why the excess of ice cubes? Not only are they everywhere by the ton, but they put them in *everything* you drink. You’d think they’d even put them in soup! And it’s not just one or two ice cubes—no! They fill the container to the brim, whatever it is, then pour the liquid on top to fill the gaps. They’ll make you an excellent coffee right in front of you, piping hot, then—bam! An avalanche of ice cubes in the glass. Okay, I’m exaggerating a little. They *do* sometimes ask if you prefer your coffee—or tea—hot. Everything edible, and especially everything drinkable, is refrigerated: vegetables, fruit, hot drinks (I mean, drinks that are *usually* hot), but meat and fish are left out in the open. They just wave a little whisk to shoo away the flies when they get too eager. Mind you, I never put fruit, cheese, eggs, or water in the fridge in France, but I do in India. And I refrigerate meat and fish too... Though sometimes one of those little flies sneaks into the fridge...
You won’t find practical or technical details in this journal, like addresses or prices. Others do that better than me. You also won’t find the names of obscure or unknown places I discovered, or directions to get there.
I don’t really feel like recounting what I saw day by day, following my schedule and route. There might be flashbacks, projections into the future. It’ll depend on my memories, what I felt, what I hated, what comes back to me—and maybe your questions and our exchanges. And for those who’ve never read me before, you’ll have to get used to my parentheses and digressions, maybe on a completely different subject, as my thoughts wander. Stories within stories. There’ll also be long, endless sentences—but still punctuated, so you can follow along. Though I used to curse Proust and his sentences that started on one page and ended on the next, sometimes even further. I’d have to reread them twenty times to follow and understand what he was saying. I hated Proust. But hey, I was 20. Maybe I’d like him now?
See? The digressions are starting already. Forgive me.
You’ll find few photos here. First, the number is limited, and second, photos aren’t the main purpose of either VF or a travel journal. They’re too often used to mask the poverty of the text. And, sorry to say it, but so many of them are just plain ugly! If you really want to see photos, I’ll share some links where you can browse them at your leisure
What are the criteria that make you choose one destination over another?
Hi there,
The title might be a bit long, but I hope it’s completely understandable!
When it comes to choosing your next trip, what tips the scales in favor of Eritrea over Ibiza?
Why pick Canada over French Polynesia?
The price? A magazine or TV report, a travel journal, an Instagram ad? Ease of travel? Minimal time difference? The country that has the most in common with all the trip participants? Activities? Relaxation? The desire to push your limits?
A photo?
What else, I wonder...
Personally, I often prioritize simple destinations (no administrative hassles), where I’m not at risk (nothing extraordinary like getting kidnapped by Daesh or ending up in a jail cell because the current geopolitics aren’t favorable to my passport, etc.), and where I can drive.
Wide-open natural spaces are more my thing than urban anthills.
Finally, I try not to spend three days on a plane to reach my destination, and I aim for a maximum budget of 3500 € (for 3 weeks) in comfortable conditions—that means charming hotels, good meals, etc.
What about you?🙂
The title might be a bit long, but I hope it’s completely understandable!
When it comes to choosing your next trip, what tips the scales in favor of Eritrea over Ibiza?
Why pick Canada over French Polynesia?
The price? A magazine or TV report, a travel journal, an Instagram ad? Ease of travel? Minimal time difference? The country that has the most in common with all the trip participants? Activities? Relaxation? The desire to push your limits?
A photo?
What else, I wonder...
Personally, I often prioritize simple destinations (no administrative hassles), where I’m not at risk (nothing extraordinary like getting kidnapped by Daesh or ending up in a jail cell because the current geopolitics aren’t favorable to my passport, etc.), and where I can drive.
Wide-open natural spaces are more my thing than urban anthills.
Finally, I try not to spend three days on a plane to reach my destination, and I aim for a maximum budget of 3500 € (for 3 weeks) in comfortable conditions—that means charming hotels, good meals, etc.
What about you?🙂
Unusual trip to Rajasthan November 2022
Friday, November 4
My flight Barcelona - Abu Dhabi - Delhi went smoothly, it’s on time, and here I am back in India after 3 long years.
As I step off the plane, we head toward customs. It’s 3 AM, I’m tired but happy. The huge customs hall is below ground level and buzzing with people who’ve just arrived. In the end, they’re well organized—Indians to the left, foreigners to the right, and all along the hall, the customs officers’ posts, who remain very zen despite the crowd. It took me less than 2 hours to get out of the airport, which was pretty quick.
For this return trip, I got in touch with a driver from the "Lovers of India" group who was supposed to take me from the airport to Udaipur, passing through non-touristy villages like I love. This French-speaking driver had convinced me to travel by car, which was supposed to make moving from village to village easier. Two or three days before departure, I receive a message from the driver saying he was sick with a cold and sending another driver, his very kind brother who knows Rajasthan well but doesn’t speak French. I’m a bit disappointed by this message and doubtful about the driver’s sincerity, but I don’t have time to find another driver, so I stick to my plans, though I’m not at ease.
At the exit, the driver hasn’t arrived, and I wait half an hour before seeing him show up with a big smile, "Namaste." We don’t waste time and head to the car, which is clean and new.
We get to know each other in the car and hit the road toward Alwar. Along the way, we stop for lunch and to taste my first masala chai, which wakes up my taste buds.
I doze off during the drive, and we arrive at the Atlantic Hotel in Alwar at 10:30 AM. My room is on the ground floor, and I settle in quickly. The Wi-Fi isn’t working, but the staff do everything they can to fix it. At noon, Gajender, the driver, suggests visiting the Qila Fort, which is on the heights of Alwar. The fort is closed for restoration, but safari tours are offered—jeep, guide, driver, and visit for 1600 Rs.
We follow the great wall, which is impressive—the second largest in India and the third in the world.
We spot peacocks and monkeys.
The guide shows me an old stepwell lost in nature. It’s always my thing to check out these baoris, which can be stunning, but this one isn’t anything special. We arrive at the palace overlooking the city.
We walk around the palace, and I discover another stepwell that’s not worth lingering over.
The tour is over, and I had a great time despite the fatigue. We head back down to Alwar, near the City Palace, which has been turned into administrative offices. Gaju (the driver’s nickname) finds a parking spot near a dhaba where we have lunch (paneer masala, chapatis, chai)—it’s delicious. With my energy restored, we head to the palace. On the top floor is a museum that I visit.
At the exit of the museum, we have to go back down and walk around the palace to get to the Moosi Maharani Chhatri. I’ve been here once before and really liked it, and the place is still the same—calm and relaxing.
"This monument is the most artistic in Alwar and also the most royal, filled with fascinating history. Maharaja Vinay Singh of Alwar built this two-story cenotaph in 1815 in memory of his father, Maharaja Bakhtawar Singh. It’s also known as Moosi Maharani ki Chhatri, named after the king’s mistress, who performed sati upon his death. After the sati, she was accepted as the king’s wife. It’s an elegant monument, shaped like a flower and built with a mix of brown sandstone and white marble. The first floor is made of sandstone, while the upper floor and the chhatris (cenotaphs) are in white marble. Its sculpted pavilion has dome-shaped arches with intricate lace-like and exquisite floral patterns. There are complex motifs that shine brightly in the sunlight. The colorful circular ceiling is an important part of Moosi Maharani Ki Chhatri and is adorned with faded gold-leaf paintings of mythological figures and scenes. The footprints of Maharaja and Moosi Rani are engraved in marble inside the cenotaph, and locals pay their respects to them."
Near the chhatri, there’s a large water reservoir with a magnificent view. The place is peaceful and relaxing, and I stay here for a while, contemplating and daydreaming before heading back to the hotel for some well-deserved rest. The Wi-Fi is working now. I’m the only foreign guest, and since my room is near the entrance, I’ll be well taken care of throughout my stay.
I doze off during the drive, and we arrive at the Atlantic Hotel in Alwar at 10:30 AM. My room is on the ground floor, and I settle in quickly. The Wi-Fi isn’t working, but the staff do everything they can to fix it. At noon, Gajender, the driver, suggests visiting the Qila Fort, which is on the heights of Alwar. The fort is closed for restoration, but safari tours are offered—jeep, guide, driver, and visit for 1600 Rs.
We follow the great wall, which is impressive—the second largest in India and the third in the world.
We spot peacocks and monkeys.
The guide shows me an old stepwell lost in nature. It’s always my thing to check out these baoris, which can be stunning, but this one isn’t anything special. We arrive at the palace overlooking the city.
We walk around the palace, and I discover another stepwell that’s not worth lingering over.
The tour is over, and I had a great time despite the fatigue. We head back down to Alwar, near the City Palace, which has been turned into administrative offices. Gaju (the driver’s nickname) finds a parking spot near a dhaba where we have lunch (paneer masala, chapatis, chai)—it’s delicious. With my energy restored, we head to the palace. On the top floor is a museum that I visit.
At the exit of the museum, we have to go back down and walk around the palace to get to the Moosi Maharani Chhatri. I’ve been here once before and really liked it, and the place is still the same—calm and relaxing.
"This monument is the most artistic in Alwar and also the most royal, filled with fascinating history. Maharaja Vinay Singh of Alwar built this two-story cenotaph in 1815 in memory of his father, Maharaja Bakhtawar Singh. It’s also known as Moosi Maharani ki Chhatri, named after the king’s mistress, who performed sati upon his death. After the sati, she was accepted as the king’s wife. It’s an elegant monument, shaped like a flower and built with a mix of brown sandstone and white marble. The first floor is made of sandstone, while the upper floor and the chhatris (cenotaphs) are in white marble. Its sculpted pavilion has dome-shaped arches with intricate lace-like and exquisite floral patterns. There are complex motifs that shine brightly in the sunlight. The colorful circular ceiling is an important part of Moosi Maharani Ki Chhatri and is adorned with faded gold-leaf paintings of mythological figures and scenes. The footprints of Maharaja and Moosi Rani are engraved in marble inside the cenotaph, and locals pay their respects to them."
Near the chhatri, there’s a large water reservoir with a magnificent view. The place is peaceful and relaxing, and I stay here for a while, contemplating and daydreaming before heading back to the hotel for some well-deserved rest. The Wi-Fi is working now. I’m the only foreign guest, and since my room is near the entrance, I’ll be well taken care of throughout my stay.
So where are they and what are they doing?
This catchy and somewhat mysterious title comes from several questions I’ve been asking myself.
VF has been back open for a reasonable number of weeks and months now. The number of visitors overall matches past averages, but the number of members online in the last 24 hours seems relatively lower than what we used to see.
Yet, to my surprise, I’m seeing fewer travel journals, way fewer messages, and way fewer questions. I don’t see many new registered users online, and I notice a number of members who are logged in but either aren’t participating or have stopped participating.
Something’s not adding up for me because, in my opinion, VF is still appealing, and I don’t see which other sites could really compete.
Was there a real break between pre- and post-Covid? Does it just take more time for some people to discover the site or learn that it’s active again? Do people now prefer quick consumption on sites like FB or others I’m not familiar with? Where have the site’s old-timers gone, and what are they doing with their time now? What’s really going on here?
VF has been back open for a reasonable number of weeks and months now. The number of visitors overall matches past averages, but the number of members online in the last 24 hours seems relatively lower than what we used to see.
Yet, to my surprise, I’m seeing fewer travel journals, way fewer messages, and way fewer questions. I don’t see many new registered users online, and I notice a number of members who are logged in but either aren’t participating or have stopped participating.
Something’s not adding up for me because, in my opinion, VF is still appealing, and I don’t see which other sites could really compete.
Was there a real break between pre- and post-Covid? Does it just take more time for some people to discover the site or learn that it’s active again? Do people now prefer quick consumption on sites like FB or others I’m not familiar with? Where have the site’s old-timers gone, and what are they doing with their time now? What’s really going on here?
Slow Travel or the Illusion of Authenticity
“Slow travel” is a concept that some tout as a philosophical revolution in travel. But on closer inspection, it’s nothing more than a marketing repackaging of an age-old practice.
This term is wrapped in an aura of intellectualism. It promises to reinvent the experience of travel by valuing slowness, contemplation, and cultural immersion.
The term “slow travel” claims to bring depth to travel, but it often relies on clichés.
Taking your time, meeting locals, avoiding quick visits—these practices have always existed and are nothing revolutionary.
Before the era of airplanes, high-speed trains, and express stays, traveling necessarily meant taking your time. Pilgrims, merchants, and explorers already practiced a form of “slow travel,” without hashtags or self-proclaimed spiritual guides.
Crossing lands on foot or by horse required total immersion in the landscapes, cultures, and unpredictability of the journey. Yet, no one attributed philosophical intentions to them: it was a necessity.
Slow travel, in its current version, may be less a philosophy than a reflection of the contradictions of an affluent class searching for meaning in a world they help overload.
So-called “slow” travel is presented as a privileged way to understand a culture, but this claim is debatable. A region never represents an entire country.
Immersing yourself in a community doesn’t guarantee a complete or more authentic understanding than any other way of traveling.
Slowness in itself doesn’t guarantee depth or ethics. You can immerse yourself in a place over a weekend, just as you can spend months in a country without grasping its subtleties.
By positioning itself as an antidote to “fast” tourism, slow travel fetishizes a temporality that only makes sense if it’s accompanied by real openness and an effort to integrate.
But this over-intellectualization often masks a desire to belong to a trend or a need to stand out socially.
Behind this posture sometimes lies a whim: the urge to reinvent one’s life elsewhere in an idealized form. But this quest for elsewhere remains fundamentally a way to escape or respond to unease, rather than a true commitment to the cultures visited.
When we talk about “encounters” while traveling, we often forget that these exchanges are facilitated by biased contexts. As a traveler, you’re seen as a temporary visitor, unattached, and that changes the dynamic.
Locals, whether curious or used to tourists, adopt a different stance than they would with a neighbor they see daily.
This interaction is also tinged with asymmetry: the traveler has the luxury of time and availability, while in daily life, personal concerns often take precedence over the desire to connect.
The flip side is that the openness displayed while traveling is often a facade. We boast about chatting with a fisherman or sharing a meal with a local family, but how many of these encounters lead to a real understanding of cultural differences or sincere reflection?
Once home, these moments become anecdotes, social trophies to show off, without fundamentally changing our relationship with others in our daily lives.
By imposing a definition, we push people to adapt their practices to fit an idealized model. This can lead to a paradoxical standardization: “slow travel” becomes a checklist of behaviors (meetings, immersion, slowness).
The “bobos” (bourgeois-bohemians), often in search of meaning in a world saturated with options, believe that giving a name to a practice grants it legitimacy or moral value. But this obsession with framing and theorizing travel only drains it of its spontaneity.
Someone who grew up at the crossroads of multiple cultures, on the other hand, doesn’t feel this need. For them, traveling isn’t a philosophical project but an intrinsic part of their life.
The very concept of “slow travel” can seem absurd: why glorify what’s simply natural?
Why try to turn into an ideology what should be a personal, intimate experience, free from semantic constraints?
Ultimately, this need for labeling, this frantic quest to name every gesture, reveals a society craving simplicity.
Travel, in its purest form, doesn’t need justification or slogans. It doesn’t need slowness or speed: it’s simply lived.
Perhaps the real challenge is to unlearn this Western habit of conceptualizing everything that should simply be felt.
For many, travel is a parenthesis, a temporary break from daily life. But if we reject this distinction between “home” and “elsewhere,” every human life becomes a continuous journey through varied environments.
From this perspective, “slow travel” loses all meaning, because living somewhere—whether for a week or five years—is part of the same experience of adaptation.
So, we ask the fans of marketing slogans: is travel a parenthesis or a journey?
“Slow travel” is often driven by a Western eco-bobo ideology, tinged with post-colonial guilt. This discourse promotes a supposedly virtuous way of traveling while forgetting that these practices remain a privilege.
Far from deconstructing power dynamics, it sometimes reinforces them by glorifying a different kind of consumption, still centered on comfort.
There’s also a condescending side to this rhetoric. By idealizing slowness, slow travel advocates imply that those who travel quickly or on a budget are less “authentic” in their approach.
Yet, isn’t that a form of contempt? Do those who leave for a well-deserved week after months of hard work deserve less consideration?
Concepts like “slow travel” or “sustainable tourism” seem hollow when reduced to marketing slogans or standardized behaviors. They confine travel to preconceived frameworks, stripping it of its spontaneous and unpredictable dimension.
Instead of categorizing, it would be more relevant to recognize the plurality of human experiences without trying to define them.
Slow travel doesn’t invent anything. It simply puts into words—and often slogans—what travel has always been for those who practice it with intention.
Maybe we should stop trying to theorize every movement and simply rediscover travel for what it is: a human experience, sometimes slow, sometimes fast, but always personal.
More info on our site
This term is wrapped in an aura of intellectualism. It promises to reinvent the experience of travel by valuing slowness, contemplation, and cultural immersion.
The term “slow travel” claims to bring depth to travel, but it often relies on clichés.
Taking your time, meeting locals, avoiding quick visits—these practices have always existed and are nothing revolutionary.
Before the era of airplanes, high-speed trains, and express stays, traveling necessarily meant taking your time. Pilgrims, merchants, and explorers already practiced a form of “slow travel,” without hashtags or self-proclaimed spiritual guides.
Crossing lands on foot or by horse required total immersion in the landscapes, cultures, and unpredictability of the journey. Yet, no one attributed philosophical intentions to them: it was a necessity.
Slow travel, in its current version, may be less a philosophy than a reflection of the contradictions of an affluent class searching for meaning in a world they help overload.
So-called “slow” travel is presented as a privileged way to understand a culture, but this claim is debatable. A region never represents an entire country.
Immersing yourself in a community doesn’t guarantee a complete or more authentic understanding than any other way of traveling.
Slowness in itself doesn’t guarantee depth or ethics. You can immerse yourself in a place over a weekend, just as you can spend months in a country without grasping its subtleties.
By positioning itself as an antidote to “fast” tourism, slow travel fetishizes a temporality that only makes sense if it’s accompanied by real openness and an effort to integrate.
But this over-intellectualization often masks a desire to belong to a trend or a need to stand out socially.
Behind this posture sometimes lies a whim: the urge to reinvent one’s life elsewhere in an idealized form. But this quest for elsewhere remains fundamentally a way to escape or respond to unease, rather than a true commitment to the cultures visited.
When we talk about “encounters” while traveling, we often forget that these exchanges are facilitated by biased contexts. As a traveler, you’re seen as a temporary visitor, unattached, and that changes the dynamic.
Locals, whether curious or used to tourists, adopt a different stance than they would with a neighbor they see daily.
This interaction is also tinged with asymmetry: the traveler has the luxury of time and availability, while in daily life, personal concerns often take precedence over the desire to connect.
The flip side is that the openness displayed while traveling is often a facade. We boast about chatting with a fisherman or sharing a meal with a local family, but how many of these encounters lead to a real understanding of cultural differences or sincere reflection?
Once home, these moments become anecdotes, social trophies to show off, without fundamentally changing our relationship with others in our daily lives.
By imposing a definition, we push people to adapt their practices to fit an idealized model. This can lead to a paradoxical standardization: “slow travel” becomes a checklist of behaviors (meetings, immersion, slowness).
The “bobos” (bourgeois-bohemians), often in search of meaning in a world saturated with options, believe that giving a name to a practice grants it legitimacy or moral value. But this obsession with framing and theorizing travel only drains it of its spontaneity.
Someone who grew up at the crossroads of multiple cultures, on the other hand, doesn’t feel this need. For them, traveling isn’t a philosophical project but an intrinsic part of their life.
The very concept of “slow travel” can seem absurd: why glorify what’s simply natural?
Why try to turn into an ideology what should be a personal, intimate experience, free from semantic constraints?
Ultimately, this need for labeling, this frantic quest to name every gesture, reveals a society craving simplicity.
Travel, in its purest form, doesn’t need justification or slogans. It doesn’t need slowness or speed: it’s simply lived.
Perhaps the real challenge is to unlearn this Western habit of conceptualizing everything that should simply be felt.
For many, travel is a parenthesis, a temporary break from daily life. But if we reject this distinction between “home” and “elsewhere,” every human life becomes a continuous journey through varied environments.
From this perspective, “slow travel” loses all meaning, because living somewhere—whether for a week or five years—is part of the same experience of adaptation.
So, we ask the fans of marketing slogans: is travel a parenthesis or a journey?
“Slow travel” is often driven by a Western eco-bobo ideology, tinged with post-colonial guilt. This discourse promotes a supposedly virtuous way of traveling while forgetting that these practices remain a privilege.
Far from deconstructing power dynamics, it sometimes reinforces them by glorifying a different kind of consumption, still centered on comfort.
There’s also a condescending side to this rhetoric. By idealizing slowness, slow travel advocates imply that those who travel quickly or on a budget are less “authentic” in their approach.
Yet, isn’t that a form of contempt? Do those who leave for a well-deserved week after months of hard work deserve less consideration?
Concepts like “slow travel” or “sustainable tourism” seem hollow when reduced to marketing slogans or standardized behaviors. They confine travel to preconceived frameworks, stripping it of its spontaneous and unpredictable dimension.
Instead of categorizing, it would be more relevant to recognize the plurality of human experiences without trying to define them.
Slow travel doesn’t invent anything. It simply puts into words—and often slogans—what travel has always been for those who practice it with intention.
Maybe we should stop trying to theorize every movement and simply rediscover travel for what it is: a human experience, sometimes slow, sometimes fast, but always personal.
More info on our site
Embracing Dawn: December 2024 Photo Contest
Hi everyone,
After my narrow victory over Herodotos (just one point ahead—I had a close call, even in December in the northern hemisphere!), I’m now honored to organize the next contest, the one for the closing year, whose results will be announced on the first day of the coming year. Out of affection for the poet with wind in his soles, who dreamed of ivory and setting sail, again and again, even in his final hours, I borrow the theme from the first line of a poem dear to me: I embraced the summer dawn.
So, as the year draws to a close, the theme will be: embracing dawn.
The verb here is just as important as the noun. More than just a subject about sunrises or that magical half-hour of pink light before the sun appears (a photographer’s nightmare: either I crank up the ISO and deal with noise, or I lug around a tripod, and say goodbye to spontaneity like a beggar on marble quays), this is about those happy little mornings—the thrill of joy in the soft light of the first hours, whether it’s a landscape, a person, an animal, a plant, architecture, or whatever else. What’s certain is that it makes you want to smile at the day breaking. Even if you go back to bed afterward.
Technical details (shamelessly borrowed from Ragamuffin, thanks!):
Participation Each VF member can submit up to 3 photos, until Wednesday, 12/25 at 11:59 PM, Milan time. Each photo must be posted in a separate message, with its number (1, 2, or 3). Don’t forget to add a little explanation (comment, location, etc.).
Voting: Each VF member can vote for the 3 photos they consider the best, based on their own criteria and the theme.
Voting will take place from Thursday, 12/26 to Tuesday, 12/31 at 11:59 PM, Milan time.
Selected photos will be ranked in order of preference: - 1st photo: 3 points - 2nd photo: 2 points - 3rd photo: 1 point
The winner is the author of the photo with the most points.
Results will be published on 01/01 (if I’m in any state to do so). In case of a tie, the number of first-place votes will decide. The winner will have the honor of organizing December’s contest.
For discussion, it’s here.
That’s all! Let’s welcome Dawn with rosy fingers, dressed in saffron...
Catherine
After my narrow victory over Herodotos (just one point ahead—I had a close call, even in December in the northern hemisphere!), I’m now honored to organize the next contest, the one for the closing year, whose results will be announced on the first day of the coming year. Out of affection for the poet with wind in his soles, who dreamed of ivory and setting sail, again and again, even in his final hours, I borrow the theme from the first line of a poem dear to me: I embraced the summer dawn.
So, as the year draws to a close, the theme will be: embracing dawn.
The verb here is just as important as the noun. More than just a subject about sunrises or that magical half-hour of pink light before the sun appears (a photographer’s nightmare: either I crank up the ISO and deal with noise, or I lug around a tripod, and say goodbye to spontaneity like a beggar on marble quays), this is about those happy little mornings—the thrill of joy in the soft light of the first hours, whether it’s a landscape, a person, an animal, a plant, architecture, or whatever else. What’s certain is that it makes you want to smile at the day breaking. Even if you go back to bed afterward.
Technical details (shamelessly borrowed from Ragamuffin, thanks!):
Participation Each VF member can submit up to 3 photos, until Wednesday, 12/25 at 11:59 PM, Milan time. Each photo must be posted in a separate message, with its number (1, 2, or 3). Don’t forget to add a little explanation (comment, location, etc.).
Voting: Each VF member can vote for the 3 photos they consider the best, based on their own criteria and the theme.
Voting will take place from Thursday, 12/26 to Tuesday, 12/31 at 11:59 PM, Milan time.
Selected photos will be ranked in order of preference: - 1st photo: 3 points - 2nd photo: 2 points - 3rd photo: 1 point
The winner is the author of the photo with the most points.
Results will be published on 01/01 (if I’m in any state to do so). In case of a tie, the number of first-place votes will decide. The winner will have the honor of organizing December’s contest.
For discussion, it’s here.
That’s all! Let’s welcome Dawn with rosy fingers, dressed in saffron...
Catherine
What is a travel journal?
I thought I knew the definition, but since VF reopened, I’ve been wondering—so if you could help me out, that’d be great! 🙂.
Thanks a lot!
Thanks a lot!
Various ideas to revive/improve the site
Hello,
After 20 years of operation and a 4-year hiatus, we were happy to rediscover this forum following its acquisition by Myatlas.
At the very beginning of the adventure, there was a section allowing members to share their ideas—good or bad, feasible or not—with the team in charge to help perfect the forum.
So, to help VoyageForum regain its momentum and adapt to new audiences and a new environment, why not put our heads together and suggest some improvement ideas in this thread?
I’ll get the ball rolling!
Travel journals are limited to 300 photos because photo storage is expensive. This limitation is completely understandable, and Myatlas found a solution by offering a paid subscription for those who wanted to exceed the free photo limit. Maybe this approach could be adapted here? Limiting without offering an alternative is a reason members leave.
After 20 years of operation and a 4-year hiatus, we were happy to rediscover this forum following its acquisition by Myatlas.
At the very beginning of the adventure, there was a section allowing members to share their ideas—good or bad, feasible or not—with the team in charge to help perfect the forum.
So, to help VoyageForum regain its momentum and adapt to new audiences and a new environment, why not put our heads together and suggest some improvement ideas in this thread?
I’ll get the ball rolling!
Travel journals are limited to 300 photos because photo storage is expensive. This limitation is completely understandable, and Myatlas found a solution by offering a paid subscription for those who wanted to exceed the free photo limit. Maybe this approach could be adapted here? Limiting without offering an alternative is a reason members leave.
4 friends discover a piece of North India
Hello fellow travelers!
I’m adding my small contribution to the reopening celebration by posting this travel journal from India, made in January 2024. We’re 4 friends (2 couples), and we did a 3-week loop in Rajasthan, stopping by Delhi and Agra (which, as everyone knows, aren’t in Rajasthan 😛). Delhi - Agra - Jaipur - Bundi - Udaipur - Jodhpur - Jaisalmer - Delhi
We rented a car with a driver from Agra to Jaisalmer, 550 € for 14 days. https://chauffeurpriveeninde.com/fr/
We took the train from Delhi to Agra and the plane (Spicejet) from Jaisalmer to Delhi.
Most of the accommodations were booked on Booking before we left.
I’m sharing this story written by Richard and illustrated by me. We dedicate it to Nathalie and Bruno, our amazing travel companions.
I’m adding my small contribution to the reopening celebration by posting this travel journal from India, made in January 2024. We’re 4 friends (2 couples), and we did a 3-week loop in Rajasthan, stopping by Delhi and Agra (which, as everyone knows, aren’t in Rajasthan 😛). Delhi - Agra - Jaipur - Bundi - Udaipur - Jodhpur - Jaisalmer - Delhi
We rented a car with a driver from Agra to Jaisalmer, 550 € for 14 days. https://chauffeurpriveeninde.com/fr/
We took the train from Delhi to Agra and the plane (Spicejet) from Jaisalmer to Delhi.
Most of the accommodations were booked on Booking before we left.
I’m sharing this story written by Richard and illustrated by me. We dedicate it to Nathalie and Bruno, our amazing travel companions.
Jerusalem, the Earthly
5 AM, I’m shivering.
The icy February 2022 fog wraps around the deserted Terminal 2, closed for renovations, on the outskirts of which my hotel stands. I wait alone at the stop in the pitch-black night for the first shuttle of the day, which is supposed to take me to T1. I have no idea where I’m going. All I know is the name: Jerusalem. I’m entirely goy, just as entirely atheist, but I’ve been visiting that imaginary city for decades. It haunts, fantastical, the medieval images that once occupied me for so long. It regularly creeps into my ears through the misfortune of news reports from radios around the world. It crystallizes so many of humanity’s delusions, of which I’m a part. I know nothing about it, haven’t read a single guidebook. But I want to see it, walk its streets, live it for a few days. Make it real, tangible.
The flight is on time. This is the era of mandatory FFP2 masks on all flights landing in Italy (Europe?). The crew valiantly fights against passengers’ ingenious attempts to remove them: sipping their drinks milliliter by milliliter, nibbling their snacks cubic millimeter by cubic millimeter, feigning breathing difficulties, yanking off the elastic bands... A rabbi passes through the rows collecting donations. Men put on their tefillin, drape their prayer shawls, and rock to the rhythm of their prayers. Already, the sense of elsewhere.
Ben Gurion Airport is a stunning airport—monumental, bright, functional, adorned with archaeological remnants and enormous photographs showcasing the country’s great leader in its works. I collect my visa from a kiosk, quickly endure the routine interrogation from a military officer slumped in his seat, withdraw some shekels from an ATM, get my nostrils swabbed at one of the many molecular testing stations in exchange for a yellow all-inclusive resort-style wristband that grants me passage through the outer doors. I spend ages (I think I’m just not good at this) in the crowd trying to find a sherut heading to Jerusalem, then lose myself in the landscape. Mediterranean-style—red earth, stunted vegetation, overrun with sprawling construction. I do glute exercises in this traffic, where a Neapolitan driver would embody road indolence. Endless traffic jams signal the city’s approach. The sherut drops me a few steps from my hotel, the Saint George’s Cathedral Pilgrim Guest House, right on the edge of the dotted lines on maps marking the divide between Jewish and Arab Jerusalem. It’s a pleasant complex with an inner garden and beautiful rooms featuring exposed stone vaults—and thank goodness, because I’m not allowed to leave until I get my test results. The reception staff, incredibly helpful, guide me through the myriad of meal delivery options. A roof over my head, a full stomach—all that’s left is to wait. Read Caillois, check the increasingly precise, increasingly ominous rumors of war brewing, yet again, in Europe, and navigate the city’s virtual map to get a sense of where to head once freed.
The next day, it’s done, and my first destination is, quite naturally, the Old City. The first gate I come across is Jaffa Gate, so Jaffa Gate it is—leading from the chaos of vehicles of all kinds into the labyrinth of alleys packed with goods of all kinds.
The flight is on time. This is the era of mandatory FFP2 masks on all flights landing in Italy (Europe?). The crew valiantly fights against passengers’ ingenious attempts to remove them: sipping their drinks milliliter by milliliter, nibbling their snacks cubic millimeter by cubic millimeter, feigning breathing difficulties, yanking off the elastic bands... A rabbi passes through the rows collecting donations. Men put on their tefillin, drape their prayer shawls, and rock to the rhythm of their prayers. Already, the sense of elsewhere.
Ben Gurion Airport is a stunning airport—monumental, bright, functional, adorned with archaeological remnants and enormous photographs showcasing the country’s great leader in its works. I collect my visa from a kiosk, quickly endure the routine interrogation from a military officer slumped in his seat, withdraw some shekels from an ATM, get my nostrils swabbed at one of the many molecular testing stations in exchange for a yellow all-inclusive resort-style wristband that grants me passage through the outer doors. I spend ages (I think I’m just not good at this) in the crowd trying to find a sherut heading to Jerusalem, then lose myself in the landscape. Mediterranean-style—red earth, stunted vegetation, overrun with sprawling construction. I do glute exercises in this traffic, where a Neapolitan driver would embody road indolence. Endless traffic jams signal the city’s approach. The sherut drops me a few steps from my hotel, the Saint George’s Cathedral Pilgrim Guest House, right on the edge of the dotted lines on maps marking the divide between Jewish and Arab Jerusalem. It’s a pleasant complex with an inner garden and beautiful rooms featuring exposed stone vaults—and thank goodness, because I’m not allowed to leave until I get my test results. The reception staff, incredibly helpful, guide me through the myriad of meal delivery options. A roof over my head, a full stomach—all that’s left is to wait. Read Caillois, check the increasingly precise, increasingly ominous rumors of war brewing, yet again, in Europe, and navigate the city’s virtual map to get a sense of where to head once freed.
The next day, it’s done, and my first destination is, quite naturally, the Old City. The first gate I come across is Jaffa Gate, so Jaffa Gate it is—leading from the chaos of vehicles of all kinds into the labyrinth of alleys packed with goods of all kinds.
«Je ne veux plus gueuler: "Comment va le monde?" Et qu'on me réponde: «Il va comme il va» English translation pending
Dans la tiédeur d’un soir d’été, deux amies devisaient paisiblement.
Elles parlaient d’amour.
L’une de l’amour de sa compagne qui la rendait plus forte, l���autre de l’amour de son mari qui la rendait plus douce.
Elles parlaient voyages Les voyages d’autrefois où les anecdotes s’enrubannent année après année de détails sortis de leur imagination fertile et qui rendaient leurs récits plus épiques et ceux récents encore à l’état de fraîche émotion.
La bouteille de vin blanc s’embuait sur la table blanche en fer, l’herbe roussie chatouillait leurs pieds nus, elles se sentaient comblées, heureuses et libres et, sans doute pour cette raison, il leur était facile de parler du monde d’aujourd’hui, facile d’évoquer les conflits, les émeutes, les violences, les épidémies.
Epargnées, tranquilles, trempant avec gourmandise leurs lèvres dans le gewurztraminer frais, elles s’interrogeaient :
« T’as vu avec le covid on ne parle plus des guerres, c’est covid partout, encore que ça commence à ralentir, y’a le foot » « Ah oui, t’as raison, tu crois que ça pète encore en Syrie, en Lybie, au Yémen, en Somalie, au Sahel ? » « Chais pas, mais au Liban, quelle horreur cette explosion et tous ces gens morts ou sans maison » « T’as entendu les humanitaires au Niger ? » « Oui, pas les premiers pas les derniers à mourir bêtement » « Et au Brésil et en Colombie, ça c’est calmé ? » « Aucune idée » « Et à Hong-Kong et au Brésil et au Vénézuela, je me demande si ça manifeste toujours » « Chais pas, mais aux Etats-Unis entre blancs et noirs c’est pas cool, t’as vu les émeutes et ça va continuer, tu peux croire » « moi, c’qui me rend dingue c’est tous les gens dans le monde qui ont faim, qui n’ont pas de boulot ou qui l’ont perdu » « oui, c’est triste » « En tout cas, on entend plus parler des migrants, ni ceux de Lampedusa, ni ceux des jungles là-haut » « T’imagines un peu le monde entier à l’arrêt. Comment veux-tu que la terre reste en paix » « Et ceux qui se battent, qui sont en guerre, se tapent le covid en plus » « Et t’as vu en Bielorussie, pareil, ça chauffe aussi » « T’as déjà vu des révolutions pacifiques toi ? » « Ouais, c’est plus embêtant c’est pas loin d’chez nous » « Et le mec empoisonné par les russes, paraît qu’il est en Allemagne » « Chez nous ça va être chaud à la rentrée, j’te l’dis, tu verras, avec les chômeurs, le covid, les gosses à l’école, le télétravail oui et non, on va pas rire »
« Moi, j’te dis qu’il n’y a pas que les incendies de forêts qui bousillent la terre, y’a les incendies de fureur dans le coeur des hommes »
« Oh , t’as pas parlé des masques, des mesures barrières, etoussaettoussa » « Et toi de ton dada favori, l’eau, l’or du monde » « Eh ne me branche pas sur ce sujet, je suis intarissable »
« Allez, t’es pas marrante, tiens, on finit la bouteille, l’est super bon ce vin »
Ainsi, dans la tiédeur d’un soir d’été, deux amies devisaient. A l’abri sous le tilleul, comme à l’abri derrière un écran, comme sur vf, la vie défile, bouleverse, secoue, agace, exaspère ou indiffère et « passent les jours, passent les semaines.../... »
« Comment va le monde? Il est rouge sang Et à mon avis, il l'est pour longtemps Comment va la vie? Il y a des endroits Elle vaut dix dollars combien je te dois
Comment va la guerre? Elle va comme elle va Elle est planétaire, on se reverra Comment va la banque? La banque surnage Pour les grands requins y a pas de naufrage Comment va la mort? Record absolu Toujours très discrète, je n'en sais pas plus » .../… B. Lavilliers
(Vos voyages vous ont fait réfléchir sur l'art de bien voyager, de bien vivre, l'état du monde ou le sens de la vie? Partagez vos pensées et réflexions dans cette rubrique.
Euhhhh, chuis dans la bonne rubrique.)
Elles parlaient voyages Les voyages d’autrefois où les anecdotes s’enrubannent année après année de détails sortis de leur imagination fertile et qui rendaient leurs récits plus épiques et ceux récents encore à l’état de fraîche émotion.
La bouteille de vin blanc s’embuait sur la table blanche en fer, l’herbe roussie chatouillait leurs pieds nus, elles se sentaient comblées, heureuses et libres et, sans doute pour cette raison, il leur était facile de parler du monde d’aujourd’hui, facile d’évoquer les conflits, les émeutes, les violences, les épidémies.
Epargnées, tranquilles, trempant avec gourmandise leurs lèvres dans le gewurztraminer frais, elles s’interrogeaient :
« T’as vu avec le covid on ne parle plus des guerres, c’est covid partout, encore que ça commence à ralentir, y’a le foot » « Ah oui, t’as raison, tu crois que ça pète encore en Syrie, en Lybie, au Yémen, en Somalie, au Sahel ? » « Chais pas, mais au Liban, quelle horreur cette explosion et tous ces gens morts ou sans maison » « T’as entendu les humanitaires au Niger ? » « Oui, pas les premiers pas les derniers à mourir bêtement » « Et au Brésil et en Colombie, ça c’est calmé ? » « Aucune idée » « Et à Hong-Kong et au Brésil et au Vénézuela, je me demande si ça manifeste toujours » « Chais pas, mais aux Etats-Unis entre blancs et noirs c’est pas cool, t’as vu les émeutes et ça va continuer, tu peux croire » « moi, c’qui me rend dingue c’est tous les gens dans le monde qui ont faim, qui n’ont pas de boulot ou qui l’ont perdu » « oui, c’est triste » « En tout cas, on entend plus parler des migrants, ni ceux de Lampedusa, ni ceux des jungles là-haut » « T’imagines un peu le monde entier à l’arrêt. Comment veux-tu que la terre reste en paix » « Et ceux qui se battent, qui sont en guerre, se tapent le covid en plus » « Et t’as vu en Bielorussie, pareil, ça chauffe aussi » « T’as déjà vu des révolutions pacifiques toi ? » « Ouais, c’est plus embêtant c’est pas loin d’chez nous » « Et le mec empoisonné par les russes, paraît qu’il est en Allemagne » « Chez nous ça va être chaud à la rentrée, j’te l’dis, tu verras, avec les chômeurs, le covid, les gosses à l’école, le télétravail oui et non, on va pas rire »
« Moi, j’te dis qu’il n’y a pas que les incendies de forêts qui bousillent la terre, y’a les incendies de fureur dans le coeur des hommes »
« Oh , t’as pas parlé des masques, des mesures barrières, etoussaettoussa » « Et toi de ton dada favori, l’eau, l’or du monde » « Eh ne me branche pas sur ce sujet, je suis intarissable »
« Allez, t’es pas marrante, tiens, on finit la bouteille, l’est super bon ce vin »
Ainsi, dans la tiédeur d’un soir d’été, deux amies devisaient. A l’abri sous le tilleul, comme à l’abri derrière un écran, comme sur vf, la vie défile, bouleverse, secoue, agace, exaspère ou indiffère et « passent les jours, passent les semaines.../... »
« Comment va le monde? Il est rouge sang Et à mon avis, il l'est pour longtemps Comment va la vie? Il y a des endroits Elle vaut dix dollars combien je te dois
Comment va la guerre? Elle va comme elle va Elle est planétaire, on se reverra Comment va la banque? La banque surnage Pour les grands requins y a pas de naufrage Comment va la mort? Record absolu Toujours très discrète, je n'en sais pas plus » .../… B. Lavilliers
(Vos voyages vous ont fait réfléchir sur l'art de bien voyager, de bien vivre, l'état du monde ou le sens de la vie? Partagez vos pensées et réflexions dans cette rubrique.
Euhhhh, chuis dans la bonne rubrique.)
Concours photo, août 2020: Le voyage en noir et blanc English translation pending
Bonjour à tous
En préambule je rappelle que ma présence ici est tout à fait fortuite, j'ai l'honneur de remplacer Av31, gagnant du concours sur le thème "Verticales" avec sa photo de Devil's Tower.
« Je préfère photographier en noir et blanc qu’en couleurs. Le noir et blanc va à l'essentiel, la couleur aurait distrait l'histoire que je voulais raconter ».Kadir Van Lohuize
Je vous propose un concours dont le sujet sera complètement libre (youpi) mais avec une petite contrainte technique (pffff...). Nous regarderons la vie en noir & blanc.
Vos photos devront évoquer le voyage mais je laisse à chacun une petite marge de manœuvre, par exemple celle de nous présenter un portrait (d'ici ou d'ailleurs), une image macro (fleur, insecte...), une image graphique (lignes et courbes). Mais sur vos 3 photos je n'accepterai qu'une seule exception, nous sommes ensemble pour parler voyage !
Il existe sur le net un tas de petits logiciels très faciles d'utilisation mais si vous rencontrez des difficultés pour convertir une image en noir et blanc je le ferai pour vous.
Quelques astuces pour choisir vos photos: Le noir et blanc convient à des sujets très variés mais vous pouvez donner un impact bien plus fort à votre image en tenant compte de certains points. La texture. La couleur aura tendance à l'éclipser alors que le noir et blanc lui donnera toute son importance en faisant ressortir l'intensité des détails: les stries et les nœuds du bois, le tissus, la pierre, les rides de la peau... Les lignes. Celles d’un bâtiment, d’une rue pavée, un marquage au sol ou bien les lumières de la rue. Diriger l'attention dessus, c’est faire ressortir un détail que l’on ne voit pas avec les couleurs. Les formes géométriques. Symétriques ou non, triangulaires, carrées ou rondes, dessinées par l’homme ou naturelles les formes attireront l’œil et se démarqueront bien plus qu'en couleur. Les contrastes. Ils sont vos amis ! Une lumière forte avec des zones d’ombre va créer une image avec des tonalités, c’est ce contraste qui est l'élément essentiel pour réussir une photographie en noir et blanc par exemple un ciel chargé de gros nuages percés par des rayons de soleil.
Vous pourrez participer jusqu’au samedi 22 août à 23h59, heure de Paris. Chaque participant est autorisé à poster jusqu’à trois photos, numérotées de 1 à 3, en précisant le lieu de prise de vue.
Le vote aura lieu du dimanche 23 à 0h01 au dimanche 30 août à 23h59. Il est accessible à tous, participants ou non, dans la limite d’un vote, et se fera par l’attribution d’un total de six points répartis sur 3 ou 4 photos : Photo n°1 : 3 points Photo n°2 : 2 points Photo n°3 : 1 point
La photo gagnante sera celle qui aura remporté le plus de points. En cas d’égalité pour la première position, les photos seront départagées par le nombre de votes à 3 points, puis, si l'égalité persiste, par le nombre de votes à 2 points, etc.
Le ou la gagnant(e) aura le privilège d’organiser le concours de septembre.
Ce fil est réservé aux photos participantes et aux votes. La discussion liée aux à-cotés se passe par là: https://voyageforum.com/v.f?post=10330486;a=10330486
Le lien pour le diaporama: https://flic.kr/s/aHsmPLqy2E
Les précédents concours: herikles.free.fr/.VF/VFconcours.html
En préambule je rappelle que ma présence ici est tout à fait fortuite, j'ai l'honneur de remplacer Av31, gagnant du concours sur le thème "Verticales" avec sa photo de Devil's Tower.
« Je préfère photographier en noir et blanc qu’en couleurs. Le noir et blanc va à l'essentiel, la couleur aurait distrait l'histoire que je voulais raconter ».Kadir Van Lohuize
Je vous propose un concours dont le sujet sera complètement libre (youpi) mais avec une petite contrainte technique (pffff...). Nous regarderons la vie en noir & blanc.
Vos photos devront évoquer le voyage mais je laisse à chacun une petite marge de manœuvre, par exemple celle de nous présenter un portrait (d'ici ou d'ailleurs), une image macro (fleur, insecte...), une image graphique (lignes et courbes). Mais sur vos 3 photos je n'accepterai qu'une seule exception, nous sommes ensemble pour parler voyage !
Il existe sur le net un tas de petits logiciels très faciles d'utilisation mais si vous rencontrez des difficultés pour convertir une image en noir et blanc je le ferai pour vous.
Quelques astuces pour choisir vos photos: Le noir et blanc convient à des sujets très variés mais vous pouvez donner un impact bien plus fort à votre image en tenant compte de certains points. La texture. La couleur aura tendance à l'éclipser alors que le noir et blanc lui donnera toute son importance en faisant ressortir l'intensité des détails: les stries et les nœuds du bois, le tissus, la pierre, les rides de la peau... Les lignes. Celles d’un bâtiment, d’une rue pavée, un marquage au sol ou bien les lumières de la rue. Diriger l'attention dessus, c’est faire ressortir un détail que l’on ne voit pas avec les couleurs. Les formes géométriques. Symétriques ou non, triangulaires, carrées ou rondes, dessinées par l’homme ou naturelles les formes attireront l’œil et se démarqueront bien plus qu'en couleur. Les contrastes. Ils sont vos amis ! Une lumière forte avec des zones d’ombre va créer une image avec des tonalités, c’est ce contraste qui est l'élément essentiel pour réussir une photographie en noir et blanc par exemple un ciel chargé de gros nuages percés par des rayons de soleil.
Vous pourrez participer jusqu’au samedi 22 août à 23h59, heure de Paris. Chaque participant est autorisé à poster jusqu’à trois photos, numérotées de 1 à 3, en précisant le lieu de prise de vue.
Le vote aura lieu du dimanche 23 à 0h01 au dimanche 30 août à 23h59. Il est accessible à tous, participants ou non, dans la limite d’un vote, et se fera par l’attribution d’un total de six points répartis sur 3 ou 4 photos : Photo n°1 : 3 points Photo n°2 : 2 points Photo n°3 : 1 point
La photo gagnante sera celle qui aura remporté le plus de points. En cas d’égalité pour la première position, les photos seront départagées par le nombre de votes à 3 points, puis, si l'égalité persiste, par le nombre de votes à 2 points, etc.
Le ou la gagnant(e) aura le privilège d’organiser le concours de septembre.
Ce fil est réservé aux photos participantes et aux votes. La discussion liée aux à-cotés se passe par là: https://voyageforum.com/v.f?post=10330486;a=10330486
Le lien pour le diaporama: https://flic.kr/s/aHsmPLqy2E
Les précédents concours: herikles.free.fr/.VF/VFconcours.html
La meilleure façon d'marcher, c'est de mettre un pied d'vant l'autre... English translation pending
Je déteste toujours autant marcher et pourtant, je recommence.
Comme un sentiment d’urgence pour n’entendre que les battements de mon cœur si secoué de peine qu’il ne me fallait plus entendre ni compréhension, ni compassion de quiconque.
Être seule, vraiment seule.
La terre est vivante, douée de mémoire et je ne voulais que cette mémoire. Je ne voulais m’encombrer de rien.
Homme sceptique un peu goguenard : « Fais-le mais je me souviens bien de ta dernière expédition ! » C’était il y a dix ans ou plus, je ne me souviens plus. « C’est facile, y’en a eu qu’une ! » Des pieds en plomb, les mollets noués, l’estomac creux, les aisselles malodorantes, les bras griffés mais j’avais vécu l’intense sentiment d’avancer malgré toute ma paresse et mon inexpérience. « Où veux-tu aller ? » « Au Mont-Beuvray » « 50 km en voiture, 100 aller-retour, ça va je pourrais aisément te récupérer, tu prévois combien de jours ? » Il rit.
« Chais pas, 10 km par jour, pas plus, et comme j’y vais au pif, je ne saurais pas ce que j’ai parcouru, je m’arrêterai quand j’en aurais marre, je verrai bien ».
La veille du départ, Fils aîné au téléphone, moqueur : « Maman, t’es toujours aussi dingue. Tu ne marches jamais, t’as même pas de bonnes godasses, tu f’rais mieux d’aller chez xxx, là, tu te ressourcerais. Un jour, il t’arrivera des bricoles avec tes idées huluberlues.../... » « Ehh, je ne monte qu’au Mont-Beuvray, tu parles d’une expédition ! » « Ouais mais t’as vu ton âge ? » « Merci mon grand. Tu sais, il y a tellement de gens qui marchent pour de bon, des centaines de kilomètres sur toute la terre. Marcher pour le plaisir, marcher pour aller chercher de l’eau au puits, marcher en compétition, marcher pour aller à l’école, pour tous ceux là, je vais faire une balade, une promenade de santé, ça n’a rien d’une aventure ou d’un exploit, j’vais mettre un pas d’vant l’autre et recommencer, c’est tout. »
Et le 13 juin, j’ai pris le sentier forestier derrière la maison.
Le sac à dos, celui dont je me sers pour le goûter des petits, est rempli avec un kway, un morceau de bâche. J’ai coupé celle qui traînait par terre recouvrant la moto pour la protéger des chiures d’hirondelles, un pull, la gourde, un gant de toilette, un savon, ma brosse à dents, un sac de cacahuètes bien grasses et bien salées, des bananes sèches bien trop sucrées, cinq pommes et mon opinel. Il a une forme bizarre ce sac, comme un ballon accroché à mon dos. Il pèse 2,8 kg. Et dans les poches de mon pantalon en toile, à droite mes clopes et mon briquet, à gauche le-pied-de-biche-à-tiques. J’me demande à quoi il me servira si j’ai une tique dans le dos ou sur la nuque ! J’ai rajouté ma carte d’identité, 40 euros, et concession pour Homme, mon téléphone. Il veut me géolocaliser. C’est qu’il m’aime Homme, à lui tout seul un océan dans lequel je nage avec tant de bonheur. Mais là, pas de nage papillon, des pas.
Et quand le téléphone n’aura plus de batteries ? On verra bien. Je dis toujours -on verra bien - .
Dans le Morvan, les fées laissent leurs empreintes surnaturelles et comme je n’ai aucune carte, je ne sais pas les lire et n’ai pas envie d’apprendre, je vais leur faire confiance. Le soleil se lève à l’est et se couche à l’ouest, je dois aller à l’ouest, je suivrai sa course.
Et le 13 juin, j’ai serré les paupières pour repousser l’aube naissante. Je n’avais plus du tout envie de partir, plus du tout envie de marcher. Mais quand la brûlure salée a piqué derrière les paupières comme tous ces derniers jours, je n’ai pas reculé. J’ai lu un jour que les mauvais souvenirs et les chagrins ont de longues ombres et si on passe notre vie dedans on ne verrait plus jamais le soleil.
Ce 13 juin, le soleil était là alors, j’ai pris le sentier derrière la maison.
J’m’en vais vous raiconter l’ histôère
.../...
Comme un sentiment d’urgence pour n’entendre que les battements de mon cœur si secoué de peine qu’il ne me fallait plus entendre ni compréhension, ni compassion de quiconque.
Être seule, vraiment seule.
La terre est vivante, douée de mémoire et je ne voulais que cette mémoire. Je ne voulais m’encombrer de rien.
Homme sceptique un peu goguenard : « Fais-le mais je me souviens bien de ta dernière expédition ! » C’était il y a dix ans ou plus, je ne me souviens plus. « C’est facile, y’en a eu qu’une ! » Des pieds en plomb, les mollets noués, l’estomac creux, les aisselles malodorantes, les bras griffés mais j’avais vécu l’intense sentiment d’avancer malgré toute ma paresse et mon inexpérience. « Où veux-tu aller ? » « Au Mont-Beuvray » « 50 km en voiture, 100 aller-retour, ça va je pourrais aisément te récupérer, tu prévois combien de jours ? » Il rit.
« Chais pas, 10 km par jour, pas plus, et comme j’y vais au pif, je ne saurais pas ce que j’ai parcouru, je m’arrêterai quand j’en aurais marre, je verrai bien ».
La veille du départ, Fils aîné au téléphone, moqueur : « Maman, t’es toujours aussi dingue. Tu ne marches jamais, t’as même pas de bonnes godasses, tu f’rais mieux d’aller chez xxx, là, tu te ressourcerais. Un jour, il t’arrivera des bricoles avec tes idées huluberlues.../... » « Ehh, je ne monte qu’au Mont-Beuvray, tu parles d’une expédition ! » « Ouais mais t’as vu ton âge ? » « Merci mon grand. Tu sais, il y a tellement de gens qui marchent pour de bon, des centaines de kilomètres sur toute la terre. Marcher pour le plaisir, marcher pour aller chercher de l’eau au puits, marcher en compétition, marcher pour aller à l’école, pour tous ceux là, je vais faire une balade, une promenade de santé, ça n’a rien d’une aventure ou d’un exploit, j’vais mettre un pas d’vant l’autre et recommencer, c’est tout. »
Et le 13 juin, j’ai pris le sentier forestier derrière la maison.
Le sac à dos, celui dont je me sers pour le goûter des petits, est rempli avec un kway, un morceau de bâche. J’ai coupé celle qui traînait par terre recouvrant la moto pour la protéger des chiures d’hirondelles, un pull, la gourde, un gant de toilette, un savon, ma brosse à dents, un sac de cacahuètes bien grasses et bien salées, des bananes sèches bien trop sucrées, cinq pommes et mon opinel. Il a une forme bizarre ce sac, comme un ballon accroché à mon dos. Il pèse 2,8 kg. Et dans les poches de mon pantalon en toile, à droite mes clopes et mon briquet, à gauche le-pied-de-biche-à-tiques. J’me demande à quoi il me servira si j’ai une tique dans le dos ou sur la nuque ! J’ai rajouté ma carte d’identité, 40 euros, et concession pour Homme, mon téléphone. Il veut me géolocaliser. C’est qu’il m’aime Homme, à lui tout seul un océan dans lequel je nage avec tant de bonheur. Mais là, pas de nage papillon, des pas.
Et quand le téléphone n’aura plus de batteries ? On verra bien. Je dis toujours -on verra bien - .
Dans le Morvan, les fées laissent leurs empreintes surnaturelles et comme je n’ai aucune carte, je ne sais pas les lire et n’ai pas envie d’apprendre, je vais leur faire confiance. Le soleil se lève à l’est et se couche à l’ouest, je dois aller à l’ouest, je suivrai sa course.
Et le 13 juin, j’ai serré les paupières pour repousser l’aube naissante. Je n’avais plus du tout envie de partir, plus du tout envie de marcher. Mais quand la brûlure salée a piqué derrière les paupières comme tous ces derniers jours, je n’ai pas reculé. J’ai lu un jour que les mauvais souvenirs et les chagrins ont de longues ombres et si on passe notre vie dedans on ne verrait plus jamais le soleil.
Ce 13 juin, le soleil était là alors, j’ai pris le sentier derrière la maison.
J’m’en vais vous raiconter l’ histôère
.../...
Concours photo de juillet 2020: Verticale(s) English translation pending
Bonjour 🙂
Après déjà dix ans depuis la première édition, nous voici au lancement du 120ème concours.
J’aime l'idée de garder la surprise des photos qui pourront être proposées, c’est pourquoi j’ai choisi un thème ouvert : Verticale(s). Il n’y aura pas de contrôle au fil à plomb, ça pourra pencher un peu mais raisonnablement. Pour accompagner le démarrage du concours, vous trouverez quelques pistes en bas de ce message.
Vous pourrez participer jusqu’au samedi 25 juillet à 23h59, heure de Paris. Chaque participant est autorisé à poster jusqu’à trois photos, numérotées de 1 à 3, en précisant le lieu de prise de vue. N’hésitez pas à accompagner vos photos de quelques lignes.
Le vote aura lieu du dimanche 26 juillet 0h01 au jeudi 30 juillet à 22h. Il est accessible à tous, participants ou non, dans la limite d’un vote, et se fera par l’attribution d’un total de six points répartis sur 3 ou 4 photos : Photo n°1 : 3 points Photo n°2 : 2 points Photo n°3 : 1 point - OU - Photo n°3A et photo n°3B : 1/2 point chacune
La photo gagnante sera celle qui aura remporté le plus de points. En cas d’égalité pour la première position, les photos seront départagées par le nombre de votes à 3 points, puis , si l'égalité persiste, par le nombre de votes à 2 points, etc.
Le ou la gagnant(e) aura le privilège d’organiser le concours suivant.
Ce fil est réservé aux photos participantes et aux votes. Pour le blabla ça se passe ici ! Le diaporama arrivera dans quelques jours et figurera dans ma signature.
C’est parti 🙂
Après déjà dix ans depuis la première édition, nous voici au lancement du 120ème concours.
J’aime l'idée de garder la surprise des photos qui pourront être proposées, c’est pourquoi j’ai choisi un thème ouvert : Verticale(s). Il n’y aura pas de contrôle au fil à plomb, ça pourra pencher un peu mais raisonnablement. Pour accompagner le démarrage du concours, vous trouverez quelques pistes en bas de ce message.
Vous pourrez participer jusqu’au samedi 25 juillet à 23h59, heure de Paris. Chaque participant est autorisé à poster jusqu’à trois photos, numérotées de 1 à 3, en précisant le lieu de prise de vue. N’hésitez pas à accompagner vos photos de quelques lignes.
Le vote aura lieu du dimanche 26 juillet 0h01 au jeudi 30 juillet à 22h. Il est accessible à tous, participants ou non, dans la limite d’un vote, et se fera par l’attribution d’un total de six points répartis sur 3 ou 4 photos : Photo n°1 : 3 points Photo n°2 : 2 points Photo n°3 : 1 point - OU - Photo n°3A et photo n°3B : 1/2 point chacune
La photo gagnante sera celle qui aura remporté le plus de points. En cas d’égalité pour la première position, les photos seront départagées par le nombre de votes à 3 points, puis , si l'égalité persiste, par le nombre de votes à 2 points, etc.
Le ou la gagnant(e) aura le privilège d’organiser le concours suivant.
Ce fil est réservé aux photos participantes et aux votes. Pour le blabla ça se passe ici ! Le diaporama arrivera dans quelques jours et figurera dans ma signature.
C’est parti 🙂
Where to eat well in Finistère?
Leaving in 15 days for Brittany, specifically the southern Finistère and Bénodet...
Tourists expected to boost the culinary restaurant industry!
Haven’t read the guide for latecomers yet, and I’m really wary of online reviews. Where can I eat without getting ripped off, enjoy quality food—crêperies, seafood, nice atmosphere... Thanks to all you savvy foodies!
Tourists expected to boost the culinary restaurant industry!
Haven’t read the guide for latecomers yet, and I’m really wary of online reviews. Where can I eat without getting ripped off, enjoy quality food—crêperies, seafood, nice atmosphere... Thanks to all you savvy foodies!
Vers la fin des voyages internationaux? English translation pending
S'achemine t-on vers la fin des voyages internationaux ?
Les pays exigent une assurance qui prenne en charge le COVID et les assurances ne veulent pas couvrir ce risque ou alors, il est à craindre, une assurance d'un montant colossal.
Le covid n'a pas disparu et il peut réapparaître.
Je ne veux pas être l'oiseau de mauvais augure mais il me semble que nous allons devoir nous adapter.
Flower power (Golfe du Morbihan) English translation pending
D'abord nous avons pensé que nous serions épargnés. La fabrique du monde aurait poursuivi sa besogne paisiblement, élaborant, jours intenses après nuits remplies, le devenir de l'humanité.
La montée en puissance s'est faite progressivement, un seul lit réservé au début, plus d'un tiers du service ensuite. Sans plus de personnel. Sans plus de matériel.
Envoyée spéciale dans une ville dépeuplée de ses habitants, immense privilège ou épée de Damoclès ? Immense privilège !
J'ai aimé aller et revenir dans un Paris fantomatique. Les trains étaient toujours à l'heure. Les affiches du métro parlaient d'un monde qui n'existait plus, présentaient des spectacles qui ne se tiendraient pas… et des pubs inutiles avant même d'avoir été essentielles. Coronavirus avait remplacé pickpocket dans les annonces sonores.
Moments irréels qui désapprennent toutes les certitudes, lieux familiers devenus méconnaissables qui lavent le regard et parfois l'émerveillent lorsque la rue offre des cadeaux inattendus : une minuscule boite rouge en forme de cœur qui détonne sur le trottoir gris. La foule qui ne se pressait pas ne l'avait pas piétinée.
Près de 3 mois ont passé embarqués dans un bateau qui tanguait sans savoir si et quand il arriverait au port… Près de 3 mois immergés dans l'inquiétude, l'incertitude, à chercher vainement le capitaine... mais trop de mains se pressaient sur la barre du gouvernail.
Cette folie qui a mis le monde à l'arrêt et la tête de certain.e.s à l'envers a imprimé dans ma mémoire une écœurante odeur d'alcool. La gueule de bois sans l'ivresse préalable.
... / ...
Alors, il faudra...
... Il faudra l'eau froide de l'Atlantique, des marches légères, l'odeur des genêts, le goût du large et des vues à perte de vue là où le ciel tombe dans la mer. Il faudra des chemins poudreux, parfois si étroits que les branches basses griffent les mollets et que les papillons s'emmêlent dans les cheveux. Un bout de GR, des sous bois aux racines saillantes avec l’océan à portée de main.
Un temps qui hésite entre soleil et pluie, des ciels de peintre en aplats de bleu soulignés de blanc et de gris fumé… des orages soudains.
Il faudra la force du granit, des villages ramassés autour de leurs églises bordées d'hortensias, les pavés inégaux des ruelles du centre ville, un passeur qui file vers une île… ce sera l'île d’Arz.
Et puis il faudra des fleurs ! Des fleurs sauvages ou cultivées, des empotées, des exubérantes, des rustiques. Des fleurs de toutes les couleurs, des tape à l'œil ou des petites fleurs de rien.
Des parterres odorants, bouquet de senteurs délicates ou d'odeurs fétides, des fleurs fanées, des justes écloses ou des déflorées. Des fleurs urbaines nichées dans les interstices du macadam, des belles des champs échevelées. Des mauvaises herbes. Des fleurs du mal. Un camaïeu de nuances pastels ou flamboyantes, un feu d'artifice d'arc en ciel.
Des fleurs soyeuses en couleurs comme des mots en couleurs… pour oublier, le temps d'une échappée belle, les fleurs de bitume, petits cercles blancs à deux ou trois pétales, pointillés rageurs, qui ont poussé en une nuit sur les trottoirs de Paris et les quais du métro.
Alors ce sera 8 jours dans le golfe du Morbihan aux alentours de Vannes et des marais de Séné.
Pari sur l'avenir, le train fut réservé alors que la limite des 100km était toujours en vigueur… elle sera supprimée 2 jours avant. (100km, c'est trop court pour ceux qui ... comme nous d'un aussi grand...)
Ici comme ailleurs la vie arrêtée a repris son cours avec des absurdités, des incohérences, du cynisme parfois... "Mesdames, messieurs, veuillez respecter la distance d'un mètre cinquante pour monter et descendre du train, mais une fois à bord vous aurez un voisin de siège puisque la promesse des 50% de places vendues a aussi été supprimée 2 jours avant !"
Envoyée spéciale dans une ville dépeuplée de ses habitants, immense privilège ou épée de Damoclès ? Immense privilège !
J'ai aimé aller et revenir dans un Paris fantomatique. Les trains étaient toujours à l'heure. Les affiches du métro parlaient d'un monde qui n'existait plus, présentaient des spectacles qui ne se tiendraient pas… et des pubs inutiles avant même d'avoir été essentielles. Coronavirus avait remplacé pickpocket dans les annonces sonores.
Moments irréels qui désapprennent toutes les certitudes, lieux familiers devenus méconnaissables qui lavent le regard et parfois l'émerveillent lorsque la rue offre des cadeaux inattendus : une minuscule boite rouge en forme de cœur qui détonne sur le trottoir gris. La foule qui ne se pressait pas ne l'avait pas piétinée.
Près de 3 mois ont passé embarqués dans un bateau qui tanguait sans savoir si et quand il arriverait au port… Près de 3 mois immergés dans l'inquiétude, l'incertitude, à chercher vainement le capitaine... mais trop de mains se pressaient sur la barre du gouvernail.
Cette folie qui a mis le monde à l'arrêt et la tête de certain.e.s à l'envers a imprimé dans ma mémoire une écœurante odeur d'alcool. La gueule de bois sans l'ivresse préalable.
... / ...
Alors, il faudra...
... Il faudra l'eau froide de l'Atlantique, des marches légères, l'odeur des genêts, le goût du large et des vues à perte de vue là où le ciel tombe dans la mer. Il faudra des chemins poudreux, parfois si étroits que les branches basses griffent les mollets et que les papillons s'emmêlent dans les cheveux. Un bout de GR, des sous bois aux racines saillantes avec l’océan à portée de main.
Un temps qui hésite entre soleil et pluie, des ciels de peintre en aplats de bleu soulignés de blanc et de gris fumé… des orages soudains.
Il faudra la force du granit, des villages ramassés autour de leurs églises bordées d'hortensias, les pavés inégaux des ruelles du centre ville, un passeur qui file vers une île… ce sera l'île d’Arz.
Et puis il faudra des fleurs ! Des fleurs sauvages ou cultivées, des empotées, des exubérantes, des rustiques. Des fleurs de toutes les couleurs, des tape à l'œil ou des petites fleurs de rien.
Des parterres odorants, bouquet de senteurs délicates ou d'odeurs fétides, des fleurs fanées, des justes écloses ou des déflorées. Des fleurs urbaines nichées dans les interstices du macadam, des belles des champs échevelées. Des mauvaises herbes. Des fleurs du mal. Un camaïeu de nuances pastels ou flamboyantes, un feu d'artifice d'arc en ciel.
Des fleurs soyeuses en couleurs comme des mots en couleurs… pour oublier, le temps d'une échappée belle, les fleurs de bitume, petits cercles blancs à deux ou trois pétales, pointillés rageurs, qui ont poussé en une nuit sur les trottoirs de Paris et les quais du métro.
Alors ce sera 8 jours dans le golfe du Morbihan aux alentours de Vannes et des marais de Séné.
Pari sur l'avenir, le train fut réservé alors que la limite des 100km était toujours en vigueur… elle sera supprimée 2 jours avant. (100km, c'est trop court pour ceux qui ... comme nous d'un aussi grand...)
Ici comme ailleurs la vie arrêtée a repris son cours avec des absurdités, des incohérences, du cynisme parfois... "Mesdames, messieurs, veuillez respecter la distance d'un mètre cinquante pour monter et descendre du train, mais une fois à bord vous aurez un voisin de siège puisque la promesse des 50% de places vendues a aussi été supprimée 2 jours avant !"
Déréclusion! English translation pending
Déréclusion !
Je ne suis pas à un néologisme près.
Parce que j’me demande : Suis-je libre ? En liberté surveillée ? Contrainte ? Coercition sanitaire et salubrité publique... J’crois que secouer les peurs est mille fois plus efficace qu’un bracelet électronique. Voir le monde entier en pause, je ne pensais pas le vivre. Je comprends aujourd’hui avec quelle rapidité pourrait s’installer une dictature.
J’me demande pourquoi je ne ressens aucune crainte, pourquoi je me sens à mille lieux des peurs dont j’entends parler. Suis-je normale ? Suis-je inconsciente ? J’ai vu des gens avec un masque en voiture, mettre des gants pour tenir un chariot de magasin, où s’arrête le bon sens ? C’est quand même horripilant de se sentir infantilisé. Quand j’entends toutes ces sommités parler, j’ai l’impression qu’elles s’adressent à une population de mômes.
Parait que certains sont porteurs sains et transmettent le virus, paraît que certains ont eu la maladie sans s’en apercevoir et ont des anticorps, paraît que certains ont été malades et ont développé des anticorps, paraît que certains n’ont jamais été en contact et ne seront jamais malades, paraît qu’il faut qu’il y ait 60 % au moins de gens avec des anticorps pour l’immunité collective. Ca s’appelle RO lala.
Et beaucoup sont morts et au regard de l’humanité sur nos plus de 7 milliards, c’est une goutte. Une goutte d’acide et de chagrin pour les familles et amis des décédés, c’est certain. Des cataractes de panique pour des millions d’autres qui tremblent d’entendre un reniflement ou un éternuement. J’me demande aussi combien sont morts de faim et de maladie dans le même temps et aussi combien vont mourir des dégâts induits par le monde à l’arrêt.
Combien de pandémies ont-elles eu lieu sans que le monde occidental ne bouge un cil ? Un virus à la volette et qui disparaîtra comme tous les virus avant qu’un autre ne prenne le relais. C’est ainsi depuis toujours.
Ma solution : je respecte les peurs et angoisses des autres. Je respecte les consignes assenées à longueur de temps. Mais dans l’absolu, au fond de ma p’tite tête, j’pense tout autre chose et me tiens coite.
Je ne suis pas à un néologisme près.
Parce que j’me demande : Suis-je libre ? En liberté surveillée ? Contrainte ? Coercition sanitaire et salubrité publique... J’crois que secouer les peurs est mille fois plus efficace qu’un bracelet électronique. Voir le monde entier en pause, je ne pensais pas le vivre. Je comprends aujourd’hui avec quelle rapidité pourrait s’installer une dictature.
J’me demande pourquoi je ne ressens aucune crainte, pourquoi je me sens à mille lieux des peurs dont j’entends parler. Suis-je normale ? Suis-je inconsciente ? J’ai vu des gens avec un masque en voiture, mettre des gants pour tenir un chariot de magasin, où s’arrête le bon sens ? C’est quand même horripilant de se sentir infantilisé. Quand j’entends toutes ces sommités parler, j’ai l’impression qu’elles s’adressent à une population de mômes.
Parait que certains sont porteurs sains et transmettent le virus, paraît que certains ont eu la maladie sans s’en apercevoir et ont des anticorps, paraît que certains ont été malades et ont développé des anticorps, paraît que certains n’ont jamais été en contact et ne seront jamais malades, paraît qu’il faut qu’il y ait 60 % au moins de gens avec des anticorps pour l’immunité collective. Ca s’appelle RO lala.
Et beaucoup sont morts et au regard de l’humanité sur nos plus de 7 milliards, c’est une goutte. Une goutte d’acide et de chagrin pour les familles et amis des décédés, c’est certain. Des cataractes de panique pour des millions d’autres qui tremblent d’entendre un reniflement ou un éternuement. J’me demande aussi combien sont morts de faim et de maladie dans le même temps et aussi combien vont mourir des dégâts induits par le monde à l’arrêt.
Combien de pandémies ont-elles eu lieu sans que le monde occidental ne bouge un cil ? Un virus à la volette et qui disparaîtra comme tous les virus avant qu’un autre ne prenne le relais. C’est ainsi depuis toujours.
Ma solution : je respecte les peurs et angoisses des autres. Je respecte les consignes assenées à longueur de temps. Mais dans l’absolu, au fond de ma p’tite tête, j’pense tout autre chose et me tiens coite.
L'Himalaya indien à vélo et en famille (film 50') English translation pending
Bonjour à tous,
Certains ont peut être déjà vu notre film lors de festivals, ou en version courte. Dans le contexte actuel de confinement, nous venons de mettre en ligne la version longue de ce film relatant notre traversée de l'Himalaya indien, du Spiti au Zanskar (Ladakh), à vélo (en les mettant quelquefois sur des chevaux😉), et avec nos 3 enfants de 5, 9 et 12 ans.
https://youtu.be/ZZZy8ol8Abc
N'hésitez pas, si vous avez des remarques ou des questions. A vos popcorns et bonne visualisation !
Ariane et Seb tsagaventure.com
Certains ont peut être déjà vu notre film lors de festivals, ou en version courte. Dans le contexte actuel de confinement, nous venons de mettre en ligne la version longue de ce film relatant notre traversée de l'Himalaya indien, du Spiti au Zanskar (Ladakh), à vélo (en les mettant quelquefois sur des chevaux😉), et avec nos 3 enfants de 5, 9 et 12 ans.
https://youtu.be/ZZZy8ol8Abc
N'hésitez pas, si vous avez des remarques ou des questions. A vos popcorns et bonne visualisation !
Ariane et Seb tsagaventure.com