Veneto: Dolomites and Opera
FR

Translated into English.

Original post
VA
I'm starting a new travel journal in Italy. It's about a month-long trip (from September 3, 2025, to October 4, 2025), or rather a part of it. This section matches the title: an opera festival in Verona (one evening) and the Dolomites in the Veneto region. I'm posting the part of the trip I think will interest French-speaking readers the most (since this is where I saw the most French travelers). Here’s a quick summary: - Trip in September 2025 - Solo travel with camping (caravan) - Small geographic area: besides Verona, the surroundings of the Marmolada massif and Cortina d'Ampezzo. - Main but not exclusive activity: hiking.

Since I have limited internet access where I am now, I’ll be writing slowly. Here we go!

Day 1: Thursday, September 4, 2025

I arrived in Veneto under the sun and with warm weather. I drove to Verona and tried to find a spot at the campsite (Verona Village) located south of the city. Unfortunately, it was full. Booking on the website was mandatory, but when I tried to reserve a few days ago, the site never moved from the "reservation" step to the "payment" step (I don’t know why—it’s always like that in these cases). I found another solution over the phone; the drive from southern Verona to the northeast was a bit long, but I finally settled at the "Oro Verde" campsite. It’s an "agricampeggio" (farm camping or rural campsite) on the outskirts of the city, and its name (green gold) suggests they produce olives there. Since it wasn’t late, I biked to the Adige River, following the recommended route into the city.
Valmichel86
VA Valmichel86 Regular ·
Day 2: Friday, September 5, 2025

I planned a very relaxed day because the reason for stopping in Verona is the opera festival at the Arena; I’ve booked a seat for tonight. I’m going for a walk in the center of Verona, a stroll that will turn into a bad memory of the trip. I park my mountain bike less than 5 meters from the entrance of the tourist info point and head out for a short hour-long walk without intending to visit anything. As I approach the Adige River, I arrive in front of the Arch of the Gavi (arco dei Gavi), a triumphal arch built in honor of members of a family.



Behind the arch, you reach a terrace by the Adige where you can admire the "ponte di Castelvecchio" (Scaliger Bridge), a medieval bridge with its three uneven arches.



You can cross this bridge, which in the Middle Ages connected the castle to the countryside.



The restoration preserved or restored its medieval appearance; by climbing onto the benches, you can see the Adige flowing and, downstream, the next bridge (Ponte della Vittoria), which marks the start of the loop surrounding the city center.



The city center was already the heart of the Roman city in the 1st century AD. I enter it by passing under a monumental gate once part of the Roman walls: porta Borsari. Only the outer facade remains; it’s not marble but local white limestone.



Through narrower, pedestrian streets, I reach the Herb Square (piazza delle erbe) and then the Lords’ Square (piazza dei Signori), at the center of which stands a statue of Dante.



Right next door, the Old Market Courtyard (cortile del Mercato Vecchio) is bordered by the Palace of Reason (Palazzo della Ragione).



These two squares and the Old Market Courtyard are only a few dozen meters apart and form the heart of the city. On my way back to the arena, I pass through the main street of the center (via Giuseppe Mazzini) and return to the starting point.



And then... my mountain bike is gone. It was stolen while I was away. I’ll later learn, once back at the campsite, that this type of theft is common in Verona. I’m really upset, both because I liked that bike and because of the consequences for the trip; I’ll have to get around either by car or on foot, without using a bike, which I’m not used to. A few errands and some downtime in the afternoon in preparation for the evening at the Verona Arena. The opera on the program is *Nabucco* by Giuseppe Verdi, directed by Stefano Poda. The temperature is perfect. From the very beginning of the show (and even before it starts), it’s clear that the deliberate choice is to go beyond a traditional opera performance and offer a total spectacle with a very futuristic vision. And even before that... because two large structures (metal or fiber, with neon or laser lights) are suspended above the stage, floating in space. Imagine a tennis ball.



A closed curve (where there’s no yellow felt) is drawn on the ball’s surface. Cut the ball (with a cutter) along this curve. You get two surfaces, parts of a sphere. They’re not what we call hemispheres, but we’ve still divided the sphere into two equal parts—let’s say semi-spheres. Now, think in 3D: draw segments from the center of the sphere to any point on the edge of these two parts (these segments are like radii). That’s what’s floating above the stage in the Verona Arena—two semi-spheres.

Here’s one during the show (I chose a photo where these segments—the radii—are visible).



Two things from my personal history made the geometric identification of these shapes immediate and obvious. And I knew, even before the show started, that at some point they would come together and fit into each other to form a sphere or a ball... This happened at the end of the opera, during the final reconciliation-expiation scene. For those without the key (a tennis ball and sphere geometry), I suppose the presence of such unidentified structures must be puzzling... you might think they resemble mollusk shells like those you’d see in natural history museums. Two months after writing the above, I’ll add this: in my opinion, these structures look like cashew nuts (I couldn’t find a better intuitive comparison).

For most of the show, the immense stage was filled with hundreds of choristers, dancers, and extras. The costumes are beautiful—either timeless or futuristic. The mass effect is used to the fullest, highlighted by special effects for masks, swords, foldable mobile structures (prisons), etc. "Vanity" sits atop an enormous hourglass; it will flow into it, and down the staircase extending below, in glowing letters but also in flesh and blood when certain protagonists descend the stairs to enter the stage. Hundreds of other hourglasses will appear on stage, brought by adults or children, held vertically or horizontally. There will also be an atomic explosion when Nebuchadnezzar, abandoning his status as King, proclaims himself God. The use of the stage space is captivating, dazzling (perhaps because I’d never seen an opera presented this way), and visually stunning. Being seated high up, near the front, on the side, posed no problem for taking in the whole scene. As for the music and voices, the magic of the arena makes everything work. The effect of distance is still noticeable for the voices, though. There was, however, one aspect of the staging that really bothered me—literally. Identifying the protagonists on stage, where there are often many people, isn’t easy; you have to search, sometimes for a while, to first find a group (the protagonists often have an entourage around them), then the protagonist within the group. Plus, the similarity of the costumes doesn’t make it easy to "separate" the protagonist from their entourage. Is it more natural and easier with a frontal view? I don’t know, but it would be preferable. In the end, I’m left with the memory of an exceptional performance, marking my return to the arena 60 years after my first visit. I saw *Aida* here in the mid-1960s. To see and hear—to experience—the show, search for ‘Nabucco Verona 2025’ on YouTube. You’ll find a 2-hour, 15-minute recording. It’s a capture by RAI from the premiere in June (it starts with the Italian national anthem, as it was the festival’s opening night).
Valmichel86
VA Valmichel86 Regular ·
Day 3: Saturday, September 6, 2025

To get a normal-length night’s sleep, I decide not to leave early and take my time hitting the road to the Dolomites. The drive is slow, and the end of the bypass around Vicenza is very poorly signposted. The scenery gets beautiful as I reach the Piave River, whose valley I’ll follow upstream. The signage helps me avoid the town of Belluno; the climb up the “fiume Piave” valley continues to Longarone, where I turn into Val di Zoldo—a lovely valley with a string of villages. I go all the way to the last hamlet before the pass, called Palafavera, above Zoldo Alto. I set up at the campsite. It’s located between 1,500 and 1,550 meters in altitude. Across the road, there are ski lifts, biathlon facilities (a shooting range), and two mountain huts. The road then climbs to Forcella Staulanza (1,773 m) to switch valleys (I’ll do that tomorrow). The site is dominated by Monte Pelmo (3,168 m), basking in the late-afternoon sun on its southwest face.



I chose this spot over Cortina d’Ampezzo because it’s a bit closer to the Marmolada massif, where I’ve planned my first hikes.

You’ll find maps in post 36 (end of the travel journal) to locate the different places mentioned in the Dolomites.
Valmichel86
SI Sinforosa Veteran ·
Hi there,

I went to Verona back in 2021, and a friend had recommended I see a show at the Arena. I didn’t do it, and now I regret it—I’ll have to go someday. Anyway, your description of the stage and the opera is really detailed and gives a great idea of the show. I took a quick look at the YouTube video, and I can see why you called it "exceptional."

I also didn’t bother waiting in line for Juliet’s house—I guess the queue is still just as long for that tourist trap.

You weren’t lucky with your mountain bike—getting it stolen on the second day!

I’ll be following the rest of your travel journal with interest—I don’t know the Dolomites at all.
" Celui qui voyage sans rencontrer l'autre ne voyage pas , il se déplace " ( Alexandra David-Néel )

" Ahora todos quieren ser latinos , no , ey , pero les falta sazon , bateria y reggaeton " ( Bad Bunny )
DO Doogy76 ·
Thanks for this travel journal.
VA Valmichel86 Regular ·
Hi Marie, thanks for your interest in this travel journal. The opera festival in Verona’s arenas is world-famous; just so you know, I booked my seat on the website only 10 days before the show—I hadn’t locked in my travel dates any earlier.
Valmichel86
VA Valmichel86 Regular ·
Day 4: Sunday, September 7, 2025

Today’s hike takes place under bright sunshine and summer-like temperatures. But before setting off, Monte Civetta (3,220m) is bathed in the morning sun.



Palafavera is indeed a unique spot between Monte Pelmo (to the east, sunny in the afternoon) and Monte Civetta (to the west, sunny in the morning).

The planned hike doesn’t start from Palafavera but from Arabba (a village at the foot of Passo Pordoi). It’s a stage of the “Sentiero Italia”: Rifugio Castiglioni Pian di Fedaia - Arabba (I have the GPX track), the best balcony hike in front of the Marmolada massif. The start and finish points are in two different valleys, so I’ve adapted the route as follows: Start in Arabba - Take the cable car up to Porta Vescovo - Descend to Pian di Fedaia (trail 698) - Then the Sentiero Italia stage: climb via trail 698 - Variant via the geological trail to Passo Padon (trail 680A then trail 680) - Trail 699 to the cable car’s intermediate station - Trail 698 from the intermediate station back to Arabba.

There’s traffic this morning, but even more people at Forcella Staulanza (a starting point for hikes), the pass connecting Val di Zoldo to Val d’Agordo. The road to Arabba is very scenic the whole way. In Arabba, parking is paid throughout the village (they’re really strict about this in the Dolomites). I find a spot just before entering the village and start from there.

I head to the cable car, buy a one-way ticket to Porta Vescovo (17.50 € according to my notes), and get into a cabin. It’s not crowded: just 2 other people in my cabin, a mountain biker in the previous one, and no one else around. At the top, about ten people are admiring the view of the Marmolada massif with its glacier on the north face. The entire hike up to Passo Padon unfolds with this view of the Marmolada; only the altitude (we’re almost at the highest point) and the position (we’re moving east) change.



A little further west in the Marmolada massif, Gran Vernel is impressive from every angle.



I start the descent toward the dam of the artificial lake (Pian di Fedaia), where I ended my hike during my 2021 trip to Trentino.



After a few photos near the dam, I head back up the same path to a trail junction. Most of the elevation gain is done, and I head toward Passo Padon and the namesake refuge, staying between 2,300 and 2,400 meters. I’ll comment on the eastern part of the glacier, where people ski in winter. To the left, the second intermediate station of the cable car is on its rock (2,800 meters); to the right, you can make out the upper station (3,200 meters). The connection between the two is via a cable with a single pylon (on the rock near the intermediate station). I’ll come back to all this tomorrow.



Passo Padon offers sweeping views of the peaks to the east. We see Monte Civetta again, from a different angle than this morning. The northwest face, which is vertical, isn’t in the sun yet.



Monte Pelmo is a little further away (zoomed-in photo); it’s also seen from a different angle than the one at Palafavera.



Once the pass is crossed, the landscape opens up to the north, both east and west. In the distance, you can see the “Tofane,” three iconic peaks above Cortina d’Ampezzo (heavily zoomed-in photo).



From here, I start descending toward Arabba (I only lose altitude gradually and am in the Arabba ski area), with the Sella massif in front of me, peaking at Piz Boé (3,152 meters). The peak in the background to the left (you can make out a cable car station) is Sass Pordoi above Passo Pordoi.



Behind me, Monte Padon towers over the pass I’ve just crossed. Its particularity is that it’s of volcanic origin, even though it’s in the Dolomites.



More to come in the next post.
Valmichel86
VA Valmichel86 Regular ·
Day 4: Sunday, September 7, 2025 (continued) This part of the descent (the upper section) is full of marmots; they’re very wary and hard to photograph. Once I reached the intermediate cable car station, I continued the descent to Arabba; this second part (intermediate station - Arabba) is much steeper than the upper section (Passo Padon - intermediate station).

On the way back to Palafavera, I stopped twice. First stop at the Colle Santa Lucia viewpoint, set up to admire Monte Civetta above and Val d’Agordo below. The sun had shifted and was now hitting the northwest face.



On the climb toward Passo Staulanza, a second stop with another view of Monte Pelmo.



I got back pretty late since I took my time on the hike. Hardly any other hikers around, especially on the return stretch from Passo Padon to Arabba.
Valmichel86
VA Valmichel86 Regular ·
Day 5: Monday, September 8, 2025

Today, I’m not hiking; I decided to head to the top of Marmolada by cable car—well, almost to the top, since the cable car reaches 3,265 meters, while the summit is at 3,343 meters. I drive to Malga Ciapela (1,450 meters), where the cable car starts. Of course, the parking lot right next to the lower station is paid—a real shame when you think that 95% of the people parking here are taking a round-trip from Malga Ciapela to Marmolada for 38 € (they’ve got to fill all the cash registers). Free parking (for now) near the campervan area, about 800 meters from the cable car departure.

The first section, Malga Ciapela to Banc d’Antermoia, is truly impressive: a single span with a 900-meter elevation gain.



I just switch cabins at Banc d’Antermoia and, a few minutes later, arrive at the Serauta station (2,950 meters). I’ll spend some time there on the way down, but for now, it’s straight to the top—Punta Rocca (3,265 meters). The panoramic terrace is built on the roof of the cable car station, with a view of Punta Penia, the highest point in the Dolomites, and its 1,000-meter vertical drop on the southern side.



You can see the cross at the summit.



Below, I spot Lake Fedaia and the trails from yesterday’s hike, from Porta Vescovo to Passo Padon. Among the massifs visible from here (but not from yesterday’s route) is Sassolungo, above Canazei.



South of Punta Penia, the Ombretta massif has a very rugged appearance. The pass in the foreground (Passo dell’Ombretta) lies just below Punta Penia, connecting Val Contrin with Malga Ciapela. It’s probably tough to access given the slope and scree on both sides.



You can also see the Madonna Grotto, carved into the rock, which you reach from inside the cable car station. The inevitable Pope John Paul II visited it. Finally, you can take a few steps on the glacier—it’s a glacier on borrowed time, and recent trends suggest it’ll disappear completely between 2040 and 2050 (thanks to climate change). This is the top of the Marmolada ski slopes, heading in the direction of the photo. After practicing identifying them yesterday, I recognize Monte Civetta, Monte Pelmo, and the “Tofane” (in the photo). An orientation table helps with the other peaks. This photo is taken from the top of the third section of the cable car; the glacier is below the cable, similar to the photo I took yesterday near Passo Padon (it’s the same glacial tongue seen from two different spots).



I head back down to the intermediate station (Serauta), where I have a picnic and visit the Great War Museum.



The museum has an indoor section dedicated to the war at high altitude: fighting took place here from 1915 to 1917 (lots of artifacts, photos, and archival films). Among other things I learned, the Austrians had dug a network of trenches into the glacier (invisible from the surface since they were entirely within the ice) to provide shelter for soldiers. Since the idea didn’t stay secret, glaciers were bombed during this war—here and in Adamello (another site of the “White War” at around 3,000 meters).

The outdoor section of the museum occupies the slope of Punta Serauta, where the Italians had set up a system of pathways, shelters, and firing positions.



I return to Malga Ciapela. The road back down follows the valley floor, and I stop at the first village, Sottoguda. You have to park downstream and walk back up through the pedestrian-only village: cobblestone streets, a church, traditional houses, a tourist office where I buy Dolomites posters, and a small grocery store where I do some shopping.



A few hundred meters past the top of the village, on this abandoned road, you can access the “Serrai di Sottoguda,” which I won’t do since the site just closed. The old road to Passo Fedaia used to pass through here: crossing the village, then entering a very narrow gorge 2.5 km long that led to Malga Ciapela. The modern road bypasses the village, crosses a bridge, and goes through a tunnel. The old road, originally a mule track, has become a walkway (paid access), likely very shady given how narrow the “Serrai di Sottoguda” gorges are. Weather-wise, it’s a pretty nice day: the sky is overcast (at very high altitude) but very bright. Unusually mild for this elevation (3,200 and 2,950 meters). A change in weather is forecast for tomorrow.
Valmichel86
VA Valmichel86 Regular ·
Good evening Doogy76, Thanks for following this travel journal. I’ll keep writing, and it’ll be mountains... and more mountains.
Valmichel86
VA Valmichel86 Regular ·
Day 6; Tuesday, September 9, 2025

Back to hiking today; the weather forecast predicts overcast skies, but rain isn’t expected until 4 PM. I’m planning a shorter route, following the one from the day before yesterday on the "Sentiero Italia": Arabba - Pralongià. I’m cutting the route even shorter by skipping the climb from Arabba to Passo di Campolongo, the pass between Arabba and Corvara. I should’ve done the climb and descent on foot since I no longer have my bike, but I’m opting for the shorter route: Passo di Campolongo - Pralongià (round trip). The altitude is moderate: 1,875 meters at the pass, 2,140 meters at Pralongià. The trail is easy, located in Corvara’s ski area, passing through forests and mostly alpine pastures. The view extends over the Sella massif (see the day before yesterday) and the Puez-Odle range. Below, the Corvara valley and the Puez-Odle massif.



A zoomed-in view of "Punta di Puez" (2,913 meters, still). This massif is in Alto-Adige, and I won’t be going that way at all for the rest of the trip.



Now I can see Pralongià, the goal of the hike (where I’ll turn back), on the ridge above the dirt road. The scenery looks like this from start to finish.



At Pralongià, the small St. Anthony’s Chapel (1977) sits between the chairlifts and the refuge.



The alpine pastures of Corvara and San Cassiano surround the Pralongià plateau.



I’ll head back up this small valley, which I descended on the way out, to the trees at the top.



Shortly after, the first raindrops start falling. It’s around 12:30 PM, and I take shelter in a hut 50 meters off the trail. Inside are members of a family—grandparents and grandchildren—who, like me, are waiting for the rain to stop. They come here every year the week before school starts. Since the rain doesn’t let up, everyone has a picnic, and the wait continues.

Suddenly, one of the kids, who had gone outside, comes back in announcing there’s a naked man outside. A few seconds later, the man enters the hut. He’s wearing hiking shoes and shorts, bare-chested, no hat. Since it’s been raining for over an hour, water is streaming off him from head to toe, yet he doesn’t seem to feel the cold at all. It’s really not warm out, and I’d been hiking in multiple layers before putting on a rain jacket when the rain started. Unbelievable! He’s mushroom picking and shows us a bag with several kilos inside (I recognized porcini among other species). He leaves again, still acting like it’s 25°C and sunny. I know Italians are crazy about mushrooms, but I’d never seen anything like this before.

Around 2:30 PM, I decide to walk in the rain for the 40 minutes it’ll take to get back to the car. The rain will continue until evening…

Once back, I check the weather forecast. "Tomorrow, rain all day; then very unsettled weather until the end of the week." I’ll leave the Dolomites tomorrow morning. I’ll come back as soon as the weather improves.
Valmichel86
GA Gaura Veteran ·
It's so beautiful!
gaura
VA Valmichel86 Regular ·
Day 7: Wednesday, September 10, 2025

It rained all night, and it’s still raining this morning. I set off and head down to about 10 km from Belluno, then turn toward Vittorio Veneto. I settle a few kilometers from this town in a hilly area, wedged between the plain and the Prealps. I’m going to explore this little region (the Prosecco region) and the towns of Conegliano and Vittorio Veneto—it’s in the northern part of the province of Treviso. It’s not in the Dolomites, so it won’t be in my travel journal. I’ll check the weather forecast daily for Cortina d'Ampezzo and the surrounding area. I don’t want to ruin the hikes I’ve planned around this town—I’ll head back up to Cortina on Sunday, September 14.
Valmichel86
VA Valmichel86 Regular ·
Hi Noëlle, I think the hikes around Cortina d'Ampezzo are even more beautiful than the ones at the start of the trip; the weather will also be much sunnier in the upcoming part.
Valmichel86
VA Valmichel86 Regular ·
Day 11: Sunday, September 14, 2025

I’m back in the Dolomites. The last cloud remnants cleared in the morning while I was making my way to Cortina d’Ampezzo. It’s an easier climb compared to Val di Zoldo: more kilometers but a slightly lower altitude of just over 1,200 meters (instead of the 1,500 meters reached at Palafavera).

The camping area is located downstream from the town center, quite far from it, near the "torrente Boite" stream that flows just a few steps away. Three campgrounds are set up in this area; they’re called "Cortina," "Dolomiti," and "Rocchetta," and they operate without reservations (good to know for anyone planning to come in August). I chose the "Cortina" campground because it stays open, while the other two close during or at the end of the week. There’s a fourth campground in Cortina d’Ampezzo, located about 4 km north of the town on the road to Dobbiaco (not sure how it operates?).

I arrived before 1 p.m. and had the afternoon free to pick up some mountain activities again. I decided to visit a castle, the Castello d’Andraz, which is only open on Saturdays and Sundays in September. To get there, you have to climb the Passo del Falzarego, one of the legendary passes in the Cortina d’Ampezzo area. It’s really beautiful as soon as you leave town, and I think it gets even more stunning a few kilometers before the pass. You can see the Lagazuoi and the cable car that goes up from Passo Falzarego.



I crossed the pass and started descending toward Val d’Agordo, which is just as beautiful as the Cortina side. After 5 km, a small road on the right (a dead end) leads to Castello d’Andraz. From this angle, the background of the photo is dominated by the Averau-Nuvolau massif. A different shot would show the Lagazuoi, which is further to the left. The castle overlooks the valley and is built against a massive rock. Below the rock, there’s a forecourt (which isn’t an entrance to the castle) preceded by a fortification, and the actual south façade is built above the rock’s ridge. On the north side, a stream flows at the bottom of a sheer gorge, and they had to build the access level right away (a single access via a drawbridge, whose location you can still make out).



The model below helps you better understand the elevation of the structure.



A detailed audio guide provides historical information and insights into the construction (let’s call them architectural details). It was a border between the possessions of the Bishop of Bressanone and those of the Republic of Venice, and a small garrison was stationed there. Abandoned (around 1800), looted (19th century), bombed (World War I), collapsed, the castle was restored without opting for reconstruction, which is why there are metal structures allowing you to move around the ruins, especially to go from one level to another. Here’s a room that served as the living quarters for the Captain commanding the garrison.



You can even climb up to a glass terrace at the level of the former granary, offering a great view of the nearest massifs (Averau-Nuvolau, Sasso di Stria, Lagazuoi). Below is a view of the castle from the entrance/exit; you can see the glass terrace and what remains of the north-side structures. It’s no surprise there were so many "restructurings" over time, nor that a large part of the castle collapsed.

Valmichel86
VA Valmichel86 Regular ·
Day 11: Sunday, September 14, 2025 (continued)

I head back up to "Passo Falzarego"; I’ve planned a short hike for the second half of the afternoon. Parking at the pass is paid (at least one large lot) or free on the roadside with a somewhat chaotic vehicle arrangement. I park 500 meters from the pass in the direction of Cortina. The paid parking operates with the day divided into two time slots (daytime, nighttime), with a flat rate for each slot (no hourly rate within a slot).

I planned to go to Valparola Pass and then to Lake Valparola. The route can be done by road, but this road is closed (construction) on the descent toward San Cassiano, after the lake. As a result, traffic is very light since it’s a dead end during the works. So, I’ll walk the outbound trip along the road and return via the trail that runs through the valley below the road.

The Lagazuoi seen from a different angle than the first photo of the day.



Afternoon is the best time to have the sun well-positioned when you’re at the foot of Lagazuoi. 80 meters of elevation gain over 2 km isn’t too difficult to reach Valparola Pass. Shortly after starting the descent, you arrive at an old fort (Great War Museum) and the small Lake Valparola.



Beyond the lake, there’s a refuge and, further on, the entire Varella massif, part of the Fanes group.

I return to Passo Falzarego via the "Sentiero Italia" (here, trail 424). It runs through the valley between Lagazuoi and Sass di Stria. It’s now in the shade, so it’s better to hike it a little earlier in the afternoon. You can see "Passo Falzarego" and, in the background, the rocky block of Averau dominating the scene.



That’s all I could identify when I took the photo. I’ll be spending the week in Cortina d’Ampezzo and doing four iconic hikes in the area. This lets me identify, in hindsight: - In the far background, to the extreme left, the "Cinque Torri" - In the center, way in the back, a jagged ridge, the "Croda da Lago" massif.

Back at Falzarego Pass, I return to Cortina d’Ampezzo. It’s the same road as on the way there, but in the opposite direction, so the landscapes look different. In the lower part of the descent, after Pocol, there’s a viewpoint by the road: a view of Cortina d’Ampezzo and the Cristallo massif, bathed in late-afternoon sun.

Valmichel86
VA Valmichel86 Regular ·
Day 12: Monday, September 15, 2025

I decided last night to head to the "Tre Cime di Lavaredo" to start with THE hike in the Dolomites.

This hike starts from the Auronzo hut (2,330 meters), located at the end of an access road that begins in Misurina (1,750 meters). It’s extremely well-known and notorious for being overcrowded, regardless of its appeal in terms of mountain scenery. I was expecting a particular vibe, which started with the approach logistics. The access road has been toll-based for several years (with plenty of parking near the hut).

This year, it’s mandatory to book your vehicle’s passage online; the website assigns a time slot during which you must arrive at the toll barrier. The toll fee is set at 40 euro (no typo there). I ruled out the toll road and opted for another solution: parking at the base of the climb and taking a shuttle round-trip to the Auronzo hut, based on info suggesting shuttles run every half-hour. Another option is taking the bus round-trip from Cortina d’Ampezzo to the Auronzo hut. I didn’t look into this, so I don’t know the schedules or fares.

That was the situation when I left Cortina d’Ampezzo and took the road to "Passo Tre Croci." At the top of the pass, I headed down the east side, then took a left onto a road that quickly (about 2 km) leads to Lake Misurina. Right away, I noticed that parking is paid everywhere in Misurina, and any space that might allow free parking is formally and/or physically blocked off (barriers, chains). I headed toward the access road, at the base of which are the shuttle departure point and a large parking lot (for cars and RVs). Along the way, an LED sign displayed "sold out" (referring to the access road). New arrivals wouldn’t rush to their smartphones to book a last-minute passage. Italians wouldn’t get the privilege of seeing this info in their own language, as the display stayed stuck on "sold out." I arrived at the "parking-shuttle" area, where they’d just put up a barrier because the lot was full. About 100 people were queuing for a shuttle, and the attendant at a checkpoint made me turn around (they weren’t letting vehicles onto the toll road). I went back to the nearest parking lot in Misurina, parked, and headed to the payment terminal. The accepted payment methods were coins and contactless bank cards. The daily rate (until 6 PM) was either 12 or 14 euro—I can’t remember which. Everything went wrong: I didn’t have enough coins, and my bank card doesn’t work contactless (a personal security choice). If I parked without paying for the full day, I was sure to get a fine. The day was ruined. I left the area toward Dobbiaco, and—miracle!—a van pulled out of a small roadside spot (accessible since there was no chain), and I took its place. The neighbors in the next van were having breakfast in the sun; they’d been there for two days and hadn’t been bothered. The hike could finally begin. I walked to the shuttle departure point (not far), where about 150 people were now in line (it was 9 AM). I decided to hike up to the Auronzo hut on foot.

The first stop was Lake Antorno, with the "Tre Cime" massif in the background. From here (and during all the open sections of the climb outside the forest), you can see the west peak (left) and the great peak (right), but not the small peak (further east).



A little higher up, the trail veers off the road and runs alongside a Dolomite group, the "Cadini di Misurina." I had a GPX track from Lake Antorno, but it wasn’t necessary—the signage was excellent. Needles in the "Cadini di Misurina."



The trail crosses the access road, and you get closer to the hut, which is now visible. The two peaks mentioned (west and great) dominate the view (note the appearance of these south faces). The ascent trail was moderately busy: about ten people passing me or being passed by me during breaks.



About half an hour later, I reached the hut, but visibility was zero—a cloud rising from the Auronzo valley blocked everything. I waited fifteen minutes, but nothing changed, so I decided to start the loop around the three peaks. I could only see people within 10 meters of me, and there were plenty—it was a real procession on a road wide enough for 4x4s (which use it to supply the huts along the way). The Santa Maria Ausiliatrice chapel and the "Piano di Lavaredo" were both in the clouds, so I didn’t get the classic photo of the three peaks from the "Piano di Lavaredo." The cloud lifted all at once just before the Lavaredo hut, revealing the Monte Paterno massif in the background. The Tre Cime massif was still shrouded in clouds at that point. Some of the procession participants turned back here.



I waited near the hut for the cloud covering the Tre Cime massif to clear. Gradually, visibility improved.







What you see in the photos above is the small peak ("Piccola Cima") and the secondary summits connected to it (Punta di Frida, Cima Piccolissima). From the Lavaredo hut, that’s the only peak visible. I continued the loop around the three peaks, climbing to "Forcella Lavaredo," a pass to the right of the previous photo (you can see the trail leading up to it). The landscape changes completely here. You move from the south side (Veneto region) to the north side (Trentino Alto Adige or Süd Tyrol region), revealing the view north of the Tre Cime—and most importantly, you get the full lineup of the "Tre Cime di Lavaredo": Piccola Cima, Cima Grande (2,999 meters), and Cima Ovest. The "pillars, obelisks, limestone pyramids" aspect defines this north side of the Tre Cime.



There was a real crowd at the pass; many visitors were hesitant, and some turned back. The procession toward the next hut on the classic route (Locatelli hut) thinned out, though we were still on a 4x4 road. I chose to leave the classic route (and the procession) to take a trail marked on a plateau between the three peaks and the classic route. The picnic break was along this trail, about fifteen minutes from the pass. To the north, the Locatelli hut sits at the foot of a spur (Torre di Toblin), with the "Tre Scarperi" massif in the background.



More to come in the next post.
Valmichel86
VA Valmichel86 Regular ·
Day 12: Monday, September 15, 2025 (continued)

To the northwest, the Dolomiti di Sesto group (which includes the Three Peaks) offers other summits: in the foreground, the isolated "Torre dei Scarperi"; further away, the southeast face in the shadow of a cloud, the "Croda dei Rondoi".



The entire circuit I’m covering today and all the mountains in the photos are part of Group 5 (Northern Dolomites), a UNESCO World Heritage site. North of the plateau, two of the Three Peaks: Cima Grande and Cima Ovest.



I continue along this trail toward "Malga Langalm". Behind me lies the Monte Paterno massif, with its characteristic Dolomite formations.



As I advance across the plateau, the Three Peaks come into view just before reaching "Malga Langalm".



At "Malga Langalm", I reconnect with the classic route (longer and farther from the Three Peaks) coming from the Locatelli hut. Many people turned back at the hut, so the final stretch of the Three Peaks loop is much less crowded—though it’s still busy, it no longer feels like a procession. The trail keeps climbing as it circles the peaks.



Continuing this way, you reach a spot where the "Tre Cime di Lavaredo" line up perfectly, with Cima Ovest in the foreground. It’s a bit like the counterpart to Forcella Lavaredo but on the west side of the massif.



After a stretch across scree, I quickly reach the pass (Forcella di Mezzo), which leads to the southern side. The trail descends gently back to the Auronzo hut. You arrive at the hut by skirting the parking lot, giving you a sense of its massive size. There’s even a spot where half a dozen 50-seat coaches park—tour operators bring entire busloads of visitors here! I take a break to look down at the valley where the morning mist rose and enveloped everything.



It’s the Val Marzòn, at the end of which you can see Lake Santa Caterina and the town of Auronzo di Cadore. All that’s left is to descend from the hut to Misurina. I take my time, glancing back now and then to admire the south face of Cima Grande (zoomed-in photo) and compare it to the north side.



Back at the car between 5:15 and 5:30 PM. Ascent to the hut: 2 hours (same for the descent). Loop around the "Tre Cime di Lavaredo": 4 hours. In terms of elevation: 2350–1750 = 600 meters of ascent to the Auronzo hut, and the same descent; 260 meters of ascent for the Three Peaks loop, and the same descent since it’s a circuit.

This is an exceptional, unforgettable hike. The conditions under which it can (or can’t) be done call for a few observations: 1 - The option I took (doing everything on foot from the valley) applies to only a tiny fraction of visitors or hikers. It’s negligible in terms of foot traffic. Plus, I only "chose" it "by default"—I didn’t want to wait for the 3rd or 4th shuttle (one every 30 minutes, a rhythm confirmed by hikers I met in the afternoon). 2 - The access managers (I think it’s the municipality of Auronzo di Cadore, but this needs verifying) may have been overwhelmed in the past, but they’re not anymore this year. They now almost fully control the number of people on-site. They decide how many cars and shuttles are allowed per day (and possibly, to some extent, how many buses come from Cortina or Dobbiaco). They set prices to steer traffic. If you’re a group of 3 or more, driving up is the better deal (40 €). If you’re alone or a pair, parking at the bottom (12 or 14 €) and taking the shuttle (10 € per person) makes more sense. At most, they might misjudge the average number of passengers per car or how many shuttles won’t be full (especially from late morning or early afternoon onward). Either way, they know and control the maximum number of people who can be at the "Tre Cime" site in a day. 3 - Given point 2, I think today’s crowds (mid-September, so quite late in the season) were similar to those in July or August: all car passes sold out, long lines for shuttles (unless the shuttle frequency was reduced compared to peak season). The turnout is massive—too massive for my taste. 4 - The principle of making mountain access paid through all sorts of tolls is really unpleasant (a mild way to put it). 5 - The prices, which are very high (another understatement), are worrying for the future. If the manager’s priority weren’t maximizing revenue, they could charge less. Since they control the flow (number of cars, shuttles), lower prices wouldn’t affect overcrowding. That’s clearly not their choice, so I fear prices will keep rising in the coming years as long as this hike "sells out."
Valmichel86
VA Valmichel86 Regular ·
Day 13: Tuesday, September 16, 2025

This will be a transition day; the weather isn’t great for a full-day hike. It’s overcast in the morning, then there’s a solid hour of heavy rain (pouring down). Everything clears up around 10:30 AM, so I head out to visit Cortina d’Ampezzo. Parking is paid almost everywhere; there’s only one free parking lot (via dello stadio) open, and of course, it’s not enough. A second free parking lot exists, but it’s being used to store construction equipment (preparations for the Olympic Games). The sun comes back with a blue sky and pleasant temperature, so I stroll around the center and visit the modern art museum (I bought a ticket for all three museums in Cortina d’Ampezzo). This museum features 20th-century Italian painters, a beautiful collection of paintings put together by a collector from Cortina who personally knew many of these artists. One work to remember: *La Zolfara* (*The Sulfur Mine*) by Renato Guttuso. No photos—I forgot to bring my camera.

In the afternoon, I take a short hike near Castello di Botestagno, 5 km north of Cortina toward Dobbiaco. This medieval castle, or what little remains of it, sits above the confluence of two streams: *torrente Boite* (which flows toward Cortina) and *torrente Felizon*, a tributary of the former. To get there, I take a small road to the left of the SS51 after the hamlet of Fiames; it leads to the information point of the *Parco delle Dolomiti d’Ampezzo*, where I park (free parking). A loop trail goes up to the top of the rock, the site of the former fortress.



The uphill trail stays close to the gorge carved by *torrente Felizon*. It goes as far as the old railway bridge over the stream and continues to the summit. There are still foundations, uncovered during recent excavations, but nothing above ground.



However, the view overlooks the stream’s gorge with the railway bridge mentioned above. The old railway line has been replaced by the Dobbiaco–Cortina d’Ampezzo bike path.



Toward Cortina, it’s the *torrente Boite* valley, with a powerful flow swollen by this morning’s rain.



The return takes a forest road that runs alongside the main road. About a hundred meters before the end of the loop, you cross *torrente Felizon* at the gorge’s exit.



This hike takes about 1.5 hours (from memory, very approximate since I didn’t take notes). The elevation gain is 180 meters up and the same down (it’s a loop).

Afterward, I visit the paleontology museum in Cortina d’Ampezzo, born from the passion of an amateur (Rinaldo Zardini) and the incredible fossil wealth of the Dolomites. Here’s a fossil piece of *(Neo) Megalodon*, a species that went extinct 3.5 million years ago (known as the largest shark to ever exist). But what part of the body is this? Mostly Megalodon teeth have been found, but while the shape is intriguing, the massive size of the pieces in this museum doesn’t match the size of teeth found elsewhere. So, is it a tooth, a vertebra, or part of the skull? I don’t know and couldn’t find anything online to clarify.



Back at the campsite with high spirits for the coming days (the weather forecast is perfect).
Valmichel86
GA Gaura Veteran ·
Looking at these photos, I regret not going to the Dolomites when I had the health for it! Now I can mostly do nearly flat terrain and downhill walks. In Switzerland, I know some amazing hikes near Interlaken—you take a train and then a cable car up to altitude, then hike back down on the trails. I’ll check if something like that exists in the Dolomites.
gaura
VA Valmichel86 Regular ·
Hi Noëlle, I’ve added the elevation gains (D+ and D-) for each hike (unless I forgot any). I think it’s more precise than just saying how it *feels* (easy or hard). In the Dolomites, there are ski lifts that run in the summer; you’ll need to check if they serve hikes that might work for you.

The next hike (the "Cinque Torri" – the five towers) is accessible via a chairlift that takes you close to the site. Getting around the site itself, though, isn’t flat at all: the trails go up and down quite a bit.
Valmichel86
VA Valmichel86 Regular ·
Day 14: Wednesday, September 17, 2025

It’s the start of a period of gorgeous weather: bright sunshine, warmth at altitude making it perfect for hiking in a T-shirt. I want to do three more well-known hikes around Cortina d’Ampezzo. Today, the "Cinque Torri" (the Five Towers). I climb part of the Falzarego Pass until I reach a left-hand road that leads, after a few hundred meters, to a large free parking lot at the start of the "Cinque Torri" chairlift (you can’t miss it). We’re at the spot called "Bai de Dones." Since I’m here to hike, I skip the chairlift and take the classic clockwise route. The ascent trail is trail 425; the path starts off fairly flat, then begins to climb until it meets a road (gravel or paved—I can’t remember which) leading to the "Cinque Torri" refuge. There are a few rare views of the "Tofana di Rozes" since the trail and then the road are set in the forest. The trail leaves the road to turn right with a sign for "Trincee" (trenches). Shortly after, we reach the upper edge of the forest, and the climb continues through a trench.



I quickly arrive at the foot of a tower. I should say I’m at the foot of two of the five towers: "Torre Grande" and, in the foreground, "Torre Barancio."



From this point on, I’m in the "Cinque Torri" area. In theory, there are two trails: the "giro delle torri" (tower loop) and the "sentiero delle trincee" (trench trail), but it’s a maze of paths winding through a labyrinth of towers. I navigate by instinct to cross the area and pass at the foot of many towers (way more than five).



I’ll identify this tower a bit later.



Here’s the same view from another angle.



After crossing a good part of the area, I reach a spot where the name "Cinque Torri" (five towers) finally makes sense.



The identification, in hindsight (since it’s trickier on-site), can begin. On the left, "torre inglese," the English Tower. Then, moving to the right, two towers with flat tops—horizontal for the taller one, slanted for the shorter one: "torre quarta" alta and bassa. In the background, behind the shorter one, "torre Barancio." On the right, in the foreground, "torre romana," and in the background, partially visible, "torre grande." I’ll have to identify them without revisiting the photos later... when they’re actually five. There are way more than five towers in the area: some aren’t named (or I didn’t find the names), while others "multiply," like "torre Barancio," which is made up of three connected towers.

The tower I mentioned identifying earlier (photos 4 and 5) is the English Tower.

You can also see the more or less distant massifs. The Sorapiss (left) and the Antelao (right) are east of the Cortina valley.



The "Tofane" behind the English Tower. Tofana di Rozes and, in the background, Tofana di Mezzo.



A much closer massif, Croda da Lago.



To be continued in the next post.
Valmichel86
GA Gaura Veteran ·
Thanks for the info.
gaura
VA Valmichel86 Regular ·
Day 14: Wednesday, September 17, 2025 (continued)

I’m near the Scoiattoli refuge (at the top of the chairlift) and I’m going to take a closer look at the *Torre Grande*. I’m descending via a narrow path, then along the paved road I took this morning for part of the climb, down to the *Cinque Torri* refuge. I head back up the same way, observing the *Torre Grande* (photo taken near the refuge; on the right, *Torre Barancio*).



I walk around the *Torre Grande* until I reach the base of the tower on the west side.



I then wander around the site a bit; if you have some time to spare (which you will if you’ve set aside the whole day for this hike), you can find different angles for the same towers (here, *Torre Quarta* alta and bassa, to compare with the wider view above).



*Torre Quarta* alta and bassa again.



*Torre Quarta* alta, this time on its own.



And to wrap up this wander among the towers, *Torre Inglese* with the sun lighting up the west face.



In my photo selection, I didn’t focus on the World War I remnants. This spot was a lookout over the front line just a few kilometers away: on the Lagazuoi slope to the right (Austrians at the top, Italians at the bottom), near the Falzarego Pass, and on the Sass de Stria slope to the left. You’ll find plenty of structures here (firing positions, shelters, artillery platforms, etc.).



To be continued in the next post.
Valmichel86
VA Valmichel86 Regular ·
Day 14: Wednesday, September 17, 2025 (continued)

Here are the “Cinque Torri” again, photographed at the edge of the site. The identification I gave earlier should work for the photo below. “Inglese, quarta, barancio, romana, grande” from left to right.



Here they are, from farther away, at the top of the chairlift. “Inglese, quarta, romana, barancio, grande” from left to right.



At the start of the return path (trail 440), I have Monte Averau in front of me. But the trail doesn’t climb; it veers to the right, at the boundary between the grass and the scree. That’s where the descent begins.



I recommend this trail in the afternoon because the sun’s position gives ideal lighting on the “Cinque Torri” (that’s why I did the loop clockwise), and you get to enjoy it during the first half of the descent.



The descent continues through the forest to near the Falzarego road. You get a different view of Lagazuoi (on the left) and “Monte Falzarego” (on the right). Near this spot, you need to take trail 424 to return to Bai de Dones.



This is a hike that’s well worth the trip, especially for the multiple ways to move around among the towers. The moderate elevation gain (415 meters up, the same down) makes it an easy day hike and leaves time to explore the site. I actually did more elevation gain than the 415 meters shown on the GPX track I had; detailed exploration of the site adds quite a bit more.
Valmichel86
VA Valmichel86 Regular ·
Day 15: Thursday, September 18, 2025

I’m continuing with the iconic hikes around Cortina d’Ampezzo, this time at Lake Sorapis. I’m not taking the classic route from “Passo Tre Croci.” Since I’m prone to vertigo, I’ve read that this route isn’t recommended for people like me. That kind of info is always a bit iffy—I would’ve loved to see the vertigo-inducing section for myself to judge if it was too tough. But it’s too far from the start to scout it out. So, I’m taking another path, said to be physically harder and much less crowded than the usual route. From Cortina, I head up to “Passo Tre Croci,” descend the east side of the pass, leave the Misurina road, and take the SR48 toward Auronzo di Cadore. I stop 500 meters after 4 steep switchbacks, near a hotel called “Cristallo.” Parking is possible along the roadside. The spot is called Valbona, I think—there’s a small road to the right that crosses the Ansiei stream after 50 meters, but you can’t take it because it’s blocked right after the bridge. The hike starts in a bucolic setting between meadows and forest.



It’s flat, even slightly downhill, until a spot called Sopis, where the climb begins. Easy at first, it gets steep quickly and stays that way almost all the way to Lake Sorapis. This corresponds to a big rock face where you have to gain the elevation (waterfall, gorge). Even though this section is in the shade (mid-September), I’m sweating a lot: 550 meters of elevation gain in one go on a steep trail. I met about ten people on the trail—everyone hiking at their own pace, except for two who were really poorly equipped and had set off without water!! They sounded Slavic and started asking if the lake was still far away.



At the lake, everything was as expected: the stunning setting, the water’s color, and the crowd. At a rough guess, there were quite a few people spread around the shore (hard to count), with a high concentration at the point where the trail reaches the lake—close to fifty, I’d say. Clearly, nine out of ten came via the classic trail, which must be really busy (though nothing like the “Tre Cime di Lavaredo”).



The spot also offers a view of the Tre Cime di Lavaredo (see my post from the day before yesterday)—well, two out of three: Cima Ovest (left) and Cima Grande (right).



I move a little to the left to get a higher view of the lake.



It should be possible to climb up the valley on the other side of the lake to get deeper into the Sorapis massif and closer to the glacier that gives the lake its turquoise color. I won’t be doing that, though.



The lake is dominated by a nearby peak called “the Finger of God.”



Now, I’m going to walk around the lake (clockwise). The first part climbs on poorly marked paths—you sometimes wonder if there’s even a trail. The height above the water and the sun’s position make the lake’s color even more intense.



More to come in the next post.
Valmichel86
VA Valmichel86 Regular ·
Day 15: Thursday, September 18, 2025 (continued)

Walking around the lake, I come to a spot where an amazing peak lines up perfectly with it.



Wow! And after some research, this turns out to be Ra Zesta, also called La Cesta (2,768 meters), probably because of the shape of the rocky folds.



The highest point on the steep trail around the lake offers a panoramic view of it (it’s about 300 meters at its longest). You can also see where people tend to gather: the north shore, near where the trails arrive.



This is also the spot where you feel most like you’re under the “finger of God.” Behind this peak, you can make out the group where the highest point of the massif is: Monte Sorapis (3,205 meters).



The paths carved into this area let you descend back to the lake’s edge, in a quieter section on the southeast side (steep). It’s a decent spot for a picnic.



After the picnic, I finish crossing the steep passage (you have to climb up and then down again). The rest of the loop is flat and brings you back near the refuge and where the trails start.



I make it back to Valbona without any issues. The trail is steep, so you’ve got to be careful on the descent, but it’s way less exhausting than the climb. Elevation gain/loss for the hike: 550 meters up and down. The weather’s great—warm—and since it’s not too late, I have time to visit the ethnographic museum once I’m back in Cortina d’Ampezzo. With the weather still so nice, there must be stunning sunsets in the mountains. I’ll settle for photographing the Sorapis massif from the campsite (Cortina). It’s past 6:30 PM, and I think I could’ve waited a little longer.

Valmichel86
VA Valmichel86 Regular ·
Day 16: Friday, September 19, 2025

Today, another hike among the most famous around Cortina d’Ampezzo: Croda da Lago. It’s a massif peaking at 2,715 meters, home to a lake very different from Lake Sorapis. I’ll be doing the loop clockwise for lighting reasons. To get to the starting point, I take the same route as for "Passo Falzarego"; in the village of Pocol, I turn left toward "Passo Giau." After 4 km on this road, I park by the side of the road: the trail starts here (a spot called "Ponte di Rucurto"). Route: trail 437 to the Cason del Formin junction, trail 434 to Lake Federa and then to "forcella Ambrizzola," trail 435 to "forcella Formin" and back to the Cason del Formin junction, then trail 437 to return to the starting point. The hike begins with an easy climb through the forest; past the Cason del Formin junction, after a good climb, you reach a viewpoint offering an expansive panorama.

I start with a recap of the day before yesterday, with a view of the "Cinque Torri." You get a view of the site from the east or southeast, with Torre Grande and Torre Barancio. The two refuges are also clearly visible: Rifugio Scoiattoli on the ridge at the top of the chairlift (on the hidden side), and Rifugio Cinque Torri below Torre Grande, accessible via the road coming from the right.



The "Tofane" (Tofana di Rozes and Tofana di Mezzo) dominate the area around Cortina d’Ampezzo.



The town of Cortina d’Ampezzo, as you can see, isn’t in a narrow valley but in a cheerful, relatively wide one, even though it’s overshadowed by peaks reaching 3,200 meters (the Tofane in the previous photo and the Cristallo massif here).



Zooming in, you can also spot the "Tre Cime di Lavaredo" (Cima Ovest and Cima Grande) in the distance but still easily identifiable; this viewpoint is the best I’ve found over the Cortina d’Ampezzo valley.



For many hikers, the goal is Lake Federa (Lago di Federa) and the nearby Rifugio Palmieri. The lake, with Becco di Mezzodì in the background, is one of the well-known spots around Cortina. I’ll continue the hike this afternoon by climbing to "forcella Ambrizzola," the pass visible to the right of Becco di Mezzodì.



For now, though, I’ll walk around the lake and have a picnic. Lake Federa offers a very different setting from Lake Sorapis: the atmosphere is much more pastoral. Aquatic vegetation is abundant near the shores (almost nonexistent at Lake Sorapis).









More to come in the next post.
Valmichel86
VA Valmichel86 Regular ·
Day 16: Friday, September 19, 2025 (continued)

On the ascent to Forcella Ambrizzola, the trail is always in my field of vision, gradually climbing the flank of the Croda da Lago massif. At the pass (2,277 meters), I’m at the foot of the Becco di Mezzodi. The face toward the lake is north-facing and therefore almost never sees the sun (only a little at the summer solstice).



Since it’s a pass, the landscape opens up to other slopes and peaks. I spot the Marmolada again—the summit and the glacier, the glacial tongue located below the cable of the upper section of the cable car.



If I look back at the slope I climbed, I see the ascent path, the lake (way down to the right), and the highest point of the Croda da Lago massif, Cima Ambrizzola (2,715 meters).



From here on, I cross to the west side of the massif and begin the return trip, but the climb isn’t over yet because the trail heads toward a second pass (higher than Forcella Ambrizzola) called Forcella Formin (2,462 meters). Exceptional panorama: the first pass on the left is Forcella Rossa; Forcella Ambrizzola (where I came from) is farther away, in the rocky area at the foot of the Becco di Mezzodi.



Near the pass, there’s a plateau—a true inclined plane—with scraped limestone outcrops, a landscape very different from the usual spires in the Dolomites: this is the Formin plateau. In the distance, the Nuvolau, Averau, and Lagazuoi massifs.



The walls and characteristic spires of the Dolomites are very close in the Croda da Lago massif; they tower over the entire descent trail that remains to be covered, and this massif (Croda da Lago) is one of the most remarkable for this type of formation. Here’s a wall quite close to the summit.



I begin the descent into the Formin valley—a long, not very easy section through a chaos of boulders of all sizes created by rockfalls. You have to be careful not to lose the trail; luckily, the markings (paint on the rocks) are well done.



More to come in the next post.
Valmichel86
VA Valmichel86 Regular ·
DAY 16: Friday, September 19, 2025 (continued)

Throughout this descent, the sun shines on the ridge of the massif, which looks like real lacework. The light is perfect, and everything is seen with incredible clarity.





In the massif, north of Cima Ambrizzola (the highest point), there’s a whole alignment of needles stretching for several kilometers. The trail runs alongside this alignment, staying roughly at the bottom of the Formin valley.



Since the trail hasn’t yet entered the forest (you have to descend further to reach the forest level), I’m walking through rocky chaos (scree and larger boulders), with nothing but jagged walls above me.



The same kind of landscape continues when I enter the forest (larches) that occupies the lower part of the valley.





I meet up with the outbound route at the Cason del Formin junction. From there, it’s the return trip to the road. A magnificent hike and a perfect day to do it. Moderate foot traffic on the outbound route (heavy around the lake) and light on the return from forcella Ambrizzola (except for the final stretch after Cason del Formin—it was the time most people were heading back). It’s already September 19, which might explain that.

Elevation info: Ascent and descent are roughly 900 meters each. The passage under the Croda da Lago massif in the Formin valley is spectacular (photos above). I really want to emphasize that the ideal time is in the afternoon (or even the second half of the afternoon), with the sun—preferably. I had these perfect conditions.

A quick note on the Dolomites groups listed as UNESCO World Heritage sites. There are 9 groups (which can vary greatly in size—some large, some small). I’ve explored 3 of them: Group 2: Marmolada (Day 5) Group 5: Northern Dolomites, one of the most extensive (Day 12 Tre Cime di Lavaredo and Day 15 Lake Sorapis) Group 1: Pelmo Croda da Lago (Day 16 Croda da Lago) The others are farther from Cortina d’Ampezzo.

The area around Cortina d’Ampezzo is packed with possibilities, each more interesting than the last. I deliberately didn’t try to be original in my choices because I wanted to do these well-known hikes. If I’d stayed in Cortina longer, I would’ve continued the *Sentiero Italia* route for a few more stages from Pralongia (where I stopped), with a priority on the "Lagazuoi, forcella Travenanzes, and val Travenanzes" section. I still have to prepare for my departure tomorrow morning.
Valmichel86
SI Sinforosa Veteran ·
You're a real athlete!

But the effort is worth it because the landscapes are breathtaking.
" Celui qui voyage sans rencontrer l'autre ne voyage pas , il se déplace " ( Alexandra David-Néel )

" Ahora todos quieren ser latinos , no , ey , pero les falta sazon , bateria y reggaeton " ( Bad Bunny )
VA Valmichel86 Regular ·
Hi Marie, I admit I have a soft spot for that last hike (Croda da Lago) because of the variety of landscapes—lake, pass, distant peaks, and the spires of the Croda da Lago massif. It’s on this hike that I took the most photos. We’re really at the top of what you can find in terms of hiking here. I’ll take your post as an opportunity to share a bit more about the turquoise color of Lake Sorapis (from the previous hike). I read that it’s caused by "glacial flour," tiny particles scraped from the rock by the Sorapis glacier (friction of the ice against the ground). These particles are carried into the lake in summer when higher temperatures cause significant glacial melt. The lake has no outflow; its level fluctuates based on losses (evaporation, seepage) and inputs (snowmelt, glacial melt), which peak in spring and summer. I read that it drops noticeably in autumn when lower temperatures reduce and eventually stop the glacial melt. All of this is temporary, though—the Sorapis glacier is small, and its lifespan is limited due to climate change.
Valmichel86
VA Valmichel86 Regular ·
Day 17: Saturday, September 20, 2025

Today, I’m leaving (a little) the Dolomites—or at least the Dolomites around Cortina d’Ampezzo. I’m also setting aside hiking for the rest of the trip. I’m heading to Belluno (Belluno is in the Dolomites) to spend two days in and around this city (the provincial capital of the Dolomites in Veneto). But before I leave, and especially before the sun gets too high, I’m going to photograph Becco di Mezzodì (see yesterday) from the area near the campsite, a view at the very start of the morning.



Belluno sits on a spur near a bend in the Piave River. On this stretch of the Piave, the Dolomites rise up to 2,500 meters on the right bank, while the Prealps reach 1,600 meters on the left bank. So, it’s still mountainous here, even though Belluno itself is only 400 meters above sea level. The campsite is in the Prealps near Monte Nevegal. Since it’s just a short drive, I’ll settle in, grab a bite, and head down to Belluno to explore the city in the afternoon. To give you an idea of Belluno’s setting, here’s a shot of an outlying neighborhood with the Dolomites in the background (photo taken from a viewpoint in the city center).



You enter the historic city through the *Porta Dante* and immediately arrive at *Piazza Duomo*. On the north side of the square, the Palazzo dei Rettori (Palace of the Venetian Podestà) is a Renaissance building with an arched portico on the ground floor and a loggia on the upper levels. In my opinion, it’s the most beautiful building on the square—it was mostly built in the 16th century and now houses the prefecture. In the background to the right, the Torre Civica (Civic Tower) is older in origin but has undergone several partial reconstructions. Throughout this part of the city (*Piazza dei Martiri*, *Piazza Duomo*), it’s Association Day today, mainly for sports groups. There are lots of people—parents, kids, teens—getting information, and some are even trying out activities where possible (mini volleyball or basketball courts, for example).



Next, I wander through some of the oldest streets in the city. This is where Roman Belluno once stood.



This neighborhood, with its narrow streets, centers around *Piazza delle Erbe* (or *Piazza Mercato*—Market Square), where you’ll find the city’s oldest fountain: Fontana di San Lucano (1409). Almost the entire square is surrounded by arcades and palazzi from the 14th, 15th, and 16th centuries (Gothic and, especially, Renaissance styles). This one (possibly the former Mount of Piety) is decorated with the coats of arms of former Venetian podestà. *Piazza Duomo* symbolizes political and religious power, while *Piazza Mercato* was the hub of business (artisans, merchants) during the Venetian period.



I head to the municipal museum, housed in an 18th-century palace: the beautifully restored Palazzo Fulcis. It’s spacious, with an engaging layout for this art museum, which opened in 2017 (after restoration work). But before going in, the wall of the neighboring pharmacy (Farmacia Perale) features a medallion of Garibaldi—a patriotic touch for an old pharmacy, given the style of the building it’s in.



Some rooms, like this salon, reflect the 18th-century palace’s grandeur. A room with an alcove and another with double-height ceilings serve the same purpose.



The collections span the modern era (from the Renaissance onward), but I was particularly drawn to the 18th and 19th centuries. The museum’s masterpiece is Sebastiano Ricci’s *The Fall of Phaeton* (1704), a striking painting that captures the sensation of falling (the void, the lack of a landing point). Many artists have tackled this myth. A quick recap of the myth: Phaeton borrowed his father Helios’ (the Sun God) chariot, lost control, and flew too close to Earth, scorching it. To "stop the damage," Zeus struck him down with a thunderbolt.



From the 19th century, Ippolito Caffi (a native of Belluno, 1809–1866, and a patriot) was a renowned landscape painter—but not *just* a landscape painter. Here’s his *Snow in Venice* (1841).



Andrea Brustolon (1662–1732), also from Belluno, was a Baroque wood sculptor who created religious works and furniture for private clients (two distinct lines of work). Here’s a *Crucifixion*—not the one in the museum, but the one in the church of Santo Stefano, north of the city center. I preferred this one for its expressiveness.



Back at the campsite with weather that’s still glorious and temperatures high for an altitude of around 1,000 meters.
Valmichel86
VA Valmichel86 Regular ·
Day 18: Sunday, September 21, 2025

I’m dedicating this beautiful, warm day to the Piave River valley, downstream from Belluno. I head down to Belluno, cross to the right bank of the Piave, and take the road toward Sedico. I visit my first example of a villa in Veneto—I’ll get to see other (much more famous) villas later in the trip. These villas have two parts: a patrician house, often a summer residence for a wealthy family, and a set of agricultural buildings for managing the estate. Both functions are integrated into a single architectural complex. This is the Villa Patt de Manzoni in Sedico, built in the 19th century (architect Giuseppe Jappelli). Here’s the façade of the “noble” section, with typical features: neoclassical style, a projecting section with giant pilasters, and a triangular pediment above.

N.B. I kept the text I wrote for my drive; it references the rest of the trip (which I’m not posting here) and Palladian villas. The architect of this villa was clearly inspired by Andrea Palladio.



Next, I head to the parish church. It’s Sunday, so I wait for Mass to end before going in. This 20th-century church, built in Romanesque style, houses a work by the Vecellio brothers. These painters are from the region—born in Pieve di Cadore in the Piave Valley upstream from Belluno. But who are they? The most famous is Tiziano (Titian), and his brother is Francesco.

A “Madonna and Child with Musical Angels” is the central panel of a damaged polyptych (all that remains of it).



Afterward, I make a detour into the Dolomites, specifically the Belluno Dolomites National Park (Dolomiti Bellunesi). Near Mis, a small dam created a narrow, elongated artificial lake in the “Valle del Mis” (the river’s name).



A little farther on, a picnic area (set up by the park) by the lake is perfect for lunch. On my way back, I drive to the end of the lake, where two curiosities await: the “Cadini del Brenton” and the “Cascata della Soffia.” But first, here’s what the Dolomites look like in this part of the range. We’re at about 400 meters in elevation, with peaks either just below or just above 2,000 meters, giving a totally different feel from the area around Cortina d’Ampezzo. This part of the Dolomites is also a UNESCO World Heritage Site—Group 3: Pale di San Martino San Lucano - Dolomiti Bellunesi - Vette Feltrine. When you read that long name and look at the corresponding map, you realize this “group” is actually a patchwork of barely connected areas.



After lunch, I drive to the end of the lake and park. A 100-meter walk away, the “Cadini del Brenton” are a series of basins separated by small waterfalls, carved by the Brenton stream—what we call “giant’s kettles” in English. Entry is paid, but not for me since I’m too old. The welcome was very friendly.



A short walk away is a waterfall (Cascata della Soffia, named after the stream). You can access the upper level via a footbridge. There’s also a way to reach the base of the waterfall by navigating a narrow gorge—fun but a bit tricky (unless it’s been improved).



To be continued in the next post.
Valmichel86
VA Valmichel86 Regular ·
Day 18: Sunday, September 21, 2025 (continued)

I backtrack (by car) to exit the "Valle del Mis"; I head downstream to find a bridge over the Piave River, then return toward Belluno on the left bank. A sprawling municipality, Borgo Valbelluna, occupies much of this left bank, grouping several villages where I make stops. First up is Lentiai, where the Vecellio family is remembered. In the Church of Lentiai (Chiesa di Santa Maria Assunta), it wasn’t the Vecellio brothers who worked here, but Tiziano (Titian, one of the brothers), his workshop, and a cousin of Tiziano’s named Cesare.

Cesare Vecellio painted the 20 panels of the immense coffered ceiling in the central nave—scenes from the Virgin Mary’s life based on the Gospels.



At the far end of the nave, in the choir, you can see a large polyptych with white-framed panels: the Assumption Polyptych. While most of it was done by Titian’s workshop, the masters themselves painted certain panels—the Dead Christ (top) by Cesare, and an unidentified bishop by Titian. This altarpiece is tricky to photograph (due to the altar and reflections).



Next, I head to Mel, the most important of the villages making up Borgo Valbelluna, perched atop a hill overlooking the valley. At the center of the town, a large square surrounded by *palazzi* from different centuries of the Venetian period—quite surprising for a village (this isn’t a city).



The palazzo at the far right in the photo above has real grandeur—it’s the former Zorzi Counts’ palace (from the 16th century), now the "Palazzo della Magnifica Comunità di Mel," or in modern terms, the town hall (I couldn’t visit; it was closed when I passed by).



The wide shot of the square is taken from the church parvis, which sits at the highest point of the square. This church is neoclassical in style, built in the mid-18th century, and imposing without being bulky.



Back at the Nevegal campsite; the weather, still hot, clouds over by late afternoon with a stormy feel, hinting at a change ahead. This journal entry wraps up my route through the Dolomites.

The other part of the trip (not yet published) covers:

- First, the strip of hills between the plain (to the south) and the Prealps (to the north), with forays into both. I traveled from Vittorio Veneto (east) to Marostica (west); I couldn’t find a precise name for this region, which spans multiple administrative provinces. A music festival held there billed itself as the "pedemontana" festival—I’ll use that term, translating it as "foothills," and I’d call this little area the Venetian foothills.

- Then, the city of Vicenza and its immediate surroundings.

The focus of this part of the trip is cultural, in contrast to the "hiking" focus of the Dolomites section.

I’ll add a post with some maps to help readers unfamiliar with the Venetian Dolomites get their bearings.
Valmichel86
VA Valmichel86 Regular ·
A promise made is a promise kept: here are the maps.



Location of Cortina d'Ampezzo in relation to Belluno (the red dot, provincial capital). It's 68 kilometers from Belluno to Cortina d'Ampezzo.

I'm adding two more detailed maps of the area around Cortina.





These two rectangular snapshots are pretty good (though far from perfect) for getting your bearings around Cortina.
Valmichel86

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