It’s an ancient city that breathes, a living spring.
Here, no kitschy signs like “I miss you in Fengyu,” nor mass-produced fake antiques.
The century-old houses still bear the marks of wind and rain; in the morning, you hear roosters crowing, and at dusk, smoke gently rises from the kitchens.
This city doesn’t try to please anyone—like the spring water flowing through it, it simply keeps living at its own pace.
Located in Eryuan County, in the Dali Prefecture of Yunnan, the ancient town of Fengyu is a nationally designated historical and cultural city. It’s nicknamed the “land of scholars and ink”—during the Qing Dynasty, the Fengxiang Academy produced four *jinshi* and eleven *juren* in the imperial examinations. The Bai families made studying and farming a true legacy. Even on market days, you’ll find stalls of calligraphy and paintings, while lintels and screen walls are covered with family mottos.
Fengyu was also an important stop on the ancient Tea Horse Road. It preserves the second-largest Bai architectural complex in China, just after Xizhou. The famous traveler Xu Xiake spent seven days here and compared it to the “peach blossom paradise.”
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On the right, the "welcome marker"—those dates offered everywhere as a sign of hospitality. On the left, a tribute to those stunning doors worn by time, admired all over the old quarters, including the abandoned ones.
Hospitality will often lead you to accept a small coffee, an "Omani coffee," very light, subtly flavored with cardamom, maybe a touch of saffron, and occasionally rosewater.
Here, I’ve depicted a man in the common everyday attire of Omanis: the dishdasha, mostly white (during the week and daytime; colors are more common in the evening or on Fridays and Saturdays). While you’ll see some men dressed in Western clothes, they’re very few. The white dishdasha is truly the shared attire of all men. The dishdasha, which has no hood, is distinguished by a small pom-pom attached to the collar, the furakha, which is soaked in perfume. And believe me, Omanis go overboard with it! "It smells like the pom-pom" is an expression that’s now part of our shared language, my husband and I.
Another must of men’s attire is the kuma, a small round head covering, usually white with brightly colored patterns. The keffiyeh is also worn (but without the cord called an agal in Arab countries), and it’s mostly worn by those with roots in the desert, from what I understood.
And what about the women, you might ask? Some are veiled, some in full black (but not a burka—more like a chador + abaya), due to the influence of Saudi Arabia and the United Arab Emirates, whereas the traditional outfit used to be a layering of very colorful dresses. Most of the women we saw wore neutral clothing, a plain veil over their hair, but with their faces uncovered. We also saw many saris and colorful veils—don’t forget that 40% of the population consists of Indian, Nepalese, and Bangladeshi immigrants, who work a lot in tourism, hospitality, restaurants, services, and construction.
Just to clarify, as a tourist, there’s no pressure to wear a veil, and never any disapproving looks. Of course, you’ll save the mini shorts, plunging necklines, bare shoulders, and midriffs for the hotel terrace—but I’d say that’s the same for men and women, and with the sun being strong, it’s better for your skin too.
Here’s the introduction! In the next post, I’ll tell you about my itinerary, and we can dive in!
Come along, I'm taking you to this country where it's so nice to wander and slow down...
I’m inviting you on a stroll through my drawings—a completely subjective, far from exhaustive, and totally personal take, since it’s based on my own sketches. I put this travel journal together after returning in late 2024, mostly using felt-tip pens and pencils, with a few collages thrown in. I worked from our personal photos.
And in Kyoto, Nishiki Market:
Roundabouts are particularly interesting because they feature emblems of Turkmen culture, like the dog, a carpet, the Ahal Teke horse, or Muslim symbols, even though the presence of Islamic artifacts is quite limited.
Last October, we landed in Marrakech to spend a few days with family exploring Morocco’s roads.
Transport: a rented Dacia.
Accommodations: small guesthouses.
The large solidified magma massifs that shape the heart of the island have created a large depression more protected from the sun at its center, allowing the growth of a vast laurel forest, today grouped within the Garajonay National Park, La Gomera’s green lung, which has earned it the status of a World Biosphere Reserve. Its completely European appearance contrasts sharply with the rocky and tropical landscapes of the rest of the island. Thus, the climate varies greatly from one point to another on the island: in summer, you can quickly go from a dry and sunny valley at 35°C to a humid forest area at altitude at 18°C.
A little sneak peek?
The karst site:
(In the heart of Albergheria, on a street every visitor walks down—lovely message from an unidentified artist)
Laundry and trucks washed in the same stream.
We’re greeted dozens of times with “Hello Mister”—a daily routine in the Moluccas. Every time we stop, we pose for photos to be saved on locals’ smartphones. They don’t see tourists often.
