Results for "Molde+|+66+>+222"
168561 results found.
Tour du monde : tourisme et reportage humanitaire English translation pending
Salut, je m'appelle Laurent. J'ai 27 ans. Français, mais actuellement en afrique centrale jusqu'en juin 2003. je
souhaite partir faire un tour du monde vers automne 2003 pour une année. projet touristique avec une touche d "humanitaire". Souhaite notamment
faire reportage sur enfants des rues, rencontrer dans
chaque pays visité une association travaillant avec les
enfants des rues, avec finalité book présentant les assoc, les projet pédagogique, regard des autres, avenir des enfants... recherche coéquipiers, partenaires pour murir le projet et partir. recherche particulièrement mais pas uniquement personnes ayant des talents en photos et dessins.
Destinations souhaitées : Inde, Népal, chine, asie du sud est, Indonésie, philippines australie, amérique du sud et centrale
Destinations souhaitées : Inde, Népal, chine, asie du sud est, Indonésie, philippines australie, amérique du sud et centrale
Understanding the World
hello to all travelers with their eyes wide open to the desert...
I’ve always wondered what I was "doing" on this earth. And why my father, who died a few months after I was born—a former youngest French resistance fighter—joined the First Saharan Motorized Company in Atar and spent the rest of his life repairing army engines in Algeria, Mauritania, Senegal, Mali (which didn’t exist under that name back then), Morocco, and finally Algeria, where my mother was born and raised. (Believe me, it’s not "cool" being the child of a soldier in a country occupied by France, and even less so the child of a "pied-noir.") Of course, I never got an answer: the dead don’t talk, and the army doesn’t either. But here’s the thing—I had photos... So naturally, one day I hit the road. I wanted to see, to understand. It’s thanks to VF that I was able to do a little research on crossing the Morocco-Mauritania border, and I’m grateful to its members, just as I’m grateful to all those who welcomed me on the road for 14 years. For the past few weeks, I’ve been wondering if I should talk about this or not... It turns out the Mauritanians changed my life by asking for my help... And that started as early as February 2012... (Did I owe them something? No answer to that question.) Ah, the irony—they saw me coming. But when you’re handed sick children and begged to do something, what would you have done? I’d worked in a hospital, so I knew a bit about the rules to follow. I didn’t hesitate. And well, over all these years, I met doctors, surgeons, and together we organized care, evacuations of children, training for surgeons—even trying to stop children from having to travel outside their country. It was never easy. I’d like to thank those who supported us, as well as *La Chaîne de l’Espoir*, *La Fondation Face au Monde*, and everyone who built bridges between our two countries. Unfortunately, despite the constant efforts of Mauritanian doctors and surgeons, some children couldn’t be helped in time. Today, I want to talk about four siblings—orphans of their mother—suffering from congenital glaucoma causing irreversible blindness. Their case was entrusted to me in 2020, just weeks before the big lockdown. We couldn’t do anything for them then, but when their father asked me for a gift, I rushed to my computer and wrote a story. Through a tale, the children take a great journey, explore their country, and fulfill a dream. I never thought this book would be published—it was, in 2023. This book pays tribute to Mauritania. It’s a message for those who know nothing about the hardships of life there, carrying both the harshness and beauty of an immense desert where you can travel by 4x4, bike, on foot, or by camel in complete safety. It bears witness to the kindness of Mauritanians toward travelers. As a woman traveling alone in my vehicle—a now-rusted old Mercedes that no longer runs—I had the most beautiful encounters of my life there (I’ve seen other parts of the world...). The blind children of Choum, Atar, Nouadhibou, and Nouakchott will forever be in my heart. Volunteer readers transcribed the book into a free audio version for the visually impaired. It’s available in sound libraries in France, the *Fondation Valentin Haüy*, and the Swiss Romande library. I made my last trip to Mauritania in my old 4x4 to distribute the book everywhere, especially to its heroes and the school for the visually impaired in Nouakchott. After that, I thought it was time to close the chapter because I no longer have the means or the strength to travel. My publishers chose this title for it: *The Blue Eyes of the Desert*. This publication helped a mission of Swiss volunteer ophthalmologists come to operate on glaucomas in Mauritania. I’m thrilled because they come back every year! This adventure is ending, yes—everything must come to an end—but ultimately, it was born here, on the VF site!! So yes, I had to say it: THANK YOU!!!!!
I’ve always wondered what I was "doing" on this earth. And why my father, who died a few months after I was born—a former youngest French resistance fighter—joined the First Saharan Motorized Company in Atar and spent the rest of his life repairing army engines in Algeria, Mauritania, Senegal, Mali (which didn’t exist under that name back then), Morocco, and finally Algeria, where my mother was born and raised. (Believe me, it’s not "cool" being the child of a soldier in a country occupied by France, and even less so the child of a "pied-noir.") Of course, I never got an answer: the dead don’t talk, and the army doesn’t either. But here’s the thing—I had photos... So naturally, one day I hit the road. I wanted to see, to understand. It’s thanks to VF that I was able to do a little research on crossing the Morocco-Mauritania border, and I’m grateful to its members, just as I’m grateful to all those who welcomed me on the road for 14 years. For the past few weeks, I’ve been wondering if I should talk about this or not... It turns out the Mauritanians changed my life by asking for my help... And that started as early as February 2012... (Did I owe them something? No answer to that question.) Ah, the irony—they saw me coming. But when you’re handed sick children and begged to do something, what would you have done? I’d worked in a hospital, so I knew a bit about the rules to follow. I didn’t hesitate. And well, over all these years, I met doctors, surgeons, and together we organized care, evacuations of children, training for surgeons—even trying to stop children from having to travel outside their country. It was never easy. I’d like to thank those who supported us, as well as *La Chaîne de l’Espoir*, *La Fondation Face au Monde*, and everyone who built bridges between our two countries. Unfortunately, despite the constant efforts of Mauritanian doctors and surgeons, some children couldn’t be helped in time. Today, I want to talk about four siblings—orphans of their mother—suffering from congenital glaucoma causing irreversible blindness. Their case was entrusted to me in 2020, just weeks before the big lockdown. We couldn’t do anything for them then, but when their father asked me for a gift, I rushed to my computer and wrote a story. Through a tale, the children take a great journey, explore their country, and fulfill a dream. I never thought this book would be published—it was, in 2023. This book pays tribute to Mauritania. It’s a message for those who know nothing about the hardships of life there, carrying both the harshness and beauty of an immense desert where you can travel by 4x4, bike, on foot, or by camel in complete safety. It bears witness to the kindness of Mauritanians toward travelers. As a woman traveling alone in my vehicle—a now-rusted old Mercedes that no longer runs—I had the most beautiful encounters of my life there (I’ve seen other parts of the world...). The blind children of Choum, Atar, Nouadhibou, and Nouakchott will forever be in my heart. Volunteer readers transcribed the book into a free audio version for the visually impaired. It’s available in sound libraries in France, the *Fondation Valentin Haüy*, and the Swiss Romande library. I made my last trip to Mauritania in my old 4x4 to distribute the book everywhere, especially to its heroes and the school for the visually impaired in Nouakchott. After that, I thought it was time to close the chapter because I no longer have the means or the strength to travel. My publishers chose this title for it: *The Blue Eyes of the Desert*. This publication helped a mission of Swiss volunteer ophthalmologists come to operate on glaucomas in Mauritania. I’m thrilled because they come back every year! This adventure is ending, yes—everything must come to an end—but ultimately, it was born here, on the VF site!! So yes, I had to say it: THANK YOU!!!!!
Discussion: Bridges of the World July 2026
This is where you can chat about bridges... let’s get the conversation started! 😊


"Bambara in 30 Days"
A real gem for those who want to connect with their roots or discover an African language. The explanations are simple, and I really appreciated the cultural examples included in the book. Highly recommended. (Fatoumata T)
Manual: "Bambara in 30 Days"
Bambara in 30 Days is a manual and conversation guide specifically designed to help learners communicate in many everyday situations. This educational tool is aimed at anyone wanting to learn Bambara (bamanankan), regardless of their level: from beginners to advanced speakers looking to improve.
Several themes are covered: greetings, how to introduce yourself and apologize, family, numbers from 1 to 100, meals, emotions, transportation, currency, shopping, parts of the human body, days of the week, how to ask a question, how to ask for the price or age, how to count money, other types of questions, colors, traveling, blessing formulas for Muslim holidays: e.g., Tabaski (seliba) or Korité (selifiitinin or selidennin), and family events: e.g., birth (bangeli), marriage (furu), death (saya or fatuli)... ultimately, tools needed to communicate in many everyday situations.
The lessons (kalansen) are organized by theme, ranging from the alphabet to common expressions. All lessons include corrections (jaabi) to reinforce learning and correct mistakes. They cover various topics like greetings, numbers, family, etc. (see above) and are designed to be progressive, allowing for skill development. Each lesson is accompanied by practical exercises to apply the knowledge. After every set of 5 lessons, there’s a review (seginkanni) to consolidate what’s been learned.
In summary, the manual consists of...
30 lessons with 6 reviews
Over 50 audio files available online
Over 100 exercises (baarakɛ) with answer keys
A small vocabulary section in each lesson
Blank "notes" page at the end of every lesson
The audio files help facilitate learning. They are accessible via a specific link that should only be used by the manual’s purchaser.
African languages, like Bambara, play a crucial role in the culture and identity of African peoples. Learning them helps preserve traditions and local knowledge. Bambara is the most widely spoken language in Mali and a key lingua franca for communication in West Africa. It’s rich in idiomatic expressions and proverbs, reflecting the wisdom and culture of the Manding peoples. Moreover, it’s taught in schools and used in local media (to learn more, see here). In general, linguistic diversity in Africa is immense, with thousands of languages spoken across the continent.
Malle, Tahirou / Oumou Coulibaly / Issoufou Keïta (authors) Bambara in 30 Days. Conversation Guide 184 pages ISBN 978-2-49304713-7 21.90 €
L'Univers des Langues Africaines 38 rue de Bonneuil 77100 MEAUX/France https://universdeslanguesafricaines.com
hgb

Manual: "Bambara in 30 Days"
Bambara in 30 Days is a manual and conversation guide specifically designed to help learners communicate in many everyday situations. This educational tool is aimed at anyone wanting to learn Bambara (bamanankan), regardless of their level: from beginners to advanced speakers looking to improve.
Several themes are covered: greetings, how to introduce yourself and apologize, family, numbers from 1 to 100, meals, emotions, transportation, currency, shopping, parts of the human body, days of the week, how to ask a question, how to ask for the price or age, how to count money, other types of questions, colors, traveling, blessing formulas for Muslim holidays: e.g., Tabaski (seliba) or Korité (selifiitinin or selidennin), and family events: e.g., birth (bangeli), marriage (furu), death (saya or fatuli)... ultimately, tools needed to communicate in many everyday situations.
The lessons (kalansen) are organized by theme, ranging from the alphabet to common expressions. All lessons include corrections (jaabi) to reinforce learning and correct mistakes. They cover various topics like greetings, numbers, family, etc. (see above) and are designed to be progressive, allowing for skill development. Each lesson is accompanied by practical exercises to apply the knowledge. After every set of 5 lessons, there’s a review (seginkanni) to consolidate what’s been learned.
In summary, the manual consists of...
30 lessons with 6 reviews
Over 50 audio files available online
Over 100 exercises (baarakɛ) with answer keys
A small vocabulary section in each lesson
Blank "notes" page at the end of every lesson
The audio files help facilitate learning. They are accessible via a specific link that should only be used by the manual’s purchaser.
African languages, like Bambara, play a crucial role in the culture and identity of African peoples. Learning them helps preserve traditions and local knowledge. Bambara is the most widely spoken language in Mali and a key lingua franca for communication in West Africa. It’s rich in idiomatic expressions and proverbs, reflecting the wisdom and culture of the Manding peoples. Moreover, it’s taught in schools and used in local media (to learn more, see here). In general, linguistic diversity in Africa is immense, with thousands of languages spoken across the continent.
Malle, Tahirou / Oumou Coulibaly / Issoufou Keïta (authors) Bambara in 30 Days. Conversation Guide 184 pages ISBN 978-2-49304713-7 21.90 €
L'Univers des Langues Africaines 38 rue de Bonneuil 77100 MEAUX/France https://universdeslanguesafricaines.com
hgb

Learning African Languages
"I created the African Languages Universe for a proud, playful, and accessible reclaiming of our languages in homes and imaginations, from ages 7 to 77" (Diaddou Cissé, founder of Univers des Langues Africaines)
A bridge between generations, continents, and languages
Since its beginnings, Univers des Langues Africaines, an independent publishing house, has had a simple yet powerful dream: to bring African languages to life in homes, schools, games, and everyday conversations. This dream grows with every word passed on, every language rediscovered, every child who speaks their first words in Soninke, Lingala, Bambara, Wolof, Pulaar...
Today, Univers des Langues Africaines has become:
an educational, accessible, and multilingual publishing house,
a brand committed to intergenerational transmission,
a lively, playful, and reality-connected learning space.
Children of the African diaspora, regardless of their level in Soninke, Wolof, Bambara, Lingala..., all face the same issue: the lack of books in their heritage languages tailored to them. Univers des Langues Africaines was born to fill this gap by offering simple and fun books and supporting them in learning African languages. Whether you're a minor, an adult beginner, a parent wanting to pass on their language to their child, or an African language enthusiast, Univers des Langues Africaines has a program suited to your needs!
At Univers des Langues Africaines, we offer:
conversation manuals or guides (Bambara, Lingala, Soninke, Wolof, Pulaar...); the books consist of lessons accessible to everyone, with exercises, reviews, and audio to easily speak the language.
games for children; tools adapted for kids to gently discover African languages.
online language courses, tailored for adults and children, interactive and immersive; they allow you to master an African language while discovering its cultural richness.
In short: manuals, games, and online courses—everything you need to learn (or relearn) an African language, at any age and at your own pace.
LAfrican languages deserve more than just a memory: they deserve to be lived, spoken, and loved.
A bridge between generations, continents, and languages
Since its beginnings, Univers des Langues Africaines, an independent publishing house, has had a simple yet powerful dream: to bring African languages to life in homes, schools, games, and everyday conversations. This dream grows with every word passed on, every language rediscovered, every child who speaks their first words in Soninke, Lingala, Bambara, Wolof, Pulaar...
Today, Univers des Langues Africaines has become:
an educational, accessible, and multilingual publishing house,
a brand committed to intergenerational transmission,
a lively, playful, and reality-connected learning space.
Children of the African diaspora, regardless of their level in Soninke, Wolof, Bambara, Lingala..., all face the same issue: the lack of books in their heritage languages tailored to them. Univers des Langues Africaines was born to fill this gap by offering simple and fun books and supporting them in learning African languages. Whether you're a minor, an adult beginner, a parent wanting to pass on their language to their child, or an African language enthusiast, Univers des Langues Africaines has a program suited to your needs!
At Univers des Langues Africaines, we offer:
conversation manuals or guides (Bambara, Lingala, Soninke, Wolof, Pulaar...); the books consist of lessons accessible to everyone, with exercises, reviews, and audio to easily speak the language.
games for children; tools adapted for kids to gently discover African languages.
online language courses, tailored for adults and children, interactive and immersive; they allow you to master an African language while discovering its cultural richness.
In short: manuals, games, and online courses—everything you need to learn (or relearn) an African language, at any age and at your own pace.
LAfrican languages deserve more than just a memory: they deserve to be lived, spoken, and loved.
South Africa in safari mode: February/March 2026
Hi everyone,
With my girlfriend Christelle, we’ve chosen South Africa for our first trip to Southern Africa, focusing on safaris—after a long debate with a Cape Town/Kruger combo. But that would’ve meant cutting out St Lucia, which would’ve been harder to fit into another trip. And St Lucia—thanks to Michel and all those travel journals—we really wanted to go there.
So our 11-night itinerary ended up like this, mostly shaped by school holidays: - 3 nights in St Lucia - 1 night in Hluhluwe - 1 night at Mkhaya Game Reserve (Eswatini) - 1 night at Hlane Royal National Park (Eswatini) - 3 nights in Kruger (Berg en Dal / Satara / Tamboti) - 1 night at Shindzela Tented Camp in the Timbavati private reserve - 1 final night in Kruger at Lower Sabie
All of this in the off-season and rainy season, just a month after catastrophic floods that killed over 150 people and seriously damaged Kruger’s infrastructure.
I’ll jump straight to St Lucia and skip the loooong journey to get there (with a layover in Frankfurt, landing in Johannesburg, a domestic flight to Durban, and the rest by rental SUV—First Car Rental, perfect, no complaints).
To motivate readers—especially some familiar faces here—I’ll drop in a first photo.

With my girlfriend Christelle, we’ve chosen South Africa for our first trip to Southern Africa, focusing on safaris—after a long debate with a Cape Town/Kruger combo. But that would’ve meant cutting out St Lucia, which would’ve been harder to fit into another trip. And St Lucia—thanks to Michel and all those travel journals—we really wanted to go there.
So our 11-night itinerary ended up like this, mostly shaped by school holidays: - 3 nights in St Lucia - 1 night in Hluhluwe - 1 night at Mkhaya Game Reserve (Eswatini) - 1 night at Hlane Royal National Park (Eswatini) - 3 nights in Kruger (Berg en Dal / Satara / Tamboti) - 1 night at Shindzela Tented Camp in the Timbavati private reserve - 1 final night in Kruger at Lower Sabie
All of this in the off-season and rainy season, just a month after catastrophic floods that killed over 150 people and seriously damaged Kruger’s infrastructure.
I’ll jump straight to St Lucia and skip the loooong journey to get there (with a layover in Frankfurt, landing in Johannesburg, a domestic flight to Durban, and the rest by rental SUV—First Car Rental, perfect, no complaints).
To motivate readers—especially some familiar faces here—I’ll drop in a first photo.

Translation into Fang
Hi, I’d like to know how to say in Fang: “Mom, I want to give you this souvenir from my trip to Annecy.”
Already twenty years...
« Ali is not dead; he continues to inspire many talented musicians. There’s a new generation of artists who have their own style, but they’ve all listened to Ali Farka Touré. » (Ms. Kuypers-Touré, widow of Ali Farka Touré)
Ali Farka Touré (1939-2006)
Recognized worldwide as one of the most important musicians from Africa, his guitar playing earned him the nickname “the African John Lee Hooker.” But Ali Farka Touré preferred to flip the script and highlight the roots of Southern U.S. music in the Sahel region: « I have the roots and the trunk; they only have the leaves and branches. » In other words, what John Lee Hooker played was an echo of a distant African past. Ali Farka Touré was the guardian of traditions, and even though his sound resembled the blues, it remained deeply tied to the land of his ancestors—in Africa, in Mali. A farmer at heart, the famous Malian singer and guitarist continued to cultivate the land until his hospitalization for cancer, from which he passed away on March 7, 2006, in Bamako at the age of 66.
The son of a soldier who fell in combat while serving in the French army, he was born in 1939 in Kanau, near Timbuktu, then part of French Sudan (a subdivision of French West Africa, now Mali). He was raised by an uncle with harsh teaching methods and a grandmother who was “strong in voodoo,” communicating with spirits. At ten years old, he had a revelation for the single-string lute djurkel, “the instrument of the spirits,” and for the fiddle njarka. Seven years later, while training as a driver at a clinic, he fell in love with a colleague’s guitar. It wasn’t until 1968, when he was to represent Mali in Bulgaria, that he finally had the chance to acquire his first six-string guitar. International acclaim came later, following numerous concerts in the UK in the mid-1980s, at the invitation of World Circuit, the independent English label to which he remained loyal his entire life.
Several times, Ali Farka Touré announced his plan to stop making music. « It’s time for me to focus on my own. I don’t want Europe to tear me away from Africa. [...] Me, I love cultivating the land. In my life, if I’m not in the fields, I’m fishing or in the garden! »
Yet, Ali Farka Touré regularly returned to perform in Europe and the U.S. In 1995, he won his first Grammy Award for the album Talking Timbuktu, recorded in 1993 with bassist John Patitucci, percussionist Jim Keltner, the great Californian guitarist Ry Cooder, and the venerable guitarist Clarence Gatemouth Brown. His last three years were extraordinarily productive. Back to back, he recorded his best albums: In the Heart of the Moon (2004), Ali & Toumani (released in 2010), both duets with kora player Toumani Diabaté, and Savane (2005), dedicated to the traditional Peul and Songhai repertoires. At the same time, he tirelessly devoted himself to his agricultural work and his duties as mayor, a role he had held since 2004.
A multi-instrumentalist, he was a self-taught musician with an impressive musical culture. His discography includes around fifteen albums and several timeless hits used in films or as TV program themes. A universal symbol of West African sound heritage, his presence and his role in spreading a centuries-old legacy are undeniable. His son, also a musician, Vieux Farka Touré, now bears the heavy responsibility of carrying on his illustrious father’s message and legacy. His album Les Racines, released in 2002, is his contribution to preserving an instantly recognizable sound.
Meanwhile, his country, Mali, has paid tribute to him: for several years now, a square and a street in Bamako, the capital of Mali, have borne his name (both located in the Lafiabougou district).
In 2023, World Circuit released a new posthumous album, Voyageur, the first to feature previously unreleased tracks since 2010. It includes pieces composed and recorded spontaneously over the last 15 years, whether during his many tours or in the studio. These tracks once again showcase Touré’s passion for the musical traditions of his homeland and for the creativity and cultural diversity of West Africa. Below, an excerpt from this album: the beautiful song Chérie (with a very young Oumou Sangaré)—magnificent!!!
hgb
Ali Farka Touré feat. Oumou Sangaré: Chérie
Ali Farka Touré (1939-2006)
Recognized worldwide as one of the most important musicians from Africa, his guitar playing earned him the nickname “the African John Lee Hooker.” But Ali Farka Touré preferred to flip the script and highlight the roots of Southern U.S. music in the Sahel region: « I have the roots and the trunk; they only have the leaves and branches. » In other words, what John Lee Hooker played was an echo of a distant African past. Ali Farka Touré was the guardian of traditions, and even though his sound resembled the blues, it remained deeply tied to the land of his ancestors—in Africa, in Mali. A farmer at heart, the famous Malian singer and guitarist continued to cultivate the land until his hospitalization for cancer, from which he passed away on March 7, 2006, in Bamako at the age of 66.
The son of a soldier who fell in combat while serving in the French army, he was born in 1939 in Kanau, near Timbuktu, then part of French Sudan (a subdivision of French West Africa, now Mali). He was raised by an uncle with harsh teaching methods and a grandmother who was “strong in voodoo,” communicating with spirits. At ten years old, he had a revelation for the single-string lute djurkel, “the instrument of the spirits,” and for the fiddle njarka. Seven years later, while training as a driver at a clinic, he fell in love with a colleague’s guitar. It wasn’t until 1968, when he was to represent Mali in Bulgaria, that he finally had the chance to acquire his first six-string guitar. International acclaim came later, following numerous concerts in the UK in the mid-1980s, at the invitation of World Circuit, the independent English label to which he remained loyal his entire life.
Several times, Ali Farka Touré announced his plan to stop making music. « It’s time for me to focus on my own. I don’t want Europe to tear me away from Africa. [...] Me, I love cultivating the land. In my life, if I’m not in the fields, I’m fishing or in the garden! »
Yet, Ali Farka Touré regularly returned to perform in Europe and the U.S. In 1995, he won his first Grammy Award for the album Talking Timbuktu, recorded in 1993 with bassist John Patitucci, percussionist Jim Keltner, the great Californian guitarist Ry Cooder, and the venerable guitarist Clarence Gatemouth Brown. His last three years were extraordinarily productive. Back to back, he recorded his best albums: In the Heart of the Moon (2004), Ali & Toumani (released in 2010), both duets with kora player Toumani Diabaté, and Savane (2005), dedicated to the traditional Peul and Songhai repertoires. At the same time, he tirelessly devoted himself to his agricultural work and his duties as mayor, a role he had held since 2004.
A multi-instrumentalist, he was a self-taught musician with an impressive musical culture. His discography includes around fifteen albums and several timeless hits used in films or as TV program themes. A universal symbol of West African sound heritage, his presence and his role in spreading a centuries-old legacy are undeniable. His son, also a musician, Vieux Farka Touré, now bears the heavy responsibility of carrying on his illustrious father’s message and legacy. His album Les Racines, released in 2002, is his contribution to preserving an instantly recognizable sound.
Meanwhile, his country, Mali, has paid tribute to him: for several years now, a square and a street in Bamako, the capital of Mali, have borne his name (both located in the Lafiabougou district).
In 2023, World Circuit released a new posthumous album, Voyageur, the first to feature previously unreleased tracks since 2010. It includes pieces composed and recorded spontaneously over the last 15 years, whether during his many tours or in the studio. These tracks once again showcase Touré’s passion for the musical traditions of his homeland and for the creativity and cultural diversity of West Africa. Below, an excerpt from this album: the beautiful song Chérie (with a very young Oumou Sangaré)—magnificent!!!
hgb
Ali Farka Touré feat. Oumou Sangaré: Chérie
Typical restaurants in Cagliari
Hi there, we’re heading to Cagliari for one night in April, staying at a hotel without a restaurant. Would you happen to know of a restaurant near Via Giuseppe Garibaldi for a typical dinner that’s not too pricey? Thanks.
Discussion: Waterways Around the World - January 2026 Photo Contest
To chat about waterways, this is the place.


Waterways Around the World: January 2026 Photo Contest
The first theme of 2026 is:
"Waterways Around the World".
Water is present almost everywhere on our blue planet, so I’ve narrowed the theme down to waterways—rivers, streams, brooks, and the like.

Seas, oceans, lakes, or other stagnant waters won’t be considered for this month’s theme 😅. However, waterfalls and cascades are very welcome 😊!

Practical details:
**Participation** Each VF member can submit up to 3 photos, until Sunday, January 25th at 11:59 PM Paris time. Each photo must be posted in a separate message, with its number (1, 2, or 3). Don’t forget to add a little explanation (commentary, location, etc.).
**Voting** Each VF member can vote for the 3 photos they consider the best, based on their own criteria and the theme.
Voting will take place from Monday, January 26th to Saturday, January 31st at 11:59 PM Paris time.
Photos should be ranked in order of preference: - 1st photo: 3 points - 2nd photo: 2 points - 3rd photo: 1 point
The winner is the photographer whose photo receives the most points.
Results will be published on February 1st. In case of a tie, the number of first-place votes will decide. The winner will have the honor of organizing February 2026’s contest.
Photos that have already been nominated (1st, 2nd, or 3rd place) in another contest are not eligible to participate in this one.
This thread is exclusively for contest photo submissions. All discussions, comments, and chit-chat should take place in the thread: here
Water is present almost everywhere on our blue planet, so I’ve narrowed the theme down to waterways—rivers, streams, brooks, and the like.

Seas, oceans, lakes, or other stagnant waters won’t be considered for this month’s theme 😅. However, waterfalls and cascades are very welcome 😊!

Practical details:
**Participation** Each VF member can submit up to 3 photos, until Sunday, January 25th at 11:59 PM Paris time. Each photo must be posted in a separate message, with its number (1, 2, or 3). Don’t forget to add a little explanation (commentary, location, etc.).
**Voting** Each VF member can vote for the 3 photos they consider the best, based on their own criteria and the theme.
Voting will take place from Monday, January 26th to Saturday, January 31st at 11:59 PM Paris time.
Photos should be ranked in order of preference: - 1st photo: 3 points - 2nd photo: 2 points - 3rd photo: 1 point
The winner is the photographer whose photo receives the most points.
Results will be published on February 1st. In case of a tie, the number of first-place votes will decide. The winner will have the honor of organizing February 2026’s contest.
Photos that have already been nominated (1st, 2nd, or 3rd place) in another contest are not eligible to participate in this one.
This thread is exclusively for contest photo submissions. All discussions, comments, and chit-chat should take place in the thread: here
Planning a round-the-world trip
I'd love some tips for traveling on a tight budget
Medical Treatment and Round-the-World Trip
Hi everyone,
I’m planning to set off on a "round-the-world" trip/long journey at the start of next year, lasting between 4.5 and 6 months. For now, the itinerary looks like this: South Korea (2 weeks) -> Japan (1 month) -> New Zealand (1 month) -> Argentina (1 month) -> United States (1 month).
I’m on medication (paroxetine 20 mg/day) and was hoping to bring enough for the entire trip so I wouldn’t have to find a doctor on the spot, deal with a molecule that might be slightly different from what’s available in France, or wonder if that’s even a possibility. Basically, it seemed simpler on paper...
But after looking into the regulations for each country, it’s suddenly way less simple . Many seem to only allow the amount corresponding to the length of your "stay" in the country... Which is a problem if I arrive in Korea with 4.5 months’ worth of medication, for example.
After all that, and even though I’ll obviously contact the relevant authorities in each country (fingers crossed for a response 😛), here’s my question: Has anyone here had any experience with this? (Even if it’s a different medication or different countries, any input would be helpful!)
Thanks in advance! 😉 Ananasas
I’m planning to set off on a "round-the-world" trip/long journey at the start of next year, lasting between 4.5 and 6 months. For now, the itinerary looks like this: South Korea (2 weeks) -> Japan (1 month) -> New Zealand (1 month) -> Argentina (1 month) -> United States (1 month).
I’m on medication (paroxetine 20 mg/day) and was hoping to bring enough for the entire trip so I wouldn’t have to find a doctor on the spot, deal with a molecule that might be slightly different from what’s available in France, or wonder if that’s even a possibility. Basically, it seemed simpler on paper...
But after looking into the regulations for each country, it’s suddenly way less simple . Many seem to only allow the amount corresponding to the length of your "stay" in the country... Which is a problem if I arrive in Korea with 4.5 months’ worth of medication, for example.
After all that, and even though I’ll obviously contact the relevant authorities in each country (fingers crossed for a response 😛), here’s my question: Has anyone here had any experience with this? (Even if it’s a different medication or different countries, any input would be helpful!)
Thanks in advance! 😉 Ananasas
Looking for pen pals around the world
Hi,
I’m a 58-year-old French woman looking for pen pals—women only—to chat about travel and our respective customs. Thanks!
Travel companion for a world cruise
Hello
I’m looking for a travel companion for a world cruise—I’ve dreamed about it my whole working life. Now that retirement has arrived, I plan to make it happen in 2026, preferably between September and December.
See you soon
Travel companion for a world cycling tour in 2028
Hi everyone,
I’m planning a round-the-world cycling trip and I’m looking for a travel companion. I’m aiming to set off in 2028 (so we’ve got time to get to know each other). The philosophy behind this long-term journey—spanning several years (at least 3)—is camping and as much self-sufficiency as possible. For me, this’ll be the last trip I take (I’ll be 67 and finally retired). As a result, I plan to visit a ton of places.
If you’re interested, more info by email.
Polish translation
Hi everyone, and thanks in advance for your help! I know this forum is really great, and I feel a bit awkward posting this request... I speak a little Polish, but not that well, especially when it comes to slang or colloquial speech... Someone said to me the other day: "kurwa ty kurwa". Of course, I know what the word "kurwa" means, but when someone is really angry, I’m not sure how to interpret this phrase. Could you please help me by giving the French equivalent? I’m really sorry for this somewhat unusual request, but it’s very important to me. Thanks!
Looking for an Italian song
I'm looking for the title and singer (Pupo-style, like "Su di noi") of a song from the 1970s and 1980s that often repeated "solo lei" and "su di noi" in Italian, including a phrase that goes "il vento che sopra di noi" "il sole che brilla su noi". Can't find it via Google, Shazam, or ChatGPT—I'd be really grateful for any leads! 😅🎶
PS: I have the audio file since I recorded it on cassette back then, but I can't attach it here.
Anthony Braxton at 80
Between composition and improvisation: Anthony Braxton
For over half a century, the American Anthony Braxton—a composer, multi-instrumentalist, music theorist, university professor, mentor, and visionary—has been one of the key figures in avant-garde contemporary music. Braxton himself describes his music as "creative music," drawing inspiration from jazz, European New Music (Schönberg, Stockhausen, and Xenakis are among the composers who influenced him), and music from various world cultures. In other words, his work uniquely oscillates between composition and improvisation. His body of work includes around 700 compositions, over 200 albums, and a dozen theoretical books.
Anthony Braxton is one of the most striking and brilliant figures in contemporary jazz. As a member of the Creative Construction Company (with violinist Leroy Jenkins and trumpeter Leo Smith) and the quartet Circle (with Chick Corea, Dave Holland, and Barry Altschul—whose double album Circle. Paris Concert is a landmark of contemporary jazz), with his groundbreaking solo alto saxophone album For Alto (1968), his duo with drummer Max Roach, Birth and Rebirth (1978), and especially his own ensembles and large formations, he set out to "redefine the space of music" (Braxton). In doing so, he gave decisive impetus to the development of jazz, making him a star of the avant-garde in the 1970s, with a recording contract from a major label.
Born in 1945 in the South Side, an African-American neighborhood of Chicago, Braxton was always a bit of an outsider, not doing what everyone else did. While the boys in his neighborhood hung out and goofed around, he stayed home pondering chess games or practicing the saxophone. Later, he became a leading figure in the Chicago musicians' organization AACM (Association for the Advancement of Creative Musicians), a mutual aid network for many African-American musicians in Chicago's new jazz scene. He then led his own formations for years, including musicians like George Lewis, John Lindberg, Marilyn Crispell, Gerry Hemingway, Kenny Wheeler, Dave Holland, Barry Altschul, Mark Dresser, Ray Anderson, and Mark Helias. In the mid-1980s, Braxton settled down a bit by accepting a teaching position at Mills College at the University of California, Berkeley. He was a tenured professor at Wesleyan University in Middletown, Connecticut, for many years. From his "school" emerged musicians of the younger generation, such as Taylor Ho Bynum (trumpet), Aaron Siegel (percussion), Jay Rozen (tuba), Jessica Pavone (violin, viola, flute), and Mary Halvorson (guitar).
I’ve seen Anthony Braxton in concert many times: the first time at the Moers Jazz Festival (1976) in a duo with George Lewis (trombone)—I still remember it vividly—the last time in November 2021 in Ulm with his Diamond Curtain Wall Trio (with the incredible Portuguese trumpeter Susanna Santos Silva; see the photos).
Just a few days ago, on June 4, this exceptional figure celebrated his 80th birthday. Congratulations!
hgb



For over half a century, the American Anthony Braxton—a composer, multi-instrumentalist, music theorist, university professor, mentor, and visionary—has been one of the key figures in avant-garde contemporary music. Braxton himself describes his music as "creative music," drawing inspiration from jazz, European New Music (Schönberg, Stockhausen, and Xenakis are among the composers who influenced him), and music from various world cultures. In other words, his work uniquely oscillates between composition and improvisation. His body of work includes around 700 compositions, over 200 albums, and a dozen theoretical books.
Anthony Braxton is one of the most striking and brilliant figures in contemporary jazz. As a member of the Creative Construction Company (with violinist Leroy Jenkins and trumpeter Leo Smith) and the quartet Circle (with Chick Corea, Dave Holland, and Barry Altschul—whose double album Circle. Paris Concert is a landmark of contemporary jazz), with his groundbreaking solo alto saxophone album For Alto (1968), his duo with drummer Max Roach, Birth and Rebirth (1978), and especially his own ensembles and large formations, he set out to "redefine the space of music" (Braxton). In doing so, he gave decisive impetus to the development of jazz, making him a star of the avant-garde in the 1970s, with a recording contract from a major label.
Born in 1945 in the South Side, an African-American neighborhood of Chicago, Braxton was always a bit of an outsider, not doing what everyone else did. While the boys in his neighborhood hung out and goofed around, he stayed home pondering chess games or practicing the saxophone. Later, he became a leading figure in the Chicago musicians' organization AACM (Association for the Advancement of Creative Musicians), a mutual aid network for many African-American musicians in Chicago's new jazz scene. He then led his own formations for years, including musicians like George Lewis, John Lindberg, Marilyn Crispell, Gerry Hemingway, Kenny Wheeler, Dave Holland, Barry Altschul, Mark Dresser, Ray Anderson, and Mark Helias. In the mid-1980s, Braxton settled down a bit by accepting a teaching position at Mills College at the University of California, Berkeley. He was a tenured professor at Wesleyan University in Middletown, Connecticut, for many years. From his "school" emerged musicians of the younger generation, such as Taylor Ho Bynum (trumpet), Aaron Siegel (percussion), Jay Rozen (tuba), Jessica Pavone (violin, viola, flute), and Mary Halvorson (guitar).
I’ve seen Anthony Braxton in concert many times: the first time at the Moers Jazz Festival (1976) in a duo with George Lewis (trombone)—I still remember it vividly—the last time in November 2021 in Ulm with his Diamond Curtain Wall Trio (with the incredible Portuguese trumpeter Susanna Santos Silva; see the photos).
Just a few days ago, on June 4, this exceptional figure celebrated his 80th birthday. Congratulations!
hgb



«Charmes de Thaïlande» Tour by Climats du Monde
I'd like
to know if anyone has already done the "Charmes de Thaïlande" tour by Climats du Monde.
My trip is planned for January 18, 2025, and based on some reviews, I'm worried about getting scammed.
Can you give me some info?
Art Nouveau Around the World - Discussion
This is where we chat, not on the contest thread
Mannarino, Italian singer-songwriter
Hey everyone!
Nothing in this section since 2020? Well, I’ll jump in. With Italy—completely random, of course .
Have you heard of Alessandro Mannarino? He’s something else compared to Toto Cotugno or Eros Ramazzotti...
A young-ish guy (45 years old), handsome like a bad boy , who started his musical journey on the streets of Rome, sleeping in squats with people from all walks of life, before being discovered by a journalist and recording 5 albums.
His music is super *orrechiabile* (how do you say that in French?... easy to listen to...?) with diverse influences. And his lyrics—simple but powerful.
A few examples from his different albums:
Svegliatevi italiani
Translation, not bad.
Maddalena
Translation, very rough, but it gives you an idea. PS for Masterpo if you’re reading this: an answer to *Noli me tangere*! Mado had other things to do. Something human, wonderfully human.
Arca di Noè
No translation available for this song, which sings of a lost Noah’s Ark world adrift. So, uh, the chorus? Let’s go, let’s go. But where are we going? Who knows? Who knows? I’m not afraid. This life is all I have, and the shorter it is, the louder I’ll sing: Eu quero viver como um beija-flor
Agua
No translation for this one either. Just two lines: At night, you can search in an embrace for something that doesn’t taste like rage.
Hope this inspires some of you to listen more, in the winter light.
Nothing in this section since 2020? Well, I’ll jump in. With Italy—completely random, of course .
Have you heard of Alessandro Mannarino? He’s something else compared to Toto Cotugno or Eros Ramazzotti...
A young-ish guy (45 years old), handsome like a bad boy , who started his musical journey on the streets of Rome, sleeping in squats with people from all walks of life, before being discovered by a journalist and recording 5 albums.
His music is super *orrechiabile* (how do you say that in French?... easy to listen to...?) with diverse influences. And his lyrics—simple but powerful.
A few examples from his different albums:
Svegliatevi italiani
Translation, not bad.
Maddalena
Translation, very rough, but it gives you an idea. PS for Masterpo if you’re reading this: an answer to *Noli me tangere*! Mado had other things to do. Something human, wonderfully human.
Arca di Noè
No translation available for this song, which sings of a lost Noah’s Ark world adrift. So, uh, the chorus? Let’s go, let’s go. But where are we going? Who knows? Who knows? I’m not afraid. This life is all I have, and the shorter it is, the louder I’ll sing: Eu quero viver como um beija-flor
Agua
No translation for this one either. Just two lines: At night, you can search in an embrace for something that doesn’t taste like rage.
Hope this inspires some of you to listen more, in the winter light.
Frais d'annulation pour croisière Tour du monde English translation pending
Bonjour
Nous avons reserver la croisiere tour du monde 2021 costa. Malheureusement mon mari est tombe malade. Il est fort possible qu il ne puisse pas partir. Croisiere. fr nous reclame 50% du montant de la croisiere en cas de demande d annulation. C est une somme enorme. Cette croisiere etait la croisiere de notre vie. Le destin en a decidé autrement. Nous etions tellement surs de la faire que nous n avons pas pris d assurance.
Que pouvez vous me conseiller. ?
Merci d avance
Traduction français-hindi English translation pending
Bonjour !
J'écris sur ce forum afin de sollisiter l'aide de quelqu'un qui parle l'hindi en effet, j'aimerai me faire tatouer en hindi. J'ai essayer de traduire ma phrase seule mais c'est assez compliqué 😛, il y a beaucoup de traduction différente ! voila la phrase : --> " Le jour où quelqu'un vous aime, il fait très beau " J'ai trouvé cette traduction là : जिस दिन कोई आपसे प्यार करता है वह बहुत धूप है Est-ce exact ?
Je vous remercie de m'aider ! A bientôt !
J'écris sur ce forum afin de sollisiter l'aide de quelqu'un qui parle l'hindi en effet, j'aimerai me faire tatouer en hindi. J'ai essayer de traduire ma phrase seule mais c'est assez compliqué 😛, il y a beaucoup de traduction différente ! voila la phrase : --> " Le jour où quelqu'un vous aime, il fait très beau " J'ai trouvé cette traduction là : जिस दिन कोई आपसे प्यार करता है वह बहुत धूप है Est-ce exact ?
Je vous remercie de m'aider ! A bientôt !
Your "On the Road" Playlist
Hi everyone,
I recently read a graphic novel called Hippie Trail about travel, which came with a playlist (available on a site via QR code, but that’s not the main point). The music is from the 60s/70s, and we all know the classics from that era on the theme of the road (or at least I imagine so). That’s why I thought I’d ask you for your ideal playlist—with some more recent and lesser-known tracks. I was thinking of a list of ten songs, as varied as possible, to broaden our horizons (that’s the point of travel, right?). So: old and new songs, hits and hidden gems, tracks in French or other languages, sounds from the West, the East, Africa, the Americas, or elsewhere—jazz, classical, rock… Personally, I’ll admit I’m not super musically cultured, which is why I’m turning to you to help fill in the gaps
Here’s my On the Road playlist (no particular order):
- Hit the Road Jack, by Ray Charles - In the Steppes of Central Asia, by Borodin - Barcarolle, by Offenbach - Al Otro Lado Del Río, by Jorge Drexler - Nationale 7, by Charles Trenet - On ira, by Zaz - On the Road Again, by Bernard Lavilliers - Emmenez-moi, by Charles Aznavour - Sur la route, by Raphaël - Clandestino, by Manu Chao
What’s yours?
I recently read a graphic novel called Hippie Trail about travel, which came with a playlist (available on a site via QR code, but that’s not the main point). The music is from the 60s/70s, and we all know the classics from that era on the theme of the road (or at least I imagine so). That’s why I thought I’d ask you for your ideal playlist—with some more recent and lesser-known tracks. I was thinking of a list of ten songs, as varied as possible, to broaden our horizons (that’s the point of travel, right?). So: old and new songs, hits and hidden gems, tracks in French or other languages, sounds from the West, the East, Africa, the Americas, or elsewhere—jazz, classical, rock… Personally, I’ll admit I’m not super musically cultured, which is why I’m turning to you to help fill in the gaps
Here’s my On the Road playlist (no particular order):
- Hit the Road Jack, by Ray Charles - In the Steppes of Central Asia, by Borodin - Barcarolle, by Offenbach - Al Otro Lado Del Río, by Jorge Drexler - Nationale 7, by Charles Trenet - On ira, by Zaz - On the Road Again, by Bernard Lavilliers - Emmenez-moi, by Charles Aznavour - Sur la route, by Raphaël - Clandestino, by Manu Chao
What’s yours?
Réservation pour une croisière tour du monde MSC 2022 English translation pending
Bonjour demande des renseignements urgent pour réserver une croisière tour du monde MSC 2022 au sujet de AZUR CROISIERE et CRUISE LINE différence de prix importante faut-il avoir des doutes
Remboursement des 35% du tour monde Costa de 2020 English translation pending
Avez vous de nouvelles du remboursement des 35 % du tour du monde costa de 2020.ou y a t’il des passagers qui ont été remboursé
Agence pour une croisière tour du monde MSC en 2022 English translation pending
Conseils agence de voyages pour une croisière TDM 2022 MSC
Traduction pour tatouage tibétain English translation pending
Bonjour,
Pour mon prochain tatouage je souhaiterai me faire ça mais je ne connais pas la traduction. Quelqu'un peut-il m aider svp ?😊Traduction de caractères chinois English translation pending
Bonjour, quelqu'un pourrait-il me fournir la traduction de ces signes ?
merci