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Villages around Hazaribagh in West Bengal
Wednesday, April 1st
Hazaribagh I’ve got a meet-up with Adam Iman, a guide and painter. He picks me up from the hotel at 10 AM. Another traveler from Bangalore is supposed to join us, but while we wait for him to arrive, Adam takes me to see the paintings his mother and sister created at Hazaribagh station. The town became famous thanks to these murals, which can also be found in several surrounding villages. This art form has earned recognition and is now protected, a sign of its cultural importance. Once the visit is over, we go to pick up the other traveler and then head to our first village: Belwara, where Sohrai art is practiced. At the entrance, a sign proudly announces that we’re entering an artists’ village, where this art is created by women organized into micro-enterprises. Some even offer workshops for those who’d like to learn this tradition.
Sohrai art is tied to the harvest season, from October to mid-November. The motifs, in natural colors, celebrate fertility and abundance. The artists use pigments from the earth: red oxides, ochre, white kaolin, and black manganese. On the walls, you’ll see animals, fish, birds—all symbols of life and prosperity. As I look closer at the murals, I start to realize that each motif tells a story. Large animals like cows or bulls often take center stage. Their bodies are filled with intricate, almost hypnotic patterns. They symbolize wealth and prosperity for the household, as well as the deep respect for cattle, which are essential to daily life. On some facades, elephants stand out—massive and decorated with the same precision. They evoke quiet strength and protection. But it’s when I stop in front of one of the houses that I really take the time to look. The wall, a soft ochre, is entirely covered in murals. Two large animals stretch out on either side of the door, their elongated bodies fitting the length of the wall. Their silhouettes are filled with geometric patterns and incredibly fine curved lines, as if every space was patiently filled. Around them, stylized plants, flowers, and small decorative elements fill every gap. The door, dark and worn, becomes almost the silent center of the composition, framed by these living, protective forms. To the right, a more colorful motif catches the eye—a flower or a stylized lamp—like a touch of light on the earth. The whole thing gives an impression of perfect balance, between the rigor of the patterns and the freedom of the gesture.
Elsewhere, birds and freer forms bring movement. Peacocks, recognizable by their stylized silhouettes, embody beauty and vitality, while fish symbolize water, fertility, and the continuity of life.
On some paintings, the scenes become almost narrative: you can make out figures, everyday gestures, like a memory of the village inscribed in the walls. The decorative frames around the doors aren’t left to chance either—they symbolically protect the house, like a boundary between the inside and the outside world.
During the Sohrai festival, cattle are led into the jungle in the morning. Meanwhile, the women finish the *aripans*—these floor paintings—and continue the wall murals. Around noon, the animals return to the village, and the bulls’ horns are anointed with oil and vermilion in a gesture of gratitude, amid the vibrant colors adorning the houses. We visit several artists, including Parvat Devi, a well-known woman who has received many awards. Her arms are adorned with intriguing tattoos, which I’ll talk about in more detail later.
On another wall, the style changes completely. Here, no massive animals—just birds occupying the space, light and graceful, as if caught in mid-movement. Two silhouettes face each other, their long necks arched almost like mirrors, while their outstretched wings seem to vibrate with the patterns that compose them.
The design is more graphic, almost airy. The lines are smoother, more fluid, as if drawn in one confident stroke. The birds’ bodies aren’t solid—they’re filled with repetitive motifs like scales, stylized feathers, and spirals, giving a sense of continuous movement. Around them, everything comes to life: flowers burst open, arabesques swirl, and even the simplest shapes seem alive. What strikes me here is the sense of lightness. Where the large animals evoked stability and grounding, these birds bring something freer, almost joyful. They seem to embody movement, the circulation of life, like a breath flowing through the village.
The colors remain the same—deep reds, intense blacks, and chalky white—but the rhythm is different. Faster, more spontaneous. As if each wall had its own personality, while still speaking the same language.
That’s probably why I’m so moved. I’d heard about these paintings from my friend Raja, and last year, I saw an exhibition in a village near my home. That first encounter made me want to come here. But seeing them in person is a whole different experience. These paintings are unique. This ancient art is passed down from mother to daughter, or mother-in-law to daughter-in-law, in a quiet, deeply living continuity. At first glance, it might seem almost childlike in its simplicity and pared-down forms. And yet, everything is thought out, balanced, mastered. Nothing is left to chance.
That apparent simplicity, combined with such rich symbolism, touches me deeply. There’s something sincere and essential in these walls—and that’s what moves me.
Hazaribagh I’ve got a meet-up with Adam Iman, a guide and painter. He picks me up from the hotel at 10 AM. Another traveler from Bangalore is supposed to join us, but while we wait for him to arrive, Adam takes me to see the paintings his mother and sister created at Hazaribagh station. The town became famous thanks to these murals, which can also be found in several surrounding villages. This art form has earned recognition and is now protected, a sign of its cultural importance. Once the visit is over, we go to pick up the other traveler and then head to our first village: Belwara, where Sohrai art is practiced. At the entrance, a sign proudly announces that we’re entering an artists’ village, where this art is created by women organized into micro-enterprises. Some even offer workshops for those who’d like to learn this tradition.
Sohrai art is tied to the harvest season, from October to mid-November. The motifs, in natural colors, celebrate fertility and abundance. The artists use pigments from the earth: red oxides, ochre, white kaolin, and black manganese. On the walls, you’ll see animals, fish, birds—all symbols of life and prosperity. As I look closer at the murals, I start to realize that each motif tells a story. Large animals like cows or bulls often take center stage. Their bodies are filled with intricate, almost hypnotic patterns. They symbolize wealth and prosperity for the household, as well as the deep respect for cattle, which are essential to daily life. On some facades, elephants stand out—massive and decorated with the same precision. They evoke quiet strength and protection. But it’s when I stop in front of one of the houses that I really take the time to look. The wall, a soft ochre, is entirely covered in murals. Two large animals stretch out on either side of the door, their elongated bodies fitting the length of the wall. Their silhouettes are filled with geometric patterns and incredibly fine curved lines, as if every space was patiently filled. Around them, stylized plants, flowers, and small decorative elements fill every gap. The door, dark and worn, becomes almost the silent center of the composition, framed by these living, protective forms. To the right, a more colorful motif catches the eye—a flower or a stylized lamp—like a touch of light on the earth. The whole thing gives an impression of perfect balance, between the rigor of the patterns and the freedom of the gesture.
Elsewhere, birds and freer forms bring movement. Peacocks, recognizable by their stylized silhouettes, embody beauty and vitality, while fish symbolize water, fertility, and the continuity of life.
On some paintings, the scenes become almost narrative: you can make out figures, everyday gestures, like a memory of the village inscribed in the walls. The decorative frames around the doors aren’t left to chance either—they symbolically protect the house, like a boundary between the inside and the outside world.During the Sohrai festival, cattle are led into the jungle in the morning. Meanwhile, the women finish the *aripans*—these floor paintings—and continue the wall murals. Around noon, the animals return to the village, and the bulls’ horns are anointed with oil and vermilion in a gesture of gratitude, amid the vibrant colors adorning the houses. We visit several artists, including Parvat Devi, a well-known woman who has received many awards. Her arms are adorned with intriguing tattoos, which I’ll talk about in more detail later.
On another wall, the style changes completely. Here, no massive animals—just birds occupying the space, light and graceful, as if caught in mid-movement. Two silhouettes face each other, their long necks arched almost like mirrors, while their outstretched wings seem to vibrate with the patterns that compose them.
The design is more graphic, almost airy. The lines are smoother, more fluid, as if drawn in one confident stroke. The birds’ bodies aren’t solid—they’re filled with repetitive motifs like scales, stylized feathers, and spirals, giving a sense of continuous movement. Around them, everything comes to life: flowers burst open, arabesques swirl, and even the simplest shapes seem alive. What strikes me here is the sense of lightness. Where the large animals evoked stability and grounding, these birds bring something freer, almost joyful. They seem to embody movement, the circulation of life, like a breath flowing through the village.
The colors remain the same—deep reds, intense blacks, and chalky white—but the rhythm is different. Faster, more spontaneous. As if each wall had its own personality, while still speaking the same language.
That’s probably why I’m so moved. I’d heard about these paintings from my friend Raja, and last year, I saw an exhibition in a village near my home. That first encounter made me want to come here. But seeing them in person is a whole different experience. These paintings are unique. This ancient art is passed down from mother to daughter, or mother-in-law to daughter-in-law, in a quiet, deeply living continuity. At first glance, it might seem almost childlike in its simplicity and pared-down forms. And yet, everything is thought out, balanced, mastered. Nothing is left to chance.
That apparent simplicity, combined with such rich symbolism, touches me deeply. There’s something sincere and essential in these walls—and that’s what moves me.
Understanding the World
hello to all travelers with their eyes wide open to the desert...
I’ve always wondered what I was "doing" on this earth. And why my father, who died a few months after I was born—a former youngest French resistance fighter—joined the First Saharan Motorized Company in Atar and spent the rest of his life repairing army engines in Algeria, Mauritania, Senegal, Mali (which didn’t exist under that name back then), Morocco, and finally Algeria, where my mother was born and raised. (Believe me, it’s not "cool" being the child of a soldier in a country occupied by France, and even less so the child of a "pied-noir.") Of course, I never got an answer: the dead don’t talk, and the army doesn’t either. But here’s the thing—I had photos... So naturally, one day I hit the road. I wanted to see, to understand. It’s thanks to VF that I was able to do a little research on crossing the Morocco-Mauritania border, and I’m grateful to its members, just as I’m grateful to all those who welcomed me on the road for 14 years. For the past few weeks, I’ve been wondering if I should talk about this or not... It turns out the Mauritanians changed my life by asking for my help... And that started as early as February 2012... (Did I owe them something? No answer to that question.) Ah, the irony—they saw me coming. But when you’re handed sick children and begged to do something, what would you have done? I’d worked in a hospital, so I knew a bit about the rules to follow. I didn’t hesitate. And well, over all these years, I met doctors, surgeons, and together we organized care, evacuations of children, training for surgeons—even trying to stop children from having to travel outside their country. It was never easy. I’d like to thank those who supported us, as well as *La Chaîne de l’Espoir*, *La Fondation Face au Monde*, and everyone who built bridges between our two countries. Unfortunately, despite the constant efforts of Mauritanian doctors and surgeons, some children couldn’t be helped in time. Today, I want to talk about four siblings—orphans of their mother—suffering from congenital glaucoma causing irreversible blindness. Their case was entrusted to me in 2020, just weeks before the big lockdown. We couldn’t do anything for them then, but when their father asked me for a gift, I rushed to my computer and wrote a story. Through a tale, the children take a great journey, explore their country, and fulfill a dream. I never thought this book would be published—it was, in 2023. This book pays tribute to Mauritania. It’s a message for those who know nothing about the hardships of life there, carrying both the harshness and beauty of an immense desert where you can travel by 4x4, bike, on foot, or by camel in complete safety. It bears witness to the kindness of Mauritanians toward travelers. As a woman traveling alone in my vehicle—a now-rusted old Mercedes that no longer runs—I had the most beautiful encounters of my life there (I’ve seen other parts of the world...). The blind children of Choum, Atar, Nouadhibou, and Nouakchott will forever be in my heart. Volunteer readers transcribed the book into a free audio version for the visually impaired. It’s available in sound libraries in France, the *Fondation Valentin Haüy*, and the Swiss Romande library. I made my last trip to Mauritania in my old 4x4 to distribute the book everywhere, especially to its heroes and the school for the visually impaired in Nouakchott. After that, I thought it was time to close the chapter because I no longer have the means or the strength to travel. My publishers chose this title for it: *The Blue Eyes of the Desert*. This publication helped a mission of Swiss volunteer ophthalmologists come to operate on glaucomas in Mauritania. I’m thrilled because they come back every year! This adventure is ending, yes—everything must come to an end—but ultimately, it was born here, on the VF site!! So yes, I had to say it: THANK YOU!!!!!
I’ve always wondered what I was "doing" on this earth. And why my father, who died a few months after I was born—a former youngest French resistance fighter—joined the First Saharan Motorized Company in Atar and spent the rest of his life repairing army engines in Algeria, Mauritania, Senegal, Mali (which didn’t exist under that name back then), Morocco, and finally Algeria, where my mother was born and raised. (Believe me, it’s not "cool" being the child of a soldier in a country occupied by France, and even less so the child of a "pied-noir.") Of course, I never got an answer: the dead don’t talk, and the army doesn’t either. But here’s the thing—I had photos... So naturally, one day I hit the road. I wanted to see, to understand. It’s thanks to VF that I was able to do a little research on crossing the Morocco-Mauritania border, and I’m grateful to its members, just as I’m grateful to all those who welcomed me on the road for 14 years. For the past few weeks, I’ve been wondering if I should talk about this or not... It turns out the Mauritanians changed my life by asking for my help... And that started as early as February 2012... (Did I owe them something? No answer to that question.) Ah, the irony—they saw me coming. But when you’re handed sick children and begged to do something, what would you have done? I’d worked in a hospital, so I knew a bit about the rules to follow. I didn’t hesitate. And well, over all these years, I met doctors, surgeons, and together we organized care, evacuations of children, training for surgeons—even trying to stop children from having to travel outside their country. It was never easy. I’d like to thank those who supported us, as well as *La Chaîne de l’Espoir*, *La Fondation Face au Monde*, and everyone who built bridges between our two countries. Unfortunately, despite the constant efforts of Mauritanian doctors and surgeons, some children couldn’t be helped in time. Today, I want to talk about four siblings—orphans of their mother—suffering from congenital glaucoma causing irreversible blindness. Their case was entrusted to me in 2020, just weeks before the big lockdown. We couldn’t do anything for them then, but when their father asked me for a gift, I rushed to my computer and wrote a story. Through a tale, the children take a great journey, explore their country, and fulfill a dream. I never thought this book would be published—it was, in 2023. This book pays tribute to Mauritania. It’s a message for those who know nothing about the hardships of life there, carrying both the harshness and beauty of an immense desert where you can travel by 4x4, bike, on foot, or by camel in complete safety. It bears witness to the kindness of Mauritanians toward travelers. As a woman traveling alone in my vehicle—a now-rusted old Mercedes that no longer runs—I had the most beautiful encounters of my life there (I’ve seen other parts of the world...). The blind children of Choum, Atar, Nouadhibou, and Nouakchott will forever be in my heart. Volunteer readers transcribed the book into a free audio version for the visually impaired. It’s available in sound libraries in France, the *Fondation Valentin Haüy*, and the Swiss Romande library. I made my last trip to Mauritania in my old 4x4 to distribute the book everywhere, especially to its heroes and the school for the visually impaired in Nouakchott. After that, I thought it was time to close the chapter because I no longer have the means or the strength to travel. My publishers chose this title for it: *The Blue Eyes of the Desert*. This publication helped a mission of Swiss volunteer ophthalmologists come to operate on glaucomas in Mauritania. I’m thrilled because they come back every year! This adventure is ending, yes—everything must come to an end—but ultimately, it was born here, on the VF site!! So yes, I had to say it: THANK YOU!!!!!
16 days with family in La Gomera (Canary Islands)
Preamble: Why La Gomera?
When we started looking for a summer destination a few months ago, our first criterion was to avoid extreme heat and heatwaves. We had already been to Norway two years ago and are considering going back in the future for other occasions. So, we had some fun asking ChatGPT which destinations enjoyed a mild climate during the summer without going too far. Among the list provided by the AI were the Canary Islands... The idea of a place we wouldn’t have thought of first, both not too far away and exotic enough, appealed to us: “Hmm, why not?”
This destination had never really attracted me, though Magali was a bit more interested. Five years earlier, COVID had caused a short break in my professional activity, and I had planned a trip because the flight price was attractive, and I was looking for a destination different from what usually appeals to me, more than out of deep interest. From a distance and with a social judgment I acknowledge (it’s not great, but it’s not completely wrong), I had the image of a destination for party-goers enjoying the sun without the slightest interest in local culture, with concrete coastlines and denatured landscapes—everything I detest the most. Still, I had done some quick research on the different islands and spotted Lanzarote for its beautiful volcanic landscapes, hiking trails, beaches, and the impression of a good balance between activity and fewer crowds than Tenerife or Gran Canaria. Then I dropped the idea of going, without ever reconsidering traveling to the Canaries...
Until now! Because we started researching the different islands of the archipelago to see which ones might appeal to us the most. It was La Gomera, the third smallest island of the archipelago, more praised for its hiking trails and preserved nature than for its beaches, away from mass tourism (fifty times fewer tourists than Tenerife) but still a bit more developed than its wild neighbor El Hierro, that caught our attention. Contrary to what might be suggested later, I’m not at all addicted to AI, but I use it from time to time to synthesize quick research or simply for experimentation. Since ChatGPT had started anticipating my tastes lately as if it had become my buddy (often successfully, sometimes off the mark), I asked which Canary Island would suit me best for a trip with my family. The tool answered first with... La Gomera. So, I tested it and teased it a bit to see if this suggestion was well-founded, as the method sometimes makes it contradict itself. But no luck: “You’d appreciate the wild nature of El Hierro, but with family, you’ll find little activity for the kids. You won’t like the touristy vibe of the big islands like Tenerife, Gran Canaria, Lanzarote, and Fuerteventura. You could consider La Palma, but it’s really La Gomera that will suit you best, based on your interests and the criteria given.” So, we dug deeper into our research and were convinced without a shadow of a doubt that this island was the one waiting for us.
Without knowing it, we had Canarians in our circle who revealed their origins when they heard about our travel plans. One from Tenerife insisted we’d be better off choosing Tenerife (obviously...) because it also has preserved spots and that La Gomera, “you can explore it in two or three days, you’ll get bored quickly...” The other, a colleague from Gran Canaria who had never visited La Gomera, still recommended it without hesitation because it turned out her parents had just gone there on vacation: they loved it and had encountered few tourists. She also tended to think this destination was usually the subject of short stays, but according to what her parents told her, taking your time there was also a great idea. However, in our research, the idea that La Gomera is an island you can explore in three or four days max kept coming up. So, we considered combining its visit with La Palma or El Hierro, the other two that caught our eye. But hopping between islands by ferry represents a significant budget for non-Canarians, even more so for a family of four. Then, scrutinizing Google Maps, it seemed obvious that two weeks were too short to discover two islands as they deserve, and that there seemed to be plenty to see in La Gomera, given its very unique culture. After all, we read that some people spend several months a year there, others never even leave... Finally, these landscapes and this atmosphere, which seemed to us a mix of Europe, North Africa, and Latin America, tempted us. So, it would be two weeks in La Gomera, deal!
La Gomera is therefore the second... well, the third smallest island of the Canaries since La Graciosa was recently recognized as a fully inhabited island. It has the shape of a rough circle about 20 to 25 kilometers in diameter and has just over 20,000 inhabitants, half of them in its capital, San Sebastián de la Gomera, the only real town. Like its Canarian sisters, La Gomera is a volcanic formation that rose about 10 million years ago. The island is very mountainous and rugged, covered with red and black rocky landscapes. Geological activity has shaped, between the sprawling massifs that end in steep cliffs in the ocean, six coastal valleys with tropical vegetation that have favored human settlement. They divide the island like slices of a cake; from the north clockwise: the agricultural Vallehermoso, the rustic Agulo, the green, humid, and fertile Hermigua, the sunny capital San Sebastián de la Gomera, the southern and isolated Alajeró-Santiago, and the seaside Valle Gran Rey. They constitute the six municipalities (more like cantons to our French understanding) of the territory.
The large solidified magma massifs that shape the heart of the island have created a large depression more protected from the sun at its center, allowing the growth of a vast laurel forest, today grouped within the Garajonay National Park, La Gomera’s green lung, which has earned it the status of a World Biosphere Reserve. Its completely European appearance contrasts sharply with the rocky and tropical landscapes of the rest of the island. Thus, the climate varies greatly from one point to another on the island: in summer, you can quickly go from a dry and sunny valley at 35°C to a humid forest area at altitude at 18°C.
La Gomera was populated late. As with the rest of the Canaries, human presence is thought to have begun about 2,000 years ago. Groups of animist Berbers, probably fleeing persecution, gradually populated the archipelago, especially the western islands and La Gomera, becoming its small aboriginal population: the Guanches (or later Gomeros). The animist and pastoral civilization of the Guanches thrived until the Spanish takeover in the 15th century, which, after a short period of harmony and mixing with the indigenous people, suddenly ended in bloodshed... La Gomera later became the “Columbus Island” after Christopher Columbus’s stopover, increasing the blending of populations. In the 20th century, many Gomeros emigrated to Cuba and other Latin American countries in search of a better life, bringing back a mix of cultures and traits quite palpable in today’s Gomeran culture. It is, however, in La Gomera that the vestiges of Guanche culture seem to have left the most traces, in the language, gastronomy, social practices... Moreover, most Gomeros, especially in remote villages, have a particular identifiable type and proudly claim their ancestral roots, even making La Gomera a bit exotic in the eyes of other Canarians.
Perhaps that’s why it has never really wanted to develop its tourist infrastructure too much. If we set aside the tourists who visit for the day by bus or boat from Tenerife on a marked itinerary (and whom we ultimately rarely encounter), La Gomera has remained a hidden gem, a destination focused on nature discovery that attracts hikers, nature-loving divers, and scientists for its fauna and flora, and to a lesser extent, beachgoers who don’t seek overly developed coastlines. Tourist activity is therefore limited. Roughly speaking, you’ll find a majority of Spaniards, including a substantial number of residents from other Canary Islands, many Germans who have a particular fondness for La Gomera and spend long stays there or own second homes, to the point that the German cultural footprint is clearly noticeable in some places (it’s said to be Angela Merkel’s favorite holiday spot), and still quite a few French. The presence of other nationalities seemed negligible to us. Most travelers come mainly for hiking, but it’s also a prime spot for whale watching. Additionally, the seaside resorts of La Gomera—San Sebastián, Santiago, and especially Valle Gran Rey—are well-known destinations for hippies, especially German ones, ranging from chic boho hippies to old-school hippies who’ve been there for decades, quite similar to those you’d meet in India in Goa, Rishikesh, or Paharganj. Thus, practices like naturism, vegetarianism, and local organic production are quite well established in some areas.
Some practical info: - The round-trip flight from Paris to Tenerife cost us 365 € per person (outbound with Transavia, return with EasyJet), including checked luggage and three seats reserved side by side. - We chose two bases to explore the island: one week in Valle Gran Rey, reputed to be the most pleasant of the three seaside resorts, and one week in Hermigua, more mountainous and close to the natural park. We booked two houses with balconies and views: the first at 120 € per night, the second at 99 €. - The round-trip ferry between Tenerife and La Gomera cost us 270 € with the company Baleària Canarias, including discounts for children aged 4 and 12, but I don’t have the exact details. It was a bit cheaper than with the other company, Fred Olsen. - Finally, we rented a car through the agency Cicar for 360 € for 16 days, which comes to 22.50 € per day. - Apart from that, we didn’t plan anything and decided the day before or even the morning of what we wanted to do. We didn’t invest in any paper guide on the Canaries, as information on La Gomera was scarce, but we used the very comprehensive site La Gomera Travel, a travel guide published by the Canary Islands Tourism Council, a real goldmine of almost exhaustive information on the island.
Alright, off we go for 16 days of adventure discovering La Gomera!
And we start the trip with music!
We start the trip with music!
When we started looking for a summer destination a few months ago, our first criterion was to avoid extreme heat and heatwaves. We had already been to Norway two years ago and are considering going back in the future for other occasions. So, we had some fun asking ChatGPT which destinations enjoyed a mild climate during the summer without going too far. Among the list provided by the AI were the Canary Islands... The idea of a place we wouldn’t have thought of first, both not too far away and exotic enough, appealed to us: “Hmm, why not?”
This destination had never really attracted me, though Magali was a bit more interested. Five years earlier, COVID had caused a short break in my professional activity, and I had planned a trip because the flight price was attractive, and I was looking for a destination different from what usually appeals to me, more than out of deep interest. From a distance and with a social judgment I acknowledge (it’s not great, but it’s not completely wrong), I had the image of a destination for party-goers enjoying the sun without the slightest interest in local culture, with concrete coastlines and denatured landscapes—everything I detest the most. Still, I had done some quick research on the different islands and spotted Lanzarote for its beautiful volcanic landscapes, hiking trails, beaches, and the impression of a good balance between activity and fewer crowds than Tenerife or Gran Canaria. Then I dropped the idea of going, without ever reconsidering traveling to the Canaries...
Until now! Because we started researching the different islands of the archipelago to see which ones might appeal to us the most. It was La Gomera, the third smallest island of the archipelago, more praised for its hiking trails and preserved nature than for its beaches, away from mass tourism (fifty times fewer tourists than Tenerife) but still a bit more developed than its wild neighbor El Hierro, that caught our attention. Contrary to what might be suggested later, I’m not at all addicted to AI, but I use it from time to time to synthesize quick research or simply for experimentation. Since ChatGPT had started anticipating my tastes lately as if it had become my buddy (often successfully, sometimes off the mark), I asked which Canary Island would suit me best for a trip with my family. The tool answered first with... La Gomera. So, I tested it and teased it a bit to see if this suggestion was well-founded, as the method sometimes makes it contradict itself. But no luck: “You’d appreciate the wild nature of El Hierro, but with family, you’ll find little activity for the kids. You won’t like the touristy vibe of the big islands like Tenerife, Gran Canaria, Lanzarote, and Fuerteventura. You could consider La Palma, but it’s really La Gomera that will suit you best, based on your interests and the criteria given.” So, we dug deeper into our research and were convinced without a shadow of a doubt that this island was the one waiting for us.
Without knowing it, we had Canarians in our circle who revealed their origins when they heard about our travel plans. One from Tenerife insisted we’d be better off choosing Tenerife (obviously...) because it also has preserved spots and that La Gomera, “you can explore it in two or three days, you’ll get bored quickly...” The other, a colleague from Gran Canaria who had never visited La Gomera, still recommended it without hesitation because it turned out her parents had just gone there on vacation: they loved it and had encountered few tourists. She also tended to think this destination was usually the subject of short stays, but according to what her parents told her, taking your time there was also a great idea. However, in our research, the idea that La Gomera is an island you can explore in three or four days max kept coming up. So, we considered combining its visit with La Palma or El Hierro, the other two that caught our eye. But hopping between islands by ferry represents a significant budget for non-Canarians, even more so for a family of four. Then, scrutinizing Google Maps, it seemed obvious that two weeks were too short to discover two islands as they deserve, and that there seemed to be plenty to see in La Gomera, given its very unique culture. After all, we read that some people spend several months a year there, others never even leave... Finally, these landscapes and this atmosphere, which seemed to us a mix of Europe, North Africa, and Latin America, tempted us. So, it would be two weeks in La Gomera, deal!
La Gomera is therefore the second... well, the third smallest island of the Canaries since La Graciosa was recently recognized as a fully inhabited island. It has the shape of a rough circle about 20 to 25 kilometers in diameter and has just over 20,000 inhabitants, half of them in its capital, San Sebastián de la Gomera, the only real town. Like its Canarian sisters, La Gomera is a volcanic formation that rose about 10 million years ago. The island is very mountainous and rugged, covered with red and black rocky landscapes. Geological activity has shaped, between the sprawling massifs that end in steep cliffs in the ocean, six coastal valleys with tropical vegetation that have favored human settlement. They divide the island like slices of a cake; from the north clockwise: the agricultural Vallehermoso, the rustic Agulo, the green, humid, and fertile Hermigua, the sunny capital San Sebastián de la Gomera, the southern and isolated Alajeró-Santiago, and the seaside Valle Gran Rey. They constitute the six municipalities (more like cantons to our French understanding) of the territory.
The large solidified magma massifs that shape the heart of the island have created a large depression more protected from the sun at its center, allowing the growth of a vast laurel forest, today grouped within the Garajonay National Park, La Gomera’s green lung, which has earned it the status of a World Biosphere Reserve. Its completely European appearance contrasts sharply with the rocky and tropical landscapes of the rest of the island. Thus, the climate varies greatly from one point to another on the island: in summer, you can quickly go from a dry and sunny valley at 35°C to a humid forest area at altitude at 18°C.La Gomera was populated late. As with the rest of the Canaries, human presence is thought to have begun about 2,000 years ago. Groups of animist Berbers, probably fleeing persecution, gradually populated the archipelago, especially the western islands and La Gomera, becoming its small aboriginal population: the Guanches (or later Gomeros). The animist and pastoral civilization of the Guanches thrived until the Spanish takeover in the 15th century, which, after a short period of harmony and mixing with the indigenous people, suddenly ended in bloodshed... La Gomera later became the “Columbus Island” after Christopher Columbus’s stopover, increasing the blending of populations. In the 20th century, many Gomeros emigrated to Cuba and other Latin American countries in search of a better life, bringing back a mix of cultures and traits quite palpable in today’s Gomeran culture. It is, however, in La Gomera that the vestiges of Guanche culture seem to have left the most traces, in the language, gastronomy, social practices... Moreover, most Gomeros, especially in remote villages, have a particular identifiable type and proudly claim their ancestral roots, even making La Gomera a bit exotic in the eyes of other Canarians.
Perhaps that’s why it has never really wanted to develop its tourist infrastructure too much. If we set aside the tourists who visit for the day by bus or boat from Tenerife on a marked itinerary (and whom we ultimately rarely encounter), La Gomera has remained a hidden gem, a destination focused on nature discovery that attracts hikers, nature-loving divers, and scientists for its fauna and flora, and to a lesser extent, beachgoers who don’t seek overly developed coastlines. Tourist activity is therefore limited. Roughly speaking, you’ll find a majority of Spaniards, including a substantial number of residents from other Canary Islands, many Germans who have a particular fondness for La Gomera and spend long stays there or own second homes, to the point that the German cultural footprint is clearly noticeable in some places (it’s said to be Angela Merkel’s favorite holiday spot), and still quite a few French. The presence of other nationalities seemed negligible to us. Most travelers come mainly for hiking, but it’s also a prime spot for whale watching. Additionally, the seaside resorts of La Gomera—San Sebastián, Santiago, and especially Valle Gran Rey—are well-known destinations for hippies, especially German ones, ranging from chic boho hippies to old-school hippies who’ve been there for decades, quite similar to those you’d meet in India in Goa, Rishikesh, or Paharganj. Thus, practices like naturism, vegetarianism, and local organic production are quite well established in some areas.
Some practical info: - The round-trip flight from Paris to Tenerife cost us 365 € per person (outbound with Transavia, return with EasyJet), including checked luggage and three seats reserved side by side. - We chose two bases to explore the island: one week in Valle Gran Rey, reputed to be the most pleasant of the three seaside resorts, and one week in Hermigua, more mountainous and close to the natural park. We booked two houses with balconies and views: the first at 120 € per night, the second at 99 €. - The round-trip ferry between Tenerife and La Gomera cost us 270 € with the company Baleària Canarias, including discounts for children aged 4 and 12, but I don’t have the exact details. It was a bit cheaper than with the other company, Fred Olsen. - Finally, we rented a car through the agency Cicar for 360 € for 16 days, which comes to 22.50 € per day. - Apart from that, we didn’t plan anything and decided the day before or even the morning of what we wanted to do. We didn’t invest in any paper guide on the Canaries, as information on La Gomera was scarce, but we used the very comprehensive site La Gomera Travel, a travel guide published by the Canary Islands Tourism Council, a real goldmine of almost exhaustive information on the island.
Alright, off we go for 16 days of adventure discovering La Gomera!
And we start the trip with music!
We start the trip with music!
Discussion: Bridges of the World July 2026
This is where you can chat about bridges... let’s get the conversation started! 😊
